Salsa Ohio has little to do with the history of salsa, but I like the state flag.

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Presentation transcript:

salsa Ohio has little to do with the history of salsa, but I like the state flag

1 st use of term “Échale Salsita” a son by Cuban composer Ignacio Piñeras, 1937 “put some sauce on it” or “spice it up a little”

More significant – Afro-Cuban jazz U.S. big-band swing & jazz era, 1940s-1950s Dizzy Gillespie & Chano Pozo, “Manteca,” 1947 legendary Cuban brothers-in-law Machito and Mario Bauzá Puerto Rican (or "Nuyorican") bandleaders Tito Rodríguez and Tito Puente –Tito Puente, “Mambo Gozon,” 1957 timbales

until mid-60s, the Latin sound is an integral part of the American popular music soundscape  Check out The Beatles “And I Love Her” or “I’m Just Happy to Dance with You” from Hard Day’s Night, 1964 but rock & African-American styles come to dominate pop music. A new force rises to fill this empty cultural space...

Fania Records founded by Dominican flutist Johnny Pacheco, exclusively dedicated to "tropical Latin" music 1960s: Nuyorican trombonist/composer Willie Colón and Panamanian-born singer/composer Rubén Blades 1970s: Eddie Palmieri, Ray Barretto, Tito Puente, Celia Cruz, Hector Lavoe and many others join Salsa internationally hot – on the U.S. East Coast, also in South America as well as Central America; even European, Japanese and African audiences. Venezuela, Colombia, Puerto Rico become salsa powerhouses – markets and creators Adapted from Rebeca Mauleón

Willie Colón/Hector Lavoe “Che Che Cole” “world-salsa” style combines many styles (PR, Brazil, African) lyrics have similar “let’s all dance” theme: I dance in Venezuela, I dance in Panama. This rhythm is African...

What distinguishes salsa from its Cuban predecessors? While the roots of salsa are firmly imbedded in the Cuban son and its descendents (such as the mambo, cha-cha-chá and guaracha), there are four main factors in how it became its own genre: an increased use of trombones; the important role of the Cuban timbales in the ensemble; the modern harmony associated with jazz music; and the incorporation of Puerto Rican rhythms, instruments and stylistic elements. — Rebeca Mauleón

“salsa” v. “son” insult? does not respect distinct cultures; “all you people look alike” rip-off, not acknowledging Cuban roots? artifact of anti-Soviet/anti-communist politics? pan-Latino? political unity useful term? Sells more! necessary term – recognizes hybrid nature of the music

Two wings of the same bird?