The Influence of Charlemagne. Carolingianc. 750 – 900AD Romanesquec. 900 – early 12 th century Gothic: FrenchEarly, 1140 – 1180AD High, c. 1180 – 1350AD.

Slides:



Advertisements
Similar presentations
Cathedrals Romanesque Gothic. Floor plan of Canterbury, pre 1350.
Advertisements

Greek, Roman and Middle Ages
Abbaye, cluny III (reconstruction), c. 1088
1 Romanesque In Italy, France and England. 2 Mont Saint Michel (France)
Patronage and Artistic Life
History of Architecture From Greece to the 21 st Century.
FRENCH HIGH GOTHIC. NOTRE –DAME- DE - PARIS, (LOOKING NORTH) HIGH GOTHIC -- FOUR LEVELS, TOP 2 = WINDOWS.
Romanesque Art and Architecture Vocabulary Barrel vault Groin vault Transept Ambulatory Radiating chapels Chevet Tribunes Compound piers Springing Transverse.
Architecture of The Middle Ages. Teacher: “Why do some people call the Middle Ages the Dark Ages?” Student: “Because there were so many knights.”
Chapter 17 - ROMANESQUE Western Europe
GOTHIC ARCHITECTURE Week 11.
Erica Ness Moreno Valley High School
Romanesque Art Chapter 15. History William the Conqueror (1066) Capetians in France and the Plantagenets in England Local rulers only in Germany and Italy.
Gothic Architecture Medieval Europe. Gothic Cathedrals The Gothic period lasted from the late 1100's to the 1500's. Most Romanesque cathedrals had been.
Gothic Art “Let there be light!”
Gothic Art “Let there be light!” (Genesis 1:3).
The Gothic Cathedral. THE GOTHIC CATHEDRAL OBJECTIVES Understand the key structural components of the Gothic cathedral Explain the origins of the Gothic.
Western Art and Architecture frm 300 to 1400 ad
Carolingian and Ottonian Architecture Early Medieval to Carolingian Architecture Early medieval architecture was characterized by plain exteriors. Entrances.
1 Chapter 18 The Age of the Great Cathedrals: Gothic Art Gardner’s Art Through the Ages, 12e.
Medieval Cathedrals. Romanesque Use of the barrel vault which allowed for a taller church Few windows Begin to use stained glass Always cruciform in.
The Middle Ages By: Jennifer Bruton Sims Spring 2010.
The Omnipresence of Religion Medieval:. Old St. Peters once stood on the spot where the Basilica of Saint Peter stands today in Rome from the 4th to 16th.
Chapter 17 ROMANESQUE ART Western Europe
St.-Martin-des-Champs, Paris, 1130s Clues in smaller churches in the Ile-de-France Wall buttresses that anticipate flying Gothic buttress: narrow but deep.
Vocabulary Cloisone enamel Hiberno-Saxon Illuminated Manuscript Codex Barrel vault Groin vault Transept Ambulatory Radiating chapels Tribunes Compound.
The Medieval Synthesis in the Arts
MIDDLE AGE ROMANESQUE ARCHITECTURE Week 10. “Romanesque” describes Western European architecture from the late 10th to the 12th century. The term Romanesque.
MEDIEVAL ART- ROMANESQUE AND GOTHIC. ROMANESQUE ARCHITECTURE This developed once Christian society was stable– from the 8 th century to the 11 th (reaching.
“ A little after the year One Thousand, basilicas began to be built throughout the known land, and especially in Italy and the Gaul territories. And because.
Romanesque Architecture Architectural History ACT 322 Doris Kemp.
Romanesque Art Slides # Romanesque Characteristics Plain on the outside and decorated with sculptures. Inside is often dark and solemn Use of the.
