GLOBALIZATION AND SOCIAL ASPECTS OF SOCIETY The impact of television The impact of television Nationalized broadcasters Nationalized broadcasters

Slides:



Advertisements
Similar presentations
Today’s Agenda, Feb. 11, 2014  TV, media, and music survey  A peek into history of technology  Timelines.
Advertisements

1 Recovery Plan CBC/Radio-Canada. 2 Guiding Principles The current challenge affects the entire Corporation. We are addressing it as one company.
Immigration, Minorities & Culture in Canadian History.
EARLY RADIO Outgrowth of 'wireless' Marconi and Fessenden Station XWA in Montreal (later CFCF) became first radio station in Canada (1918) CKAC in Montreal,
Media & Telecom: A Canadian Perspective October 24, 2013.
TV content regulation The primary responsibility for ensuring that TV programs reflect community standards rests with TV stations themselves under a system.
© 2006 Pearson Education Canada Inc. 9.1 Canadian Advertising in Action Chapter 9 Broadcast Media: Television and Radio.
Geography of Canadian Media. Canadian Media Print Media –Newspapers, Magazines Broadcast Media –Radio, TV New Media –Internet.
9.02 International Advertising
TV History (Part II) 4/21/2017 MIT2000.
APPROACHES TO PROMOTING AND PROTECTING CULTURAL INDUSTRIES: Lessons from Canada.
Culture and Mass Media Economy1 Media Economics 3. lecture Simona Škarabelová.
A HISTORY OF TELEVISION THEORY AND PRACTICE Television has been in existence in Canada since 1952 All of the technology was in place for television to.
 Chapter 3 Impacts of Communications Technologies and Media.
INDUSTRIAL MEDIA & SOCIAL MEDIA What are they and why is literacy important?
Turkey Finance, Accessibility, Content. Newspaper Access 39 National Newspapers 2,459 newspapers in circulation Circulations: 95 per 1000 inhabitants.
Affirming Identity Language, and Culture SOCIAL STUDIES CHAPTER 4.
 Global Village  Globalization  Developing World  Developed World  Interdependence  Homogeneity  Multinational Corporation  Free Trade  Downsizing.
Canadian Society and Identity Preparation for End of Unit Cumulative Essay.
Canada in the Post-War World: the 1950’s The Changing Face of Canada.
CHAPTER 7 ENTERTAINMENT MARKETING. The process of developing, promoting, and distributing products, or goods and services, to satisfy customers’ needs.
broadcast advertising is known as mass marketing since national or even worldwide audiences can be reached Broadcast advertising persuades consumers of.
RADIO AND CANADIAN RECORDING INDUSTRY MIT /16/
House of Teen Tearaways Research and Findings. Outline of Research The aim for this brief is to research into different channels on the TV and internet.
Commercialization of Media Pertemuan Matakuliah: O0394 – Teknik Reportase dan News Caster Tahun: 2010.
Social There are about 6000 communities/languages in the world, which means there are numerous different values, beliefs, practices and expressions.
Culture and Mass Media Economy1 Media Economics Simona Škarabelová.
1 Fragmentation: Seeking Opportunity in the Disruption.
Theories of Communication Week 4 – Sound Recording and Radio MMC110 Instructed by Hillarie Zimmermann MMC110 Instructed by Hillarie Zimmermann.
Canadian Media Our Culture, Our Identity. “ Living next to (the United States) is in some ways like sleeping with an elephant. No matter how friendly.
Joan Garrod Philip Allan Publishers © 2016 Media use among children and young people.
Broadcasting Regulation in Canada: Funding Local (Canadian) Content Local Content Development Workshop Pretoria, South Africa 28 May 2014 Presentation.
Broadcast Media. Television Strengths Creativity for Cognitive and Emotional Response Coverage and Cost Effectiveness Captivity and Attention Selectivity.
Cultural Industry What does the fishing industry produce? What does the Oil and Gas industry produce? What does the forestry industry produce? What does.
Welcome to Socials! Today: YOU NEED YOUR TEXTBOOKS
Technologies and Promotion of Culture in a Globalizing World Chapter 3.
GLOBALIZATION AND SOCIAL ASPECTS OF SOCIETY The impact of television The impact of television Nationalized broadcasters Nationalized broadcasters.
+ Public Service and Public Television & Radio Jazmine Jones, Maria Hernandez & Elizabeth Sebuliba.
CANADIAN GEOGRAPHY 1202 UNIT 4: Global Issues in Canadian Geography.
Canada: A Changing Society Ch. 7 (p , )
Who Are America’s Broadcasters?
Film Consumers in Canada September 23rd, 2013
TV History (Part II) 3/12/2018 MIT2000.
#INFINITEDIALAUSTRALIA
Canadian Radio-Television and Telecommunications Commission
Chapter 3: Technologies & Promotion of culture in a Globalizing World
By Ebony, Alana and Tyler
Promotion of Language & Culture
Cultural Nationalism.
Traditional Media and New Media Timeline
LOCAL TV REMAINS LEADING SOURCE OF NEWS
Communications Technology and Media in a Global Environment
Affirming Identity Language, and Culture
Musicians Reflect Canadian Identity
Study Overview Technology changes in society.
Chapter 3: Impacts of Communications Technologies & media
Radio and Canadian Recording Industry
MEDIA HABITS RESEARCH T O P L I N E R E P O R T | September 2018
Module Two - Television
Key Issues Why is access to folk and popular culture unequal? Why do folk and popular culture face sustainability challenges?
Media Trends 2017 Edition.
Local TV News Has the Largest Audience Share
Globalization & Media.
In Terms Of Second Screen Usage, TV Viewers Are 40% More Likely Than Audio Listeners To Take A Digital Action After Seeing/Hearing A Brand Being Advertised.
Original, 24/7 Live, Special Interest & Entertainment Channel
How does mass media shape our political system?
TECHNOLOGICAL CONVERGENCE for Institutions & Audiences
What is the CRTC? Canadian Radio-Television and Telecommunications Commission. The CRTC was established.
CRTC, CAVCO, and CanCon What does all this mean?
© 2016 Global Market Insights, Inc. USA. All Rights