ArmoníaTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it.

Slides:



Advertisements
Similar presentations
AU-200 Digital Audio Workstations Mbox 2 overview.
Advertisements

Crown XTi Control Click the Crown Logo at the top of any the screen to return to this Menu Interactive Main Menu Interactive Front Panel Display Updating.
Triad DSP RackAmps™ Set Up
Crown CDi Series Control Click the Crown Logo at the top of any the screen to return to this Menu Interactive Main Menu Interactive Front Panel Display.
DP-0206 Digital Signal Processor. DP-0206 Features  Permanent Installations  2-Inputs / 6-Outputs  Modular Design  Excellent Sound Quality (#1 Engineering.
…performance audio networks. ABOUT RockNet => RockNet provides ultra low latency and very high audio quality. Genuine Audio Technology  RockNet is a.
SEAS System Solutions For the professional Audio Visual Marked SEAS System Solutions For the professional Audio Visual Marked.
20/Oct./2000 CF IEEE NSS 2000 at Lyon,France 1 An MWPC Readout Chip for High Rate Environment Introduction ASIC Structure & Fabrication ASIC Evaluation.
Audio Signal Flow By Jodi Kidneigh Week 1 IMPMOOC.
TM Revision 0.2 Hilmi Ortadeveci Custom Engineering January 31, 2000 MTD Project.
AES 2002 Meeting DMX-P01 Portable Digital Mixer. AES 2002 Meeting DMX-P01 Portable Digital Mixer  4 Mic/Line Inputs for ENG/EFP and Location Production.
Crown DSi Series Control Click the Crown Logo at the top of any the screen to return to this Menu Interactive Main Menu Interactive Front Panel Display.
EMG Lab Data Collection Toru Tanaka, Miguel Narvaez, Adam Bruenger, and members of the Spring Semester KIN 831 Course.
je technicky rovnaký ako
EE 5340, SMU Electrical Engineering Department, © Carlos E. Davila, Electrical Engineering Dept. Southern Methodist University slides can be viewed.
Data Acquisition Risanuri Hidayat.
Oscilloscope Watch Teardown. Agenda History and General overview Hardware design: – Block diagram and general overview – Choice of the microcontroller.
Sound Mixer. Sound Mixers: Overview Applications Some of the most common uses for sound mixers include: Music studios and live performances: Combining.
Live Sound Analog Mixing Console. Live Sound Analog Mixing Consoles Come in many different sizes and configurations for different applications Come in.
1 Darrin Marr Marcie Webb Brad Zarikoff Digital Input Power Meter.
Electricity and Sound Transducers Audio Signals Cables and Shielding.
Power Amplifiers and Loudspeakers Power amp ratings Loudspeaker types and uses.
The outputpower of an amplifier Delivers i.e. Rated output- 600 W.
Advanced Lecture.  dynamic range The ratio of the loudest (undistorted) signal to that of the quietest (discernible) signal in a unit or system as expressed.
Linear Regulator Fundamentals 2.1 Types of Linear Regulators.
Australian Monitor Products Here is a look the AMIS product line & some of our other products from AM Pro & AMAV.
COMMERCIAL PAGING AND MUSIC SYSTEMS NBFAA CEU# CARL FOUTZ.
Power Amplifiers and Loudspeakers Power amp ratings Loudspeaker types and uses.
2 1 Amplifiers. Definition A device which increases the level of a signal from line level to power level. Always the final active component in the signal.
IP Based Sound System for Rest House
DSP. What is DSP? DSP: Digital Signal Processing---Using a digital process (e.g., a program running on a microprocessor) to modify a digital representation.
DIGITAL VOICE NETWORKS ECE 421E Tuesday, October 02, 2012.
Armonía Training Days Remo Orsoni Application Engineer.
DA-250F/DA-250FH TOA Corporation. Features DA Series Multi-channel Digital Amplifiers.
COMPUTED ENVELOPE LINEARITY OF SEVERAL FM BROADCAST ANTENNA ARRAYS J. Dane Jubera 2008 NAB Engineering Conference.
BJT Amplifiers (cont’d)
Data Acquisition Data acquisition (DAQ) basics Connecting Signals Simple DAQ application Computer DAQ Device Terminal Block Cable Sensors.
Eclipse EHX – V-Series Panels Audio Mixer Features / Examples.
SCAD 508 Strain Measurement System Click Here To Download Complete Information On SCAD Products EXCITATION VOLTAGESelectable from 0.5VDC to 10 VDC in steps.
Dynamic Range and Dynamic Range Processors
Sound Principles VCC West Philly Sound Team Training.
COMPRESSORS Prevents clipping or audio distortion Protects loudspeakers and amplifiers Reduces audio peaks to a lower level and boosts low levels Average.
Amplifiers and Speakers
Prototype Sensor Status and Measurements u Sensor Response Measurements u Mechanical Response u Noise Expectations u DAQ Status.
IP PA System for Park Sound System
MSK-200 TV Signal Analyzer 6-In-One TV Test Solution  Installation, repair and maintenance of professional Analog and Digital terrestrial, CATV and satellite.
제조사 MODEL NAME SYMETRIX EDGE Open Architecture D.S.P Processors: 1 x Analog Devices SHARC 400 MHz SIMD. Raw processing capacity: 400 MIPS, 1.6.
Digital Multimeter – Basic Guide
LAN/WAN IP PA System for 150 Classroom Sound System Room-1
SIGNAL CONDITIONING Signal conditioning is stage of instrumentation system used for modifying the transduced signal into a usable format for the final.
NSG 4070 Signal generator and immunity test system Dr. Heinrich
Quiz: Determining a SAR ADC’s Linear Range when using Operational Amplifiers TIPL 4101 TI Precision Labs – ADCs Created by Art Kay.
I/O INTERFACES DL 155 MIDAS NAME MODEL 제조사
I/O INTERFACES DL 153 MIDAS NAME MODEL 제조사
Ping-Pong Ball Levitation
More performance in more applications
DIGITAL SIGNAL PROCESSOR LNR-26 [LINEA RESEARCH]
MECH 373 Instrumentation and Measurements
Wireless Surround Sound
Introduction Available in 4 x 1300 Watts and 2 x 2500 Watts
Preamplifier and mixers, Power Amplifiers, and Speakers
DIGITAL POWER AMP Xib4 [LINEA RESEARCH]
SpeakerLinXTM SLX300 Overview
Efficient mitigation of RFI at radio astronomy observatories
Triad DSP RackAmps™ Set Up
품 목: AUXILIARY MICROPHONE 모델명: VAM-1 제조사: BIAMP
Vibration Monitoring System M14
AES 2002 Meeting DMX-P01 Portable Digital Mixer.
Open Research and Future Standard Opportunities
Now that we can store audio with high resolution, what will it take to reproduce it with high accuracy? 10/29/2019
Presentation transcript:

ArmoníaTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it

Advanced training SUMMARY Armonia - WIFI connection to amplifiers and controlling via Armonia - Special cabling for connecting AES3 inputs to the amplifiers - Measuring and creating presets for loudspeakers a) Limiter functions and settings b) FIR/ IIR X-overs c) Smaart? d) Creating a preset. - Creating a cardioid subwoofer pattern with Armonia

LIVE! WI-FI connection to amplifiers and controlling via Armonia Advanced training LIVE! WI-FI connection to amplifiers and controlling via Armonia

PORT 1/PORT 2 (IDENTICAL) KAESOP Network Wiring PORT 1/PORT 2 (IDENTICAL) 1: 100BaseT AutoMDI RX/TX+ 2: 100BaseT AutoMDI RX/TX- 3: 100BaseT AutoMDI TX/RX+ 4: AES3-A RX/TX+ 5: AES3-A RX/TX- 6: 100BaseT AutoMDI TX/RX- 7: AES3-B RX/TX+ 8: AES3-B RX/TX- AES3-A stream, ch 1-2 AES3-B stream, ch 3-4 100BaseT LAN

AES EBU / ANALOG input selector From digital AES3 source KAESOP Network Wiring Connecting AES3 inputs to the amplifiers. a) Thru the rear IN2 XLR (must be push the selector) AES EBU / ANALOG input selector From digital AES3 source

From digital AES3 source Input routing a) Thru the rear IN2 XLR (must be push the selector) Connecting AES3 inputs to the amplifiers. From digital AES3 source

From digital AES3 source KAESOP Network Wiring Connecting AES3 inputs to the amplifiers. AND \ OR b) Thru the RJ45 port (patch panel or Y cable needed) 100BaseT LAN AES3-A stream AES3-B stream From Armonia network From digital AES3 source

Input routing b) Thru the RJ45 port (patch panel or Y cable needed)

Measuring and creating presets for loudspeakers. a) Very expensive and advance measurement system and logistic (anechoic chamber) is necessary for make a presets. b) Factory presets is the basics for any custom preset design and warranty. c) …. With a good equipment, growing up experience and lucky we can make a preset from the scratch.