Romanesque 3: What is Romanesque Style?. Benedictine abbey of San Vicente de Cardona (Catalonia), consecrated 1040 The First RomanesqueIII. Design on.
Romanesque Art Slides # Romanesque Characteristics Plain on the outside and decorated with sculptures. Inside is often dark and solemn Use of the.
Medieval/Romanesque Architecture Tyler Ray Nelson Stage Décor THE 261.
General Timeline: 509 BC -- Traditional date of founding of Roman Republic BC -- Periclean Age in Athens BC -- Life of Alexander the.
Essential Question. How do values shape art and government? Art comparisons between Classical Rome, Western Europe and the Byzantine empires. A brief introduction.
Romanesque Architecture Architectural History ACT 322 Doris Kemp.
Social Studies 8 Romanesque & Gothic Architecture. K.J. Benoy.
Giorgio Vasari, “The Father of Art History” gave the name to the ubiquitous buildings exploding from Spain to Scandinavia, due of his immense dislike of.
Chapter 17. France & Northern Spain St. Sernin, Toulouse, France.
Charlemagne Powerpoint Presentation.
Romanesque to Gothic. Romanesque Churches Refers to Roman influences –Thick walls –Columns set close together –Small windows near the tops of walls –Rounded.
MEDIEVAL ARCHITECTURE ROMANESQUE STYLE. Main characteristics Latin cross design Round arches Massive stone walls Enormous piers or pillars Great thick.
Sejarah Senibina Barat : BAEA 2115 Naziaty Mohd Yaacob
Medieval World European Gothic Europe Peace between England and France Intermarriage of various royal families Popes victory over the Holy.
Gothic 1. Gothic Art - Theme “The Quest for Height and Light.” focus on the new light (lux nova) desired by Abbot Suger for St. Denis the competitive.
Architecture of The Middle Ages. Art overview Art in the Middle Ages (also known as the Medieval period) was inseparable from religion. The purpose of.
Gothic Fu Hui Yan. Gothic Arose in Northern France In the later Renaissance From 2 nd half of the 12 th century to the beginning of the 16 th century.
Durham Cathedral Cloister The order and the Sanctuary Romanesque.
Gothic Architecture Art Masterpeice.
Chapter th & 12 th Century ( ) Increase in church construction due to the following: pilgrimages to visit relics (said to have healing.
Gothic Architecture Architectural History ACT 322 Doris Kemp.
We found examples of central plant (circular or polygonal), inherited from antiquity, but the most used is the basilica, steeped in religious buildings.
Romanesque. 11 th and 12 th c. art and architecture throughout Europe. The term Romanesque refers to medieval art that is “Roman-like” in style. Similar.
Germanic Kingdoms Chapter 13, Section 1 1. Who were the Franks? 2. Why was Charles Martel important? 3. How did Charlemagne change Europe?
The English Gothic architecture is an independent evolution of the continent. At the end of the twelfth century began to replace the reigning Norman style.
Chapters 13, 14 and 15 Early Medieval, Romanesque and Gothic Art.
The Age of the Cathedrals I
Romanesque Architecture
ROMANESQUE ART ARCHITECTURE.
Chapter 13: Gothic Art.
Charlemagne, the Carolingians, and the Empire
Chapter 17.
Gothic 1.
BYZANTINE ROMANESQUE GOTHIC
Medieval Architecture
Romanesque Art Slides # 20-23
Gothic Architecture.
Early Medieval art History
Presentation transcript:

