Davis Art Images Supplemental Image Set Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value 1. Jeremiah Pearson Hardy, Catharine Wheeler Hardy and Her Daughter c1845, oil on canvas, x cm (29 3/4 x 36 3/4") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value 2. Alvan Fisher, Corn Husking Frolic, 1828, oil on panel, 70.8 x cm (27 7/8 x 24 15/16") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value 3. Alfred Stieglitz, Dirigible, 1910, photogravure on paper, 18 x 18 cm (7 1/4 x 7 1/4") Photo © Davis Art Images

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Using value in a design 4. Thomas Moran, Grand Canyon of the Colorado River, 1892 and 1908, oil on canvas, 135 x 239 cm (53 1/4 x 94 1/8") ©Philadelphia Museum of Art

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Using value in a design 5. Yoshida Hiroshi, From the series "Twelve Subjects of Tokyo": Sumida River - Mist 1926, color woodcut on paper, 27.4 x 40.4 cm (10 15/16 x 8 11/16") ©Worcester Art Museum, Worcester, Mass.

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Using value in a design 6. Pieter de Hooch, Flower Garden, 17th century, oil on panel, 71 x 64 cm (28 x 25 1/4") ©Brooklyn Museum of Art, Brooklyn, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Light values 7. John Singer Sargent, Venice, c1902, watercolor over graphite on thick, moderately textured, cream wove paper, 25.4 x 35.6 cm (4 x 14") ©Worcester Art Museum, Worcester, Mass.

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Light values 8. Shinagawa Yûsen, The Sumida River in Spring, between 1800 and 1850, hanging scroll, ink and color on silk, image: 62.7 x 92.7 cm (24 11/16 x 36 1/2") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Dark values 9. José Clemente Orozco, The Subway, 1928, oil on canvas, 41 x 56.2 cm (16 1/4 x 22 1/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Dark values 10. Lyonel Feininger, Lunar Web, 1951, oil on canvas, 54 x 92 cm (21 1/4 x 36 1/4") ©Brooklyn Museum of Art, Brooklyn, New York

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Dark values 11. Louise Nevelson, Sky Cathedral, 1958, assemblage painted wood construction, 344 x 305 x 46 cm (134 3/4 x 120 1/4 x 18 1/4") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Value contrast 12. Victor Vasarely, Yark and I, 1952, oil on canvas, 100 x 73 cm (39 3/8 x 28 3/4") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Value contrast 13. James Abbott McNeill Whistler, Arrangement in Black: Lady in Yellow Buckskin -- Portrait of Lady Archibald Campbell, c1883, oil on canvas, 218 x 111 cm (85 7/8 x 43 3/4") ©Philadelphia Museum of Art

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Value contrast 14. Eastman Johnson, Writing to Father, 1863, oil on composition board, x 50.8 cm (12 x 9 1/4") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value Value contrast 15. Georges de la Tour (French, ), The Repentant Magdalene, c.1640, oil on canvas, 113 x 92.7 cm (44 5/8 x 36 1/2") ©National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Studio experience - Still Life value study 16. Wayne Thiebaud, Boston Cremes, from the portfolio "Seven Still Lifes and a Silver Landscape," 1970, published 1971, linoleum cut printed in color, 35 x 52 cm (13 7/8 x 20 5/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Value Studio experience - Still Life value study 17. Le Corbusier (Charles-Édouard Jeanneret), Still Life, 1920, oil on canvas, 81 x 100 cm (32 x 39 3/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 3 Studio experience - Still Life value study 18. Giorgio Morandi, Still Life, 1950, oil on canvas, 35.8 x 47.3 cm (14 1/8 x 18 5/8") ©The Phillips Collection, Washington, DC

Exploring Visual DesignSet 116D Part 1The Elements of Design, 3 -- Value 1.Jeremiah Pearson Hardy, Catharine Wheeler Hardy and Her Daughter c1845, oil on canvas, x cm (29 3/4 x 36 3/4") ©Museum of Fine Arts, Boston MFAB Alvan Fisher, Corn Husking Frolic, 1828, oil on panel, 70.8 x cm (27 7/8 x 24 15/16") ©Museum of Fine Arts, Boston MFAB Alfred Stieglitz, Dirigible, 1910, photogravure on paper, 18 x 18 cm (7 1/4 x 7 1/4") Photo © Davis Art Images Using value in a design 4.Thomas Moran, Grand Canyon of the Colorado River, 1892 and 1908, oil on canvas, 135 x 239 cm (53 1/4 x 94 1/8") ©Philadelphia Museum of Art PMA-140 Using value in a design 5.Yoshida Hiroshi, From the series "Twelve Subjects of Tokyo": Sumida River - Mist 1926, color woodcut on paper, 27.4 x 40.4 cm (10 15/16 x 8 11/16") ©Worcester Art Museum, Worcester, Mass. WAM-474 Using value in a design 6.Pieter de Hooch, Flower Garden, 17th century,oil on panel, 71 x 64 cm (28 x 25 1/4") ©Brooklyn Museum of Art, Brooklyn, New York BMA-699 Light values 7.John Singer Sargent, Venice, c1902, watercolor over graphite on thick, moderately textured, cream wove paper, 25.4 x 35.6 cm (4 x 14") ©Worcester Art Museum, Worcester, Mass. WAM-281 Exploring Visual Design, Part 1 The Elements of Design, Chapter 1 Line

Light values 8.Shinagawa Yûsen, The Sumida River in Spring, between 1800 and 1850, hanging scroll, ink and color on silk, image: 62.7 x 92.7 cm (24 11/16 x 36 1/2") ©Museum of Fine Arts, Boston MFAB-811 Dark values 9.José Clemente Orozco, The Subway, 1928, oil on canvas, 41 x 56.2 cm (16 1/4 x 22 1/8") ©The Museum of Modern Art, New York MOMA-P2266 Dark values 10.Lyonel Feininger, Lunar Web, 1951, oil on canvas, 54 x 92 cm (21 1/4 x 36 1/4") ©Brooklyn Museum of Art, Brooklyn, New York BMA-384 Dark values 11.Louise Nevelson, Sky Cathedral, 1958, assemblage painted wood construction, 344 x 305 x 46 cm (134 3/4 x 120 1/4 x 18 1/4") ©The Museum of Modern Art, New York MOMA-S0190 Value contrast 12.Victor Vasarely, Yarkand I, 1952, oil on canvas, 100 x 73 cm (39 3/8 x 28 3/4") ©The Museum of Modern Art, New York MOMA-P2242 Value contrast 13.James Abbott McNeill Whistler, Arrangement in Black: Lady in Yellow Buckskin -- Portrait of Lady Archibald Campbell, c1883, oil on canvas, 218 x 111 cm (85 7/8 x 43 3/4") ©Philadelphia Museum of Art PMA-195 Value contrast 14.Eastman Johnson, Writing to Father, 1863, oil on composition board, x 50.8 cm (12 x 9 1/4") ©Museum of Fine Arts, Boston MFAB-426 Value contrast 15.Georges de la Tour (French, ), The Repentant Magdalene, c.1640, oil on canvas, 113 x 92.7 cm (44 5/8 x 36 1/2") ©National Gallery of Art, Washington, Ailsa Mellon Bruce Fund NGA-P0339 Exploring Visual Design, Part 1 The Elements of Design, Chapter 1 Line

Studio experience -- Still Life value study 16.Wayne Thiebaud, Boston Cremes, from the portfolio "Seven Still Lifes and a Silver Landscape," 1970, published 1971, linoleum cut printed in color, 35 x 52 cm (13 7/8 x 20 5/8") ©The Museum of Modern Art, New York MOMA-P2513 Studio experience -- Still Life value study 17.Le Corbusier (Charles-Édouard Jeanneret), Still Life, 1920, oil on canvas, 81 x 100 cm (32 x 39 3/8") ©The Museum of Modern Art, New York MOMA-P0201 Studio experience -- Still Life value study 18.Giorgio Morandi, Still Life, 1950, oil on canvas, 35.8 x 47.3 cm (14 1/8 x 18 5/8") ©The Phillips Collection, Washington, DC PC-299 Exploring Visual Design, Part 1 The Elements of Design, Chapter 1 Line