Hist 122: Western Civilization II Clayton Miles Lehmann

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Presentation transcript:

Hist 122: Western Civilization II Clayton Miles Lehmann Realism To Cubism Hist 122: Western Civilization II Clayton Miles Lehmann

Gustave Courbet (1819-77), The Stonebreakers, 1849 (destroyed 1945)

Gustave Courbet (1819-77), The Grain-sifters, 1855 Nantes, Musée des Beaux-Arts

Ford Madox Brown (1821-93), The Last of England (1852-55) Birmingham, Museums and Art Gallery

Édouard Manet (1832-1883), Olympia (1863) Paris, Musée d'Orsay

Manet, Edouard (1832-1883), Luncheon on the Grass (1863) Paris, Musée d'Orsay

Claude Monet (1840-1926), The River, Bennecourt (1868) The Art Institute of Chicago

Claude Monet (1840-1926), Banks of the Seine, Vétheuil (1880) Washington, National Gallery of Art

Claude Monet (1840-1926), Rouen Cathedral: Full Sunlight, Dull Weather, Full Sunlight (1894) Paris, Louvre, Musée d'Orsay

Claude Monet (1840-1926), Rouen Cathedral (1894) Boston, Museum of Fine Arts

Pierre-Auguste Renoir, (1841-1919), Bather (1883-84) Cambridge, Fogg Art Museum, Harvard University

Pierre-Auguste Renoir, (1841-1919), Le Moulin de la Galette (1876) Paris, Musée d'Orsay

Pierre-Auguste Renoir, (1841-1919), Odalisque (1870) Washington, National Gallery of Art

Paul Cézanne (1839-1906), Mont Sainte-Victoire (1885-87) New York, The Metropolitan Museum of Art

Georges Seurat (1859-1891), The Side Show (1888) Gustav Mahler (1860-1911), Symphony no 2, fifth movement (1888-94), Lorin Maazel and the Wiener Philharmoniker Georges Seurat (1859-1891), The Side Show (1888) New York, The Metropolitan Museum of Art

Georges Seurat (1859-1891), Sunday Afternoon on the Island of La Grande Jatte (1884-86) Chicago, Art Institute of Chicago

Vincent van Gogh (1853-90), Starry Night (1889) New York, Museum of Modern Art

Wassily Kandinsky (1866-1944), Yellow, Red, Blue (1925) Paris, Centre Georges Pompidou

Pablo Picasso (1881-1974), The Old Guitarist (1903) Chicago: The Art Institute of Chicago

Pablo Picasso (1881-1974), Les Demoiselles d'Avignon (1907) New York, Museum of Modern Art

Pablo Picasso (1881-1974), Portrait of Ambroise Vollard (1910) Moscow, Pushkin Museum of Fine Art

Pablo Picasso (1881-1974), Three Musicians (1921) Arnold Shönberg (1874-1951), Suite for Piano, op 25 (1925-23), Maurizio Pollini, piano Pablo Picasso (1881-1974), Three Musicians (1921) Philadelphia, Philadelphia Museum of Art

Pablo Picasso (1881-1974), Guernica (1937) Madrid, Museo Nacional Centro de Arte Reina Sofía

George Grosz (1893-1959)

Christian Shad (1894-1982), Self Portrait (1927); London, Tate Modern The painting of Hermann is in MOMA, date 1927.  In 2010 the courts rejected Grosz's estate’s claim (statue of limitations), but MOMA still does not display the painting.  From NYT 15 Nov 2006:   According to correspondence provided by the estate, it first advanced its claim to the two paintings in a letter to MoMA on Nov. 24, 2003. Mr. Jentsch argued that they were sold without the consent of the artist, who had consigned them to an art dealer, Alfred Flechtheim, in 1928-29. Both Grosz and Flechtheim fled Germany in the face of Nazi persecution, the letter noted. (Grosz’s art and politics were viewed as unpalatable by the regime, and Mr. Flechtheim was Jewish.) The artist left a few weeks before the Nazis came to power in 1933, Mr. Jentsch wrote, “and Flechtheim fled to Paris when his gallery in Berlin was confiscated” afterward. Mr. Jentsch said that the Herrmann-Neisse portrait was confiscated by the Nazis in 1933 at the Flechtheim Gallery in Berlin and that it reappeared in 1952, when it was bought by the Modern for $850 from Charlotte Weidler, a German immigrant. More detail in William D. Cohen, “MoMA’s Problematic Provenance,” ARTNews Dec 2011 (11/17/11) http://www.artnews.com/2011/11/17/momas-problematic-provenances/ Christian Shad (1894-1982), Self Portrait (1927); London, Tate Modern George Grosz (1893-1959), Portrait of Max Hermann-Neisse (1927); New York, Museum of Modern Art Photograph of Hermann-Neisse and his wife Leni, Yale Univ Grosz, Eclipse of the Sun (1926), Huntington NY, Heckscher Museum of Art

Salvador Dali (1904-1989), Persistence of Memory (1931) New York, Museum of Modern Art

Philadelphia, Philadelphia Museum of Art Salvador Dali (1904-1989), Soft Construction with Boiled Beans (Premonition of Civil War) (1936) Philadelphia, Philadelphia Museum of Art Artchive