Here Comes The Sun Class project.

Slides:



Advertisements
Similar presentations
Class 4A Wed only Guitar I and Guitar II
Advertisements

Caged Across – I IV and V The 3 principle chords in a major key
Caged Across – I IV and V Main chords.
Blues Backup in 3rds Common way to backup a blues. Do as a shuffle!
Parker Blues Some common Parker tunes and other Jazz Blues songs.
Slow Ballad in Clapton Style
Arpeggio Fingerpicking
Purple Haze Hendrix Chord. From the book Purple Haze to start. This song is entirely based upon E7 – G to A with the end only going to other chords. The.
Billies Bounce. One of the most famous of Parker’s tunes. Not easy to play but you should all be able to master it. Chords on the next page.
Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.
La Bamba Using Chords For Riffs.
Windy and Warm Chet Atkins Fingerpicking Piece. Overall Information Song is mainly in the key of A minor, but at one point goes to C major and at another.
6th string root barre chords. The ‘E’ form moveable chord.
Wish You Were Here Playing chords without playing the whole chord.
Beginning Guitar Class 1 Music 377 Guitar I, Beginning Guitar and Music 378 Guitar II (Beg/Int) Music 665 Blues – Separate work out of the regular class.
Freddie The Freeloader
5 basic forms for these. By: F. Markovich
Johnny B. Goode. The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th.
Guitar I and Guitar II Spring 2006 Class 5 The A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant 7 chords. There.
Class 8 Guitar I and II - Blues Only 12 – Bar Blues in A Blues backup like Chuck Berry Blues Scale in 5 th position Difference between straight time and.
Surfin’ USA. You will see many songs written out this way. The chords are just repeated over & over again. This song is in 4/4 time. Each chord will get.
This is both the Beatles and the Isley Brothers.
On Broadway Notes of melody in the chord!. Begin with just the chords First learn them in 1 st position then we will move them up. Not difficult but make.
Leadbelly Selected songs and backup. Chords Other than the B7 do them in 1 st position. For the B7 do the A7 form at the 2 nd fret. Notice the change.
Fingerpicking F. Markovich. Alternating Bass Fingerpicking The most common type of fingerpicking patterns done in American Folk Music is called Travis.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Easy To Read Colorful Chord Book For Beginners Learning The Acoustic Guitar By Justin Beene.
Guitar Chords. G First finger 2nd fret, 5 th string. Second finger 3 rd fret, 6 th string. Third finger 3 rd fret, 1 st string.
Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.
Guitar Tablature Learning Targets 1.Play “Louie Louie” riff on guitar using tablature.
Guitar I and Guitar II Class 14 Figuring out songs. Advanced techniques introduction: –Hammers –Pulls –Slides –Taps –Harmonics –Articulation Go over Final.
Walk Don’t Run Study in A Aeolian – Old Time Rock Instrumental.
Lodi Original key is Bb we will start it in G.. Start with the Chords We will first do this in the key of G. Play Rhythm 1 2&3&4&. Accent beats 2 and.
Guitar III and Guitar IV 4th night Spring 2004 Have fun learning new songs, techniques etc. on the guitar Increase your technical skills on guitar Increase.
So What This tune is totally in the Dorian Mode. Solo and all starts in D Dorian and then moves up to Eb Dorian. The chord rules as most of the solo notes.
Notes of the keyboard and Stave
Guitar I and Guitar II Class 5
Guitar I and Guitar II Spring 2006
Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.
Roll Over Beethoven Early British rock took many American pop and rock songs as “Cover Tunes”. Beatles were no exception. Chuck Berry tunes were played.
Class 7 Guitar I and II - Blues Only
Guitar I & II Class 4 Will do D7 and E7 for this class but more review and perfecting the songs we have already done. We went over it last week. Review.
Easy To Read Colorful Chord Book For Beginners Learning The Acoustic Guitar By Justin Beene.
Song originally performed by Santo and Johnny on a Steel guitar.
Class 11 Guitar I and II Lots of stuff
Guitar III & Guitar IV 12th night Spring 2003
Class 10 Guitar I and II Lots of stuff
Kinks Power Chords.
Guitar III & Guitar IV 14th night Spring 2003
Wade In The Water Learn in all positions.
Guitar III & Guitar IV 11th night Spring 2003
Moondance Modern Swing.
Guitar III & Guitar IV 15th night Spring 2003
Guitar I and Guitar II Class 15
Landslide.
Europa.
Clapton did this but the original by John Lee Hooker.
Really more of a drum thing. This is just a blues in the key of C.
Some of Eric Clapton’s most famous licks.
Moving Bass Lines and ¾ picking
Playing chords without playing the whole chord
Pipeline 60’s Surf Sound.
I Feel Fine Arrangement.
Bass Line Bass line should be a walking bass pattern. That was the style at the time this was recorded. For guitar this is the place to start. Later musicians.
Nobody Knows You When You’re Down And Out
Moving Bass Lines and ¾ picking
All Along the Watchtower
Pride and Joy Power Trio Blues and Rock
Book on page 49 and 50. Only thing on 49 is the intro (3 measures).
Presentation transcript:

Here Comes The Sun Class project

Start with the chords below. Count 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & This is the difficult part. Chords change in groups of 3 1/8th notes.

1 2 3 Hold all fingers down as above and then play 3rd string to 2nd string to 1st string. Then lift the 3rd finger, play 3rd string, 2nd string then 1st string, then lift index finger and play the 3rd string, 2nd string, 1st string. Then put the 1st finger down, play 3rd string, 2nd string, 1st string. For the A7 part is just the scale coming down.

Next try pages 1 and 2. to the repeat. Repeat back to the 2nd line.

This section is just playing the arpeggio’s, the timing looks hard at first but listen to the recording. After the A7 it is best to hold the chord town and pick out the notes. Rhythm guitar should play on beat 1 in the 3/8 measures and 5/8 measure.

A7 Last page for key of D. Much of this is the same as earlier other then the ending that starts on Dm7. But again it is just playing an arpeggio of the chord. Later we will do other things with this such as playing the melody, doing as the Beatles did and doing in a Chet Atkins style (simple – will talk about making it more complex)

Using the previous slides Next do the melody. Learn it from the book or the previous slides. Try to do it while holding the basic chords down. You will notice that the melody is mainly in the chords. See the next slide for an example.

Here in the 1st 2 measures you can hold a D down and just lift the 2nd finger for the note E that makes it a D add9. It is then just a matter of which string you play. On the next chord the G you can hold a G chord down and play the notes on the 1st string. Then the E7 is easy to hold the chord down. Chord D D add 9 D D D DDadd 9 D This F# is the 9th The other notes are in E7 Back to D and other than the E (1st string open) they are all in the chord.

This is the intro. Look at the top note in the melody and it should look familiar to you as it is the same as the melody to the song. You can either look at the tablature or the notes. While it helps to read the notes it isn’t totally necessary. Many fine players play by ear but they understand the relationship of the notes to the chords. Even Chet Atkins who could read very well, played by ear most of the time.