Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity.

Slides:



Advertisements
Similar presentations
Davis Art Images Supplemental Image Set
Advertisements

Davis Art Images Supplemental Image Set
The Principles of Design what you need to know to make a great piece of art.
Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 7 Balance.
The life and paintings of Charles Demuth Created by: bruceblackart.com
Exploring Modern Portraiture Images for educators from The Alexandria Museum of Art Spring 2013 Exhibitions Ray Turner: Population and An Adventure in.
Davis Art Images Supplemental Image Set Exploring Visual Design Part 1 The Elements of Design Chapter 3 Value.
KASUGA SHRINE MANDALA Kamakura period, early 14th century CE
ELEMENTS OF ART & PRINCIPLES OF DESIGN
Pre-Raphaelites, Impressionism and Post Impressionism Moreno Valley High School AP Art History Erica Ness.
Autumn Rhythm, 1950, (oil on canvas, 105 in x 207 in.), Metropolitan Museum of Art, New York.
Dada and Surrealism.
1 Site Specific Art. 2 Figure ROBERT SMITHSON, Spiral Jetty, Black rock, salt crystals, earth, red water (algae) at Great Salt Lake, Utah.
Mary Cassatt (cah SAT) American Impressionist.
ARTIST REVIEW LET’S GET READY FOR OUR TRIP TO THE WADSWORTH!
Paul Cézanne
Chapter One Examples Learning About Art Art timeline images for study and discussion.
Alexander Calder Who is Alexander Calder? Alexander Calder was born n Philadelphia, PA in His father was a sculptor and his mother was.
Modernism in American Art Arthur Dove Nature Symbolized 1911 Pastel on paper 18 x 21 5/8 in. The Art Institute of Chicago Life in the 1910s Click for.
Elements of Art - The elements of art are the basic building blocks or “vocabulary” of art. - They are organized according to the principles of design.
1. Francis Bacon was born in 1909 in Dublin. Francis is a “English painter of Irish birth”. The style of work that Francis Bacon used was Expressionist.
Images for study and discussion.
Pre-Test Images: These are the most significant images from this chapter. The 10 slide identification images will be taken from this group. While these.
Preparing for an Art Museum Experience Unit 5: Lesson 3.
Georgia O’Keeffe
Welcome to Visual Art Foundations The “gateway” art class.
Chuck Close Using a grid to enlarge artworks and images.
Elements of Design are the parts
Art and Revolution William V. Ganis, PhD. Kasimir Malevich Tea Service 1923 porcelain.
Folk Art By: Cooper Nick Ben and Jeremy. Levi Mentzer Born May 3, 1811 ca Mentzer Family Member pen and ink on paper mounted on paperboard 10 1/4.
Art in which bits and pieces of paper and fabric have been pasted onto a 2- dimensional surface.
Henri Matisse (mah TEESS) French Modern Artist.
Art Notebooks/Drawing Journal Today’s Date Title of work (if applicable) Artist Date of work Response – Informed by discussion (25 words or more) Part.
A Review of the Design Principles Digital Art 1 Drawing & Painting.
Georgia O’Keeffe American Painter. Photo of Georgia O’Keeffe with Horse’s Skull 1948, photo by Philippe Halsman.
Sculptures and Alexander Calder
The Visual Arts at Mid-Century. Photography Ansel Adams The Zone System – divides the range of tones into ten zones ranging from Zone 0 (pure black)
Mark Making Mark making as a visual language Grace Wynne Willson.
zThe Elements of Art are the basic tools used by the artist when producing works of art. zWhat are the Elements of Art?
Paul Cezanne ( ), Still Life Basket of Apples, c. 1893, Oil on canvas, 25 7/16 x 31 1/2 in. (65 x 80 cm), Helen Birch Bartlett Memorial Collection,
To create one's own world,
Collage Critiques. Questions 1.Describe the painting. (Artist, Works title, painted on, art medium, dimensions) 2.How is the artwork put together or organized?
MRs. C’s Review of what we did in presentation Art Goes To School.
And now.... the way to talk and think about art: The Elements & Principles of Design.
Chapter 27 Abstract Expressionism "My opinion is that new needs need new techniques…the modern painter cannot express his age, the airplane, the atom bomb,
Before we start…our WTF essay question of the day (from last year’s exam.) Explain what paintings are about other than their subject matter.
Abstract Painting Professor Erica Flores. Differentiating abstract and representational paintings Representational Abstract Leonardo Da Vinci Wassily.
K is for Klee (pronounced clay) Paul Klee, paint what’s in your mind today Colors, faces, gardens, and fish Help us see your dreams and wish.
Take a walk to the Museum To Museum. Biography Walk to another part of the museum.
Abstract Expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American.
Examples in 20 th Century Art The 7 Principles of Art.
Rouen Cathedral: Full Sunlight 1894; Louvre, Paris Monet.
Examples in 20 th Century Art The 7 Elements of Art.
Claude Monet (moh-NAY)
{Note that first identifications are usually correct.}
The Elements of Art and Principles of Design
DO YOU RECOGNIZE THIS CUBIST WALL HANGING?
Court figures, painted ceramic tile from a tomb, 29 x 94 in Court figures, painted ceramic tile from a tomb, 29 x 94 in. Han dynasty, late.
Global Contemporary Required Images
Get an ART IN FOCUS book from the back.
Claude Monet IMPRESSION: SUNRISE. 1872
Sculptures by Alexander Calder
Ohne Titel (The Red Sun), Artist:Joan Miro , 1948, Oil and gouache on canvas, /8 x 28 1/8 in.
Kandinsky, Wassily Composition IV 1911 Oil on canvas x 250
DAD4 and SURREALISM test slides
MFA VTS: Urbanization and Industrialization in Art
Representational & Nonobjective Art
Major THEMES for this chapter include:
American Abstract Expressionist
Presentation transcript:

Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity

Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity 1. Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997 Photo: Rebecca Benjamin, © Davis Art Images

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 2. Jean (Hans) Arp, Arrangement According to the Laws of Chance (Collage of Squares), , torn and pasted papers on paper, 49 x 35 cm (19 3/8 x 13 7/8") ©The Museum of Modern Art, New York, Purchase

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 3. Claude Monet, Rouen Cathedral, Façade, 1894, oil on canvas, x 66 cm (39 5/8 x 26") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 4. Iran, Unknown Artist, Textile panel, c , silk; cut, voided satin velvet; brocaded, x 68 cm (45 3/8 x 26 3/4") ©Worcester Art Museum, Worcester, Mass.

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (material) 5. Benvenuto Cellini, Bindo Altoviti, c1550, bronze, height: cm (41 1/2") ©Isabella Stewart Gardner Museum, Boston

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (color) 6. Willem de Kooning, A Tree in Naples, 1960, oil on canvas, 204 x 178 cm (80 3/8 x 70 1/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (color) 7. Ad Reinhardt, Abstract Painting, Red, 1952, oil on canvas, 274 x 102 cm (107 7/8 x 40 1/4") ©The Museum of Modern Art, New York

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (visual elements) 8. Katsuta Chikuô Teikan, Bamboo in Moonlight, 17th century, hanging scroll, ink on silk, image: x 45.6 cm (49 x 17 15/16") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Repetition of Visual Units 9. Eileen Gray, Block Screen, 1922, lacquered wood and metal rods, 189 x 136 cm (74 1/2 x 53 5/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Repetition of Visual Units 10. Miguel Ocampo, Number 172, 1957, oil on canvas, 54 x 81 cm (21 1/4 x 31 7/8") ©The Museum of Modern Art, New York, Inter-American Fund

Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Repetition of Visual Units 11. Stanley Tigerman, 315 to 329 West Dickens, Chicago, late 1960s Photo © Davis Art Images

Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Use of Color 12. Laurence Gartel, Nuvo Japonica #25, 1989, cibachrome print from a digital image, 50.8 x 61 cm (20 x 24") Joan Whitney Payson Museum, ©Laurence Gartel

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 13. Moorcroft Factory, Vase: blue trees, 1920s, earthenware, 36.85cm x 16.85cm (14 1/4 x 6 3/4") ©Cleveland Museum of Art

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 14. Frederick Carl Frieseke (American, ), The Basket of Flowers, c.1913/1917, oil on canvas, 81.4 x 81.5 cm (32 x 32 1/16") ©National Gallery of Art, Washington, Chester Dale Collection

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 15. Alexander Calder, Flamingo, 1974, painted steel, height:15 meters (49') Dirksen Federal Center Plaza, Chicago, Photo: Anette Macintire, © Davis Art Images

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 16. Jackson Pollock, Full Fathom Five, 1947, oil on canvas with mixed-media, 129 x 77 cm (50 7/8 x 30 3/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Surface Quality 17. Paul Cézanne, Mont Sainte-Victoire, , oil on canvas, 73 x 92 cm (28 3/4 x 36 1/4") ©Philadelphia Museum of Art

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 18. Uzebekistan, Wall Hanging, from the Bokhara district, 1860, silk and cotton ikat woven in warp-faced plain weave, x cm (87 1/4 x 66 1/2") ©Museum of Fine Arts, Boston

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 19. Chavín Culture, Ancient Peru, Plaque with Unknown Fanged Deity, c BCE, hammered and cut gold, 21.8 x 10.8 cm (8 1/2 x 4 1/4") ©Cleveland Museum of Art

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 20. Isamu Noguchi (American, ), Great Rock of Inner Seeking, 1974, basalt, x x 88.9 cm (127 3/4 x 62 1/4 x 35") ©National Gallery of Art, Washington, Gift of Arthur M. Sackler, M.D., and Mortimer D. Sackler, M.D.,

Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Studio Experience - Putting it Together 21. Paul Klee, Old City Architecture, 1924, watercolor, ink and white ground on paper, mounted on board, 39.7 x 31.7 cm (15 5/8 x 12 1/2") ©The Museum of Modern Art, New York

Exploring Visual DesignSet 116C Part 2The Principles of Design, 8 -- Unity 1.Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997 Photo: Rebecca Benjamin, © Davis Art Images Jean (Hans) Arp, Arrangement According to the Laws of Chance (Collage of Squares), , torn and pasted papers on paper, 49 x 35 cm (19 3/8 x 13 7/8") ©The Museum of Modern Art, New York, Purchase MOMA-P Claude Monet, Rouen Cathedral, Façade, 1894, oil on canvas, x 66 cm (39 5/8 x 26") ©Museum of Fine Arts, Boston MFAB Iran, Unknown Artist, Textile panel, c , silk; cut, voided satin velvet; brocaded, x 68 cm (45 3/8 x 26 3/4") ©Worcester Art Museum, Worcester, Mass. WAM-258 Dominance (material) 5.Benvenuto Cellini,Bindo Altoviti, c1550, bronze, height: cm (41 1/2") ©Isabella Stewart Gardner Museum, Boston GM-18 Dominance (color) 6.Willem de Kooning,A Tree in Naples, 1960, oil on canvas, 204 x 178 cm (80 3/8 x 70 1/8") ©The Museum of Modern Art, New York MOMA-P2123 Dominance (color) 7.Ad Reinhardt, Abstract Painting, Red, 1952, oil on canvas, 274 x 102 cm (107 7/8 x 40 1/4") ©The Museum of Modern Art, New York MOMA-P1501 Exploring Visual Design, Part 2 The Principles of Design, Chapter 8 Unity

Dominance (visual element) 8.Katsuta Chikuô Teikan, Bamboo in Moonlight, 17th century, hanging scroll, ink on silk, image: x 45.6 cm (49 x 17 15/16") ©Museum of FIne Arts, Boston MFAB-859 Repetition of Visual Units 9.Eileen Gray, Block Screen, 1922, lacquered wood and metal rods, 189 x 136 cm (74 1/2 x 53 5/8") ©The Museum of Modern Art, New York MOMA-D0053 Repetition of Visual Units 10.Miguel Ocampo, Number 172, 1957, oil on canvas, 54 x 81 cm (21 1/4 x 31 7/8") ©The Museum of Modern Art, New York, Inter-American Fund MOMA-P2425 Repetition of Visual Units 11.Stanley Tigerman, 315 to 329 West Dickens, Chicago, late 1960s Photo © Davis Art Images Use of Color 12.Laurence Gartel, Nuvo Japonica #25, 1989, cibachrome print from a digital image, 50.8 x 61 cm (20 x 24") Joan Whitney Payson Museum, ©Laurence Gartel GAR-102 Use of Color 13.Moorcroft Factory, Vase: blue trees, 1920s, earthenware, 36.85cm x 16.85cm(14 1/4 x 6 3/4") ©Cleveland Museum of Art CL-458 Use of Color 14.Frederick Carl Frieseke (American, ), The Basket of Flowers, c.1913/1917, oil on canvas, 81.4 x 81.5 cm (32 x 32 1/16") ©National Gallery of Art, Washington, Chester Dale Collection NGA-P0971 Exploring Visual Design, Part 2 The Principles of Design, Chapter 7 Balance

Use of Color 15.Alexander Calder, Flamingo, 1974, painted steel, height:15 meters (49') Dirksen Federal Center Plaza, Chicago, Photo: Anette Macintire, © Davis Art Images Surface Quality 16.Jackson Pollock, Full Fathom Five, 1947, oil on canvas with mixed-media, 129 x 77 cm (50 7/8 x 30 3/8") ©The Museum of Modern Art, New York MOMA-P0347 Surface Quality 17.Paul Cézanne, Mont Sainte-Victoire, , oil on canvas, 73 x 92 cm (28 3/4 x 36 1/4") ©Philadelphia Museum of Art PMA-47 Surface Quality 18.Uzebekistan, Wall Hanging, from the Bokhara district, 1860, silk and cotton ikat woven in warp-faced plain weave, x cm (87 1/4 x 66 1/2") ©Museum of Fine Arts, Boston MFAB-585 Surface Quality 19.Chavín Culture, Ancient Peru, Plaque with Unknown Fanged Deity, c BCE, hammered and cut gold, 21.8 x 10.8 cm (8 1/2 x 4 1/4") ©Cleveland Museum of Art CM-435 Surface Quality 20.Isamu Noguchi (American, ), Great Rock of Inner Seeking, 1974, basalt, x x 88.9 cm (127 3/4 x 62 1/4 x 35") ©National Gallery of Art, Washington, Gift of Arthur M. Sackler, M.D., and Mortimer D. Sackler, M.D., NGA-S0033 Studio Experience -- Putting it Together 21.Paul Klee, Old City Architecture, 1924, watercolor, ink and white ground on paper, mounted on board, 39.7 x 31.7 cm (15 5/8 x 12 1/2") ©The Museum of Modern Art, New York MOMA-P2675 Exploring Visual Design, Part 2 The Principles of Design, Chapter 7 Balance