The Influence of Charlemagne

Carolingianc. 750 – 900AD Romanesquec. 900 – early 12 th century Gothic: FrenchEarly, 1140 – 1180AD High, c – 1350AD Late (Flamboyant), c – 1500AD EnglishEarly (Lancet), 1175 – 1250 AD Decorated, 1225 – 1350AD Late (Perpendicular), 1350 – 1500 AD ItalyEarly, 1200 – 1250AD (also Spain, Germany) High, 1250 – 1350AD Late, 1350 – 1450AD

Vocabulary Terms GalleryPinnacle AmbulatoryLierne ChevetTierceron JambBar Tracery TympanumPlate Tracery VaultRidge Rib Rib VaultSexpartite Vault Stained glassPseudo Sexpartite Vault Fan VaultQuadripartite Vault TriforiumLancet Window Flying Buttress Chapter House Transept Boss Gargoyle

Charlemagne Almost mythical in his reputation, Charlemagne (grandson of Charles Martel, or Charles the Hammer) was the savior of most of Western Europe; he drove the Saracens out of Italy and fought against the Basques in Spain. In the Pyrenees at the Battle of Roncevalles, in 778AD, his rear guard was ambushed and nearly all were killed, but Charlemagne escaped with a few men. The story was recorded 300 years afterwards as Le Chanson de Roland. In the 34 th year of his reign (he was 63) Charlemagne settled down to a peaceful rule in his native Aachen; Charlemagne is considered the father of both France and Germany. Wished (like Constantine, whom he consciously imitated) to create a visibly unified Christian world, was crowned by Pope Leo III in Rome on Christmas Day 800 AD as head of the Holy Roman Empire. (HRE) The HRE continued until Napoleon abolished it in Charlemagne had the Palatine Chapel built at Aachen in Germany.

Baptistry de St. Jean, oldest extant Christian building in France, a Merovingian church, begun c. 360 atop Roman ruins. Contained baptismal tank by 6 th c. Poitiers, France c. 6 th c. restored by Clovis I

Until 1857 Poitiers contained the ruins of a Roman amphitheatre more extensive than that of Nimes; remains of Roman baths, constructed in the 1st and demolished in the 3rd century, were laid bare in 1877; and in 1879 a burial-place and the tombs of a number of Christian martyrs were discovered on the heights to the south-east — the names of some of the Christians being preserved in paintings and inscriptions. Not far from these tombs is a huge dolmen (the "Pierre Levée"), 22 feet long, 16 feet broad and 6 or 7 feet high, around which used to be held the great fair of St. Luke.1857 amphitheatreNimesdolmen The first decisive Christian victory over Muslims — Battle of Tours — was fought by Charles Martel's men in the proximity of Poitiers on October 10, 732.ChristianMuslimsBattle of ToursCharles MartelOctober 10732

Construction d'Aix-la- Chapelle. Pépin le Bossu spent many times at the spas at Aquis Villa, the old Roman name for Aix- la-Chappelle L'empereur Charlemagne visite un chantier, vraisemblablement celui du palais d'Aix- la-Chapelle. Après avoir découvert le complot de son fils naturel Pépin le Bossu, Charlemagne assiste à son entrée dans les ordres. Paris, BnF, département des Manuscrits, Français 6465, fol. 96 (Troisième Livre de Charlemagne) Grandes Chroniques de France, enluminées par Jean Fouquet, Tours, vers

Palatine Chapel of Charlemagne at Aachen, Germany 796 – 805 AD (Note that Charlemagne returned to the southern construction principles of Ancient Rome and Ravenna.)

Cathedral at Aachen, Germany For 600 years the coronation chapel of the kings of the HRE, the Palatine Chapel of Charlemagne is small in comparison to the many additions and enlargements made to the cathedral over the centuries, but at the time of its construction it was the largest dome north of the Alps.

In order to bear the enormous flow of pilgrims in the Gothic period a choir hall was built: a two-part Capella Vitrea (glass chapel) which was consecrated on the 600th anniversary of Charlemagne's death. In 1978 it was made a UNESCO World Heritage Site. The 13 windows are each 100 feet high and on the pillars between them stand fourteen statues (the Mother of God, the Twelve Apostles, and Charlemagne) that date from the 15th century. Escaping the Bombing from Allied Forces during WWI, the chapel remains, the only structure left from Charlemagne’s time.

The 8th-century Torhalle (gatehouse), at Lorsch Abbey, in Germany, is a unique survival of the Carolingian era. It curiously combines some elements of the Roman triumphal arch (arch-shaped passageways, half-columns) with the vernacular Teutonic heritage (baseless triangles of the blind arcade, polychromatic masonry).

Plan for the Monastery of St. Gall, c. 820, shows an ideal monastic layout, arranged in a rectilinear manner, with provisions for every activity.

San Miniato al Monte Florence, Italy Length of church is divided by piers of quatrefoil section and transverse diaphragm arches into three compartments. Between the compound piers the nave arcade is carried on pairs of columns. The Italian builders have not lost an awareness of the classical language of architecture.

San Miniato al Monte Divided along its length into three aisles by piers of quatrefoil section and transverse diaphragm arches. Pairs of columns between quatrefoil piers are different colored marble (spolio) Eastern end raised above the burial vault Wooden truss open to roof, painted with religious symbols

Romanesque Arches Desire for larger structures Greater proficiency in masonry construction and stone cutting techniques Need for acoustical effects (Gregorian chants) Elliptical arches cannot support much weight because they do not require that the blocks be trapezoidal in shape – no way to lock them together with a keystone. The diagonal ribs must be higher than the laterals, resulting in an undulating ceiling height within the aisle length. Circular arches later developed in to sexpartite vaults

Sant Ambrogio, Milan, Italy 1080 – 1128 possibly first to use groin vault (quadripartite rib)

St. Philibert c. 960 – 1120 introduction of ambulatory and chapels (chavet) to apse

Chavet - A French term used to describe the developed east end of a church, usually a French Gothic Cathedral, with its apse, ambulatory (a semicircular polygonal passageway around the apse of a church) and radiating chapels.

St. Sernin, 1080 – 1120, Toulouse, France

Abbaye-Aux Dames La Trinite) 1032 – 18 th c. use of pseudo-sexpartite vaulting

Abbaye-Aux Hommes (St. Etienne) 1068 – 18 th c. Caen, France use of true sexpartite vaulting. Note the façade of this church will become the standard organization for Gothic facades. Founded by William the Conqueror ; additions in the 18th c.

Liernes and vaulting A Lierne (from the French lier - to bind) in Gothic rib vaulting is an architectural term for a tertiary rib spanning between two other ribs, instead of from a springer, or to the centralboss. The type of vault that utilizes liernes is called a lierne vault or stellar vault (named after the star shape generated by connecting liernes). In England, the lierne came into use during the 14 th c. Decorated period. A good example of lierne vaulting is at Gloucester Cathedral. In France, examples can be seen in Flamboyant architecture, such as at Saint- Pierre in Caen, France.

Tiercerons The vault plan diagram of Ely Choir shows the ribs as a double line, where the main longitudinal ridge rib (green vertical lines) and transverse ridge ribs (green horizontal lines) intersect each other at the central bosses (large circles). The longitudinal ridge rib runs down the centre of the Choir, and the transverse ridge ribs span from the apex of each window at the sides of the Choir. Arched diagonal ribs span from piers between the windows, from springers to the central bosses, and arched transverse ribs (alternate horizontal lines) span from the springers to the main longitudinal ridge rib. Secondary arched diagonal ribs, called tiercerons, span from the springers to the transverse ridge ribs. Liernes (shaded black) span between the other ribs forming intricate patterning. Note: In French terminology relating to architecture, a lierne is a ridge rib, and hence has a different meaning.

St-Etienne was built by William the Conqueror from local Caen stone (also used for Canterbury Cathedral, Westminster Abbey, and the Tower of London) in the 11th century. During the height of the Allied invasion, residents of Caen flocked to St-Etienne for protection.

1066 – Battle of Hastings William the Conqueror and his wife Matilda both founded the Abbaye aux Dames and the Abbaye aux Hommes. Both abbeys are located in Caen, in Northwestern France. L'Abbaye aux Hommes was dedicated to Saint Stephen and was an all male abbey. Bayeux Tapestry

Durham Cathedral, Durham, England 1093 – possibly the first use of groin vaulting (about the same time as Sant Ambrogio)

Durham Cathedral, romanesque apsidal end (east)

St. Front Perigeux, France mid 12 th century based on the plan of St. Marks in Venice, it was built by Byzantine traders, hence its unique characteristics for a French church.