Mesrine Emily Hemmings. . In this opening title sequence they use a split screen to see from the women's perspective and if someone is following her,

Slides:



Advertisements
Similar presentations
AS Level Media Studies. Mise-en-scene A French term meaning what is put into a scene or frame. Visual information in front of the camera. Communicates.
Advertisements

Question 1 – In what ways does your media product use, develop or challenge forms and conventions of real media products? By Pooja Dhimmar.
Looking At Other Digipacks/CD‘s
FILM LANGUAGE Stories told on film are often very powerful. As an audience we connect with the characters presented to us and feel along with them as.
Film Appreciation Shots, Angles, Cuts, and Sound.
We originally came up with two different Idea’s then combined them into one to make everyone happy with the final idea. We had an idea of a mystery character.
We see a lot of recurring props in the sequence, they all seem to be focusing on photos, writing, books, small metal objects and cuttings from pictures.
Findings from my previous analysis of five movie posters.
Se7en.
Q1.In what ways does your media product use, develop or challenge the forms and conventions of real media products.
Se7en (1995) David Fincher Jess Moorhouse. Titles The titles appear after an establishing scene which introduce the characters. The titles are interlinked.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Question 1. Emily Hemmings. Question 1. Emily Hemmings.
Evaluation: Question One In what ways does your media product use, develop or challenge the forms and conventions of real media products? By Emma Thomas.
Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party,
E VALUATION Q UESTION 1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? ‘C A P T U R.
Detailed Analysis on the open title sequence of Brick.
Identity (James Mangold, 2003) The sound of the voice over gives the spectator enigmas straight into the opening of the films title sequence. Also the.
Evaluation Q2 How does your media product represent particular social groups? Lottie Fowler.
Movie Posters Codes and Conventions. Codes and conventions Title is the main feature of the poster Cast – A-list, one main star ? Image – who/what is.
Evaluation Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Taxi Driver.  Light/ colour The red/ orange colure creates the emotion of anger and hate this could be what the character feels about people these are.
Evaluation question 1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? by Mahli Macwana.
Brick Charlie Funnell. Character The main character in this scene is clearly an unpopular person because of the way he dresses which seems like he hasn’t.
By Naomi Adams BRICK Opening Title Sequence Analysis Director-Rian Johnson Release date- 20 th July 2009.
Vertigo… By Alfred Hitchcock.
Thriller Film Opening Title Sequence Analyses ‘DRIVE’
Question 1 The Long Game Our opening title sequence is very typical to the Thriller Genre. Indeed, the narrative involves the murder of female victim;
Arlington Road. Emily Hemmings.. The first shots. The first shot we see is a blurred vision of a young boy moving towards the audience as he staggers,
Analysis of Opening Title Sequences Talented Mr Ripley Anthony Minghella 1999 Titles used How are the titles presented? The titles are sans-serif, white.
Se7e n Textual analysis By Joe Coquet Directed by David Fincher Released 22 nd September 1995.
GOTHIC ANIMATION: CAMERA SHOT TYPES  To further develop knowledge of film language  To recognise and analyse shot types Key Words Media language Audience.
Evaluation Question 1 Charlie Funnell. The Title of the film The title of our film, ‘The Long Game’, is typical of the Thriller genre, as it suggests.
ANALYSIS OF OPENING TITLE SEQUENCES… Jack McFarlaneVarndean college.
‘In what ways does your media product use, develop or challenge forms and conventions of real media products?’
Question one: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Frame Analysis By Luke Poore.
My opening title conforms to the genre of thriller. It is a conventional thriller and doesn’t really challenge the genre as I wanted to ensure it was.
Evaluation Q1 In what ways does your media product use, develop or challenge forms and conventions of real media products? Lottie Fowler.
Thriller Analysis Emily Hemmings. Donnie Darko The titles are first shown to the audience written in a white bold font against a black background showing.
Evaluation Question 1 In what ways does your media product use, develop or challenge forms and conventions of real media products?
Evaluation Question 1 IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?
Textual Analysis. Mise en Scene In the Opening Title Sequence for American Pyscho the shots were filmed in three different locations; the apartment, the.
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
Evaluation Question 1 In What Way Does Your Media Product Use, Develop Or Challenge Forms And Conventions Of Real Media Products? Hoodwink by Rebecca Bloomfield.
By Joynul.   The title sequence of the film psycho helps build suspense. We hear an orchestra playing music which sounds frightening, the colour black.
Mise-en-scène Initially the location is unknown as the viewer is presented with titles of production companies involved and a black screen in place of.
Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Se7en Charlie Funnell. Character The opening title sequence for Se7en is conceptual, with no clear presentation of any character apart from the one figure.
1. In what ways does your media product use, develop or challenge forms and conventions of real media products? During my research I watched two films.
PHOTOGRAPHY CAMERA SHOTS Reilly Russell. EXTREME CLOSE UP An extreme close shot is used in order for the audience to see detail on a characters face to.
In What Ways Does Your Media Product Use, Develop, or Challenge Forms and Conventions Of Real Media Products? By Si Yau Tuong.
BRICK OPENING TITLE SEQUENCE ANALYSIS. Mise-en-scene & cinematography During the opening title sequence to the thriller ‘Brick’ there are three different.
Thriller analysis. Mesrine OTS The title are presented in a typewriter style, flashed on with a faded centre. This kick-starts the eeriness and gives.
The Woman in Black- Opening Sequence
Learning Objective: To understand and explore the term ‘mise-en-scene’.
Question 1.
Learning Objective: To understand and explore the term ‘mise-en-scene’.
In depth textual analysis of Brick’s O.T.S.
Camera Shots, Movements & Angles
Presentation These are my notes from the presentation video analysis of Frozen.
Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Investigating mise-en-scène
QUESTION ONE In what ways does your media product use, develop or challenge the forms and conventions of real media products?
COLLATERAL Opening Title Sequence Analysis Director-Michael Mann Release date- 17th September 2004 By Naomi Adams.
Analysis Opening Title Sequence Brick
COLLATERAL Opening Title Sequence.
Opening Title Sequence analysis. Dillon
Question 1.
Question 1.
Presentation transcript:

Mesrine Emily Hemmings

. In this opening title sequence they use a split screen to see from the women's perspective and if someone is following her, watching her from behind which creates suspicion to the audience unknown on who is following her and why they are. Throughout the opening title sequences they give subtle hints for example the woman having a dog for vital protection and ginger hair which has connotations of a feisty personality.

. The opening title sequences then show the women in different shots looking suspiciously around making the audience feel uncomfortable as the uneasy feeling is shown through her body language and expressions on her face. We are then introduced to another character in another split shot, the other character looking suspicious assuming that he is the person following the women.

. This shot then causes confusion as the main character who we suspect is following the women is then played out to be followed to by the angle of the shot behind him, so we cannot see him full on. This is common in thrillers to add affect when filming. The characters are also introduced in French.

. The film is then introduced on a plain black background with white writing. The font is bold and clear showing simplicity but also contradicting itself with the past few shots.