Thrill Is Gone This is a standard minor blues: Form is:

Slides:

Advertisements

Similar presentations

Class 4A Wed only Guitar I and Guitar II

Advertisements

Caged Across – I IV and V The 3 principle chords in a major key

Caged Across – I IV and V Main chords.

Guitar Styles Of Eric Clapton

PART ONE: Working with KEYS. Where do I start? There are two ways most songwriters begin a song: Begin with a riff, bass line or melody Begin with a chord.

Parker Blues Some common Parker tunes and other Jazz Blues songs.

Slow Ballad in Clapton Style

Arpeggio Fingerpicking

Purple Haze Hendrix Chord. From the book Purple Haze to start. This song is entirely based upon E7 – G to A with the end only going to other chords. The.

Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.

6th string root barre chords. The ‘E’ form moveable chord.

Wish You Were Here Playing chords without playing the whole chord.

Beginning Guitar Class 1 Music 377 Guitar I, Beginning Guitar and Music 378 Guitar II (Beg/Int) Music 665 Blues – Separate work out of the regular class.

5 basic forms for these. By: F. Markovich

Guitar Styles Of Eric Clapton Class III Covered tonight –Finish Sunshine of Your Love Start of Solo –Pentatonic Scales Review –Boom Boom – from early Yardbirds.

Guitar Styles Of Eric Clapton Class IV Covered tonight –Pentatonic Scales Review –Review Boom Boom – Hear students new song –Wonderful Tonight –Start of.

Johnny B. Goode. The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th.

PIANO/THEORY 4 COMPOSITION PACING GUIDE 1 ST Quarter.

Articulation F. Markovich. Some thoughts to start Most instruments have slurs. Woodwind and brass instruments don’t tongue notes to slur, strings use.

Guitar I and Guitar II Spring 2006 Class 5 The A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant 7 chords. There.

Figuring out Songs Happy Birthday. Figuring Out Happy Birthday For any song the key is to have a process and then follow that process. I always first.

Class 8 Guitar I and II - Blues Only 12 – Bar Blues in A Blues backup like Chuck Berry Blues Scale in 5 th position Difference between straight time and.

Surfin’ USA. You will see many songs written out this way. The chords are just repeated over & over again. This song is in 4/4 time. Each chord will get.

Rhiannon Exercise in intervals of a 3 rd. This whole background is based off of intervals of a 3 rd.

Shuffle Will do to an old tune Linda Lou – but much more than originally meets the eye.

For use with WJEC Performing Arts GCSE Unit 1 and Unit 3 Task 1 Music Technology Creativity in composing.

Leadbelly Selected songs and backup. Chords Other than the B7 do them in 1 st position. For the B7 do the A7 form at the 2 nd fret. Notice the change.

INTRODUCTION TO MUSIC THEORY Friday, October 19, 2012.

Fingerpicking F. Markovich. Alternating Bass Fingerpicking The most common type of fingerpicking patterns done in American Folk Music is called Travis.

Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.

Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.

Tequila Example of a simple fun instrumental song.

By Paul Clews / First Steps For Guitar.

The Leading-tone Seventh Chord

Guitar I and Guitar II Spring 2006 Tonight the C and Em (E Minor Chords) More advanced songs New Strum For Intermediates more CAGED and scale work.

Guitar Chords. G First finger 2nd fret, 5 th string. Second finger 3 rd fret, 6 th string. Third finger 3 rd fret, 1 st string.

Ray Charles. First Recollection What’d I say Really moved me Not so difficult – just a blues but lots to it. Done in the key of E – good for guitar. Next.

Stand By Me Various ways..

Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.

Power Chords. Here is a basic E form of the power chord (in this case an F power chord at the first fret) Root is on the 6 th string Fret

Guitar I and Guitar II Class 14 Figuring out songs. Advanced techniques introduction: –Hammers –Pulls –Slides –Taps –Harmonics –Articulation Go over Final.

Walk Don’t Run Study in A Aeolian – Old Time Rock Instrumental.

By Paul Clews / First Steps For Guitar.

BEGINNING CLASS GUITAR. INTRODUCTION TO THE GUITAR -ACOUSTIC GUITAR CONSTRUCTION -ELECTRIC GUITAR CONSTRUCTION -TUNING THE GUITAR -STRUMMING -PICKING.

Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.

Roll Over Beethoven Early British rock took many American pop and rock songs as “Cover Tunes”. Beatles were no exception. Chuck Berry tunes were played.

Class 7 Guitar I and II - Blues Only

Song originally performed by Santo and Johnny on a Steel guitar.

Sultans of Swing This is a minor key song. Most of it falls into the Aolean Mode. Again Start with the chords. We will work on the various parts.

Class 11 Guitar I and II Lots of stuff

Class 10 Guitar I and II Lots of stuff

Kinks Power Chords.

Here Comes The Sun Class project.

Wade In The Water Learn in all positions.

Moondance Modern Swing.

Peter Gun Bass and Melody.

Guitar I and Guitar II Class 15

Clapton did this but the original by John Lee Hooker.

Really more of a drum thing. This is just a blues in the key of C.

Using the Major Pentatonic Scale

Moving Bass Lines and ¾ picking

I Feel Fine Arrangement.

Nobody Knows You When You’re Down And Out

AP Music theory Friday 1 February 2019.

Moving Bass Lines and ¾ picking

Pride and Joy Power Trio Blues and Rock

Presentation transcript:

Thrill Is Gone This is a standard minor blues: Form is: ||: Im | | | | IVm | | Im | | bVI|V7| Im | : || Song is in the key of Bm: ||: Bm | | | | Em | | Bm | | G|F#7| Bm | : || We will start with an outline of the beginning solo which is also the introduction to the song.

Start by listening to the record

(e) The first 4 measures are all in Bm. If you look closely you will see that most of the notes are chord tones. If you think of the chord as a Bm7 then all but the 3 E’s are chord tones. This entire section is played in 7th position. Not even one note is out of that position. The scale used for this is the B minor pentatonic scale in the E from. Make sure that you learn that scale.

Start at 10th position At this point play in 7th position. The melody on the G to F#7 is really exciting. But for the G it is the 5th of the chord to the 6th to the 5th back to the 3rd of the chord. F#7 is the 7th to the 6th back to the 7th. Again chord tones. Then the Bm Uses the 3rd and the root. The double stop at the end is the root and 5th. Chord tones all the way. While not adventuresome it is very melodic this way and works well in this song. Lot’s to think about with this.

Thrill Is Gone Parts This whole first section is a Bm7 arpeggio except for a couple of notes

Bending Notes This could be a whole course but we will start with the basics. On the first 2 strings you always bend the strings upward towards the sky. On the bottom 2 strings you must bend them downward. Typically the middle 2 strings are also bent up but could be bent either way if you are only bending one note and not holding another note. There are a variety of bends that need to be accomplished.