Limiter functions and setting. Power limiter Real time monitor Peak limiter

Link Attack & Release time with X Power Limiter setting. Power sensing Power vs Volt or TruePower - Power vs I (only special transducer) Enable Power limiter Enable cross limit mode (link the GR) TruePower uses the real-time measurements of amplifier output voltage and current. Equivalent power @ 8Ohm is calculated using the real-time measurements of the amplifier’s output voltage and based on a hypothetical 8 ohm load. Link Attack & Release time with X Soft-knee

Peak Limiter setting. Enable Peak limiter Display calibrated downwards. Link Attack & Release time with X

Displayed information. Headroom Limiter LED Output power Gain reduction history Gain reduction meter *Display calibrated downwards.

…about loudspeaker Power Electromechanical transducers transform a significant amount of power into heat. They can accept different power level according to the time and dynamic of the signal apply. long term > 2 h (AES), better know as RMS  CF < 6 dB Program – Music > 2 h (Recommended amplifier) CF > 6 dB short term < 2 s (peak / IEC268-5) CF > 12 dB Eg. Long term power 500 W AES Program, Music (Recommended amplifier) 1000 W RMS Short term power IEC 268-5 2000 W PEAK DISCO – MODERN LIVE (Pop - Rock) – ACOUSTIC MUSIC (Jazz – Classical)

Typical subwoofer specification

Typical loudspeaker specification

Typical bi-amp loudspeaker connection pannel

Typical bi-amp loudspeaker connection diagram

Power Limiter Threshold W TruePower is the preferred setting to choose when the number of speakers connected to the amplifier channel is known. Powersoft suggest a threshold of 1\3 of the power specification of the loudspeaker Eg. 750 W AES = 250 W Equivalent power @ 8 Ohm setting all power calculations being based on an arbitrary 8 ohm load (RMS voltage limiter), unknow speaker number. Working essentially as an RMS voltage limiter the Equivalent power @ 8 Ohm mode is useful when the number of speakers connected to the amplifier terminal is unknown. In such cases, using TruePower could under-power multiple speakers connected to an amplifier channel. For example, using a 500 W TruePower limiter would deliver 500 W to a single speaker, 2 x 250 W to two speakers, 4 x 125 W to four speakers etc.

Peak limiter Threshold V Powersoft supply a excel file for calculate it (DesignersTool_1.2.5_a.xlsx) or you can use the formula Vlim= 𝑊 𝐴𝐸𝑆∗𝑅 ∗1,7 Eg. 2000 W AES @4 ohm = 152 V NOTE: For very heavy use (24\7 - CF < 3 dB) I suggest a 1,4 multiplier Eg. 2000 W AES @4 ohm = 125 V

Peak limiter Attack & Release time

Power limiter Attack & Release time

Measurement Smaart ?

Two ways loudspeaker Impulse response IIR X-overs

Two ways loudspeaker Impulse response FIR X-overs

Two ways loudspeaker Frrequency response FIR X-overs Crossover frequency 1630 Hz.

Two ways loudspeaker 3D polar response IIR v\s FIR X-overs Crossover frequency 1630 Hz.

IIR v\s FIR X-overs Pro Full range Higher x-over area and «musicality» Easy to find Cons Minimum speaker protection Phase distortion Pro Higher speaker protection Linear Phase response Cons Latency (only up then 1Khz) Reduced x-over area and «musicality» Not Easy to find

Creating a cardioid subwoofer pattern Pro Full range Higher x-over area and «musicality» Easy to find Cons Minimum speaker protection Phase distortion Pro Higher speaker protection Linear Phase response Cons Latency (only up then 1Khz) Reduced x-over area and «musicality» Not Easy to find