A rt of f resco painting on walls. Etruscan fresco of Velia Velcha from the Tomb of Orcus, Tarquinia.

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Presentation transcript:

a rt of f resco painting on walls

Etruscan fresco of Velia Velcha from the Tomb of Orcus, Tarquinia.

a f resco at home day 1

Materials General purpose powder filler Flat tile, marble or stone Mixing bowl Coloured Pastels Craft Knife (for scraping) Pallete knives Metal ruler or straight edge Water

Prepare surface Mix filler to consistency of thick double cream

Prepare surface Mix filler to consistency of thick double cream Spread over tile, do not worry about smoothing out at this stage

Prepare surface Mix filler to consistency of thick double cream Spread over tile, do not worry about smoothing out at this stage

Prepare surface Mix filler to consistency of thick double cream Spread over tile, do not worry about smoothing out at this stage When surface is covered, use a metal straight edge to even the surface. Set aside to dry overnight

Transfer Drawing to Tile

Turn drawing over and cover reverse surface with charcoal

Transfer Drawing to Tile Turn drawing over and cover reverse surface with charcoal

Transfer Drawing to Tile Turn drawing over and cover reverse surface with charcoal Turn drawing over again and tape to tile to assist in transferring the drawing to the dried surface

Transfer Drawing to Tile Turn drawing over and cover reverse surface with charcoal Turn drawing over again and tape to tile to assist in transferring the drawing to the dried surface Transfer the drawing and remove the paper to reveal the surface, which now bears the imprint of the drawing

Transfer Drawing to Tile Turn drawing over and cover reverse surface with charcoal Turn drawing over again and tape to tile to assist in transferring the drawing to the dried surface Transfer the drawing and remove the paper to reveal the surface, which now bears the imprint of the drawing

Transfer Drawing to Tile Turn drawing over and cover reverse surface with charcoal Turn drawing over again and tape to tile to assist in transferring the drawing to the dried surface Transfer the drawing and remove the paper to reveal the surface, which now bears the imprint of the drawing.. and now we can begin to paint

The Original !

Pigment Preparation Using a craft knife, scrape away at the surface of a pastel to make a fine powder

Prepare painting base Carefully apply the filler in sections to the picture Take care to only cover an area that you will be able to work quickly (the filler will dry quickly on the dried base) Ensure each section is smooth and level

Prepare painting base Carefully apply the filler in sections to the picture Take care to only cover an area that you will be able to work quickly (the filler will dry quickly on the dried base) Ensure each section is smooth and level

Prepare painting base Carefully apply the filler in sections to the picture Take care to only cover an area that you will be able to work quickly (the filler will dry quickly on the dried base) Ensure each section is smooth and level

Painting Mix the pastel dust with water and apply to the wet base

Painting Mix the pastel dust with water and apply to the wet base

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

Painting Mix the pastel dust with water and apply to the wet base Apply colour in sections trying to avoid bleeding when working adjacent areas When one section has been painted, move to next section, apply filler and paint Continue until filler is no longer workable

a f resco at home Atmospheric conditions affecting drying of the painting surface Speed of drying requires quick and accurate working Pigment leaches into damp painting surface causing bleeding Lumps and bumps in the painting surface make painting tricky Mixing too much material for the painting surface; goes hard before being able to paint it Keeping joins clean, straight and level problems