From: Brahms’s Non-Strophic Settings of Stanzaic Poetry

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From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 6 Formal aspects of ‘Meerfahrt’ (Op. 96 No. 4) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 5 Formal aspects of ‘Der Tod, das ist die kühle Nacht’ (Op. 96 No. 1) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 4 Formal aspects of ‘Es schauen die Blumen alle’ (Op. 96 No. 3) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 3 Formal aspects of ‘Nachklang’ (Op. 59 No. 4) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 2 Semantic aspects of ‘Nachklang’ (Op. 59 No. 4) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 1 Varieties of formal non-congruence From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 7 Formal aspects of ‘Verrat’ (Op. 105 No. 5) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 8 Formal aspects of ‘Mondenschein’ (Op. 85 No. 2) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 9 Formal aspects of ‘Alte Liebe’ (Op. 72 No. 1) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 10 Formal aspects of ‘An den Mond’ (Op. 71 No. 2) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 11 Formal aspects of ‘Wir wandelten, wir zwei zusammen’ (Op. 96 No. 2) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 12 Formal aspects of ‘Mein Herz ist schwer’ (Op. 94 No. 3) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 13 Formal aspects of ‘Eine gute, gute Nacht’ (Op. 59 No. 6) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Ex. 1 The piano’s introduction to ‘Eine gute, gute Nacht’ (Op. 59 No. 6), with implied text From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Fig. 14 Formal aspects of ‘Anklänge’ (Op. 7 No. 3) From: Brahms’s Non-Strophic Settings of Stanzaic Poetry Music Lett. 2017;98(2):204-231. doi:10.1093/ml/gcx051 Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.