Notes: Photography class
High key photographs: Mostly whites with some darks Lighting arrangements
Low Key Photographs Mostly Dark some lights
High Contrast Image: Threshold filter Photoshop
Photographs: Silhouette lighting
Overexposed Photographs We say when there is no detail in the white value range that the lights are blown out
Filters On some cameras you can put a filter on the lens
Portrait Tips
Natural lighting Golden Hour lighting: at sunrise or at sunset Diffused light: cloudy day Backlight: subject silhouetted in front of sun Harsh light: mid-day sun casts raccoon eye shadows and is not very attractive Dappled light: avoid this spotty lighting, not flattering and difficult to expose properly Window: indirect sun can be the best light for indoor lighting
Golden Hour Light: sunset Overcast Diffused Light
Harsh Overhead Sunlight Try to avoid this type of lighting no catch-lights raccoon eyes
Underexposed Portraits When there is no detail in the dark areas of the photograph and the mid grays are past Zone 5 we say that the image is filled in This image is almost a silhouette but wasn’t intended to be one. Be careful that you Bounce light back into the subject so there is detail in the face when backlit.
Dappled Light Portraits Usually try to avoid dappled light on peoples faces unless it adds to the Story you are trying to tell.
High Camera Angle
Low Camera Angle creates empathy with the subject EYE LEVEL
Low Contrast Image When the image has no blacks and no whites and only mid range values we Say the Image is muddy. To correct low contrast, muddy, images correct the levels in Photoshop.
Catch-lights Light reflected in the eyes show life. Try to have catchlights in both eyes by moving the lights or the model Catch-lights will be shaped like the lights.