Tonic, Subdominant, and Dominant.

Slides:

Advertisements

Similar presentations

Secondary dominants are chords that are altered to sound like dominants (which are the fifth scale degrees of diatonic scales). This means changing minor.

Advertisements

PART ONE: Working with KEYS. Where do I start? There are two ways most songwriters begin a song: Begin with a riff, bass line or melody Begin with a chord.

Diatonic Chords in Major and Minor Keys

Harmonic intervals  A harmonic interval is two notes played at the same time.

Chords By Carla Piper Dominant Seventh Chords Inversions Chord Progression in G Chord Progression in C Chord Progression in D Major Chords Triads.

Moffat Academy Music Department Advanced Chords. You will learn about 4 different types of chords  Major  Minor  Augmented  Diminished.

AP MUSIC THEORY MR. JACKSON UNIT 11: SECONDARY DOMINANTS.

THE TONIC AND SUBDOMINANT TRIADS IN FIRST INVERSION The I 6 and IV 6 as Embellishing Chords Chapter 11.

Chapter 14 The Pre-dominant II and II 7 Chords. The Supertonic Family Major mode : supertonic sounds minor and its seventh chords is a minor seventh (m7)

AP Music Theory Mr. Jackson

UNIT 6 –R OMAN N UMERALS & F IGURED B ASS AP Music Theory Mr. Jackson.

Monday, October 1, Music Sharing: Izzy (CHS) Review: Compound Meter Presentations: Circle of Fifths Projects ET10 RQ10 Introduce: Triads Introduce:

NCVPS AP Music Theory Created by Dr. Tom Moncrief What is a Seventh Chord?

Thursday, October 13,  Music Sharing: Mitchell & Hunter K. (CHS)  Let’s review… Triads (and inversions) 7 th Chords (and inversions) Figured Bass.

NCVPS AP Music Theory Presentation by Dr. Tom Moncrief Inversions of Triads.

Chords  In order to properly label chords, you must first find it’s quality…  1 – Count the number of notes in the chord, should be 3, (if 4-notes see.

P  What is a triad?  A Triad is made up of three notes.  It is built from the lowest note up, using intervals of a third.

Thursday, October 11, 2012 (10–11–12!).  Music Sharing: Haley & Joey (XHS)  Let’s review (and make sure we really know this stuff!) Figured Bass vs.

Journal  Highland Cathedral – Mass band, Breman 2008 

Material in this lesson is adapted from : Bray, K., D. B. Snell and R.M. Peters. For Young Musicians Vol 2. Waterloo ON: Waterloo Music Company Ltd., 1967.

Chapter 8 Diatonic Harmony

Introduction to Triads and Seventh Chords

The Leading-tone Seventh Chord

What is a Triad? NCVPS AP Music Theory.

Major Triad (chord) A chord is three or more notes played simultaneously.

Fun with Triads! Ms. Wilmes. What is a Triad? A Triad is a chord containing three notes stacked on top of each other A Triad is a chord containing three.

NCVPS AP Music Theory How to write a triad?. Identification Identification of the aspects of each type of seventh chord are important when beginning to.

+ Triads, Tetrachords and The Major Scale. + Triads A triad is a chord with three notes built in thirds. Every triad contains a: Root, Third, and Fifth.

Cadences. Why we need Cadences A cadence is where the music reaches some kind of goal – often accompanied by a rhythmic pause. The music between cadences.

Simple Chords A Brief Overview By: Steve Derbish A Brief Overview By: Steve Derbish.

TRIADS The most fun you will be having all day…DON’T DISPUTE ME!

84. Chord A harmonic unit with at least 3 different tones. Day 13 – Triads and Inversions.

Resolving the V7 and its Inversions.  Let’s create a V7 chord by stacking 3rds on scale degree 5.  SATB style, anyone?  What is the quality of the.

Tippett - Concerto for Double String Orchestra movement I (Harmony) By Luke Everard.

Diatonic Chords Major and minor Keys. Putting a face to a name Now that we know the types of triads and seventh chords, how do we use them in tonal music?

Dominant Seventh Chord Chapter 11. Dominant Seventh Chord Built on the 5 th scale degree Major triad with minor seventh Almost as common as dominant triad.

Before We Begin... Any questions on the homework? (Please put the example number AND chord number.)

INTRODUCTION TO CHORDS Hello. Today we will look at chords. By the end of today you will be able to aurally identify different species of chord. We will.

Introduction to Ear Training and Sight Reading

AP Music Theory Mr. Silvagni

Chords Review & Progressions I

Triads and Seventh Chords

Chords and Triads.

Diatonic Triads and 7th Chords

Chapter 16 Secondary Functions 1.

AP Music Theory Mr. Silvagni

AP Music Theory Mr. Silvagni

Secondary Dominants Chapter 20.

Introduction to Music Theory

Introduction to Triads and Seventh Chords

AP Music Theory Mr. Silvagni

AP Music Theory Mr. Silvagni

Voice Ranges Bass: E2-C4 Tenor: C3-F4 Alto: E3-D5 Soprano: B3-A5

Introduction to Triads and Seventh Chords

Basic Chords and How to Build Them

Harmonic Progressions

INTERVALS, SCALES & CHORDS

Triad Scale Names Primary Triads.

CHAPTER 9 4-part voice leading

Seventh Chords.

Triad Inversions When the root of the triad is the bottom note (or the bass note) of the chord, the triad is in root position.

Higher Harmonic and Melodic concepts

MUSIC HIGH SCHOOL - ELECTRONIC PIANO – Unit 6

Leading Tone Seventh Chords

The distance in pitch between two notes

Intervals Chapter 6; An informative and short review

Presentation transcript:

Tonic, Subdominant, and Dominant. Triad Scale Names Primary Triads 97. Primary Triads Tonic, Subdominant, and Dominant.

Roman Numeral Analysis Major = Capital VI minor = Lowercase vi diminished = Lowercase with ° vi ° Augmented = Capital with + VI +

Melodic Minor Harmonic Minor Natural Minor

Remember the Roman Numerals for Triad Inversions Root Position = First Inversion = Second Inversion = No Numbers 6 6 4

Add another third on top and you get ….

Seventh Inversions Roman Numerals 7 65 43 2 98. 7th Chord Inversion Numbers 7 65 43 2