Schema’s in Rock ‘n’ Roll Blues; Country, Folk en Rock ‘n’ Roll -en later ook Beat en Punk- maken vaak gebruik van dezelfde eenvoudige akkoordenschema’s.

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Presentation transcript:

Schema’s in Rock ‘n’ Roll Blues; Country, Folk en Rock ‘n’ Roll -en later ook Beat en Punk- maken vaak gebruik van dezelfde eenvoudige akkoordenschema’s. Hoe komt dat?

Tonic - Dominant - Subdominant Examples of 3 chord songs: mccoys - hang on sloopy (russell & farrell) royal guardsmen - snoopy vs. the red baron (gernhard & holler) rolling stones - get off of my cloud (jagger & richard) grease soundtrack -summer nights (jacobs & casey) any trouble - second choice (gregson) sonics - psycho (roslie) standells - sometimes good guys don’t wear white (cobb) r.e.m.- stand! (buck, stipe, mills, berry) rare breed - beg, borrow and steal (difrancesco & zerato) kingsmen - louie louie (r.berry)

Over smaak valt te twisten C > C7 > … > Csus4 > Cdim

C vs C 0 C > Cdim

C vs C 0 C > Cdim

C vs C 0 C > Cdim

C vs C 0 C > Cdim

C vs C 0 C > Cdim

C vs C 0 wave C+G

C vs C 0 wave C+Gb

Over smaak valt te twisten tonic > dominant > subdominant > parallel... C7-B C7-F cadence

Analyse Mozart Mozart: Sonata K.331, I indeling

Bird’s eye view : R&R : Beatlemania : Soul & Psychedelica : Sympho; Jazz Rock; Disco : Punk & New Wave 1980: Stadiumrockers & Samples 1990: Grunge & Techno Britpop & Hiphop

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