1. Recap of Lecture 1 Formal elements- Line, Space, Light & Value Light: Three Sources of Light? Space-Negative Space (unoccupied areas left after the positive shapes have been laid down by the artist)

2. COLOR: The Language of Art and Architecture Color-Four Properties Hue-Pure State of Color (Red, Yellow, Blue) Value-Lightness and Darkness within a Hue Shade-When Black is added to Hue Intensity-Brightness and fullness of a Hue

3. Color Yves Klein, IKB 79, 1959, acrylic, fabric and wood

4. What are the cool colors? What are the warm colors? THE COLOR WHEEL

5. Tom Wesselmann, Bedroom Painting #7, 1967-69 Oil on Canvas Philadelphia Museum of Art

6. Color: Value or Intensity? Howard Hodgkin, Rain, 1985-89, Oil on wood, Tate Gallery, London

7. Color Contrasts and Synthetic Pigments Henri Matisse, Portrait of Madame Matisse, 1905, Oil on Canvas How does Matisse create Volume?

8. Shapes: An outline of a figure or object Frank Stella, Hyena Stomp, 1962, Tate Gallery, London

9. Describe these shapes: zig zag, interlocking, arrows How are they created here? Frank Stella, Empress of India, 1965, Metallic powder in polymer emulson paint on canvas, MOMA, NY

10. Organic-Remind us of animal, human, or natural shapes Robert Motherwell, The Voyage, 1949, Oil on tempera on paper mounted on Composition board, Museum of Modern Art, New York

11. Time & Motion: Formal Elements Continued Peter Paul Rubens, 1612-18, Oil on Canvas, Prometheus Bound

12. Rhythm and Pattern: Formal Element Mondrian, Broadway Boogie-Woogie, Oil on Canvas, 1942-43

13. RHYTHM & PATTERN- DESCRIBE THE WAYS IN WHICH IT IS SHOWN Lorna Simpson, Still from Easy to Remember, 2001 16mm film transferred to DVD, Sound, Video Art, Sean Kelly Gallery, New York

14. Texture: Last Formal Element Jean Dubuffet, Monsieur Plume plis au pantalon, Oil with sand/grit on canvas, 1947, Tate Gallery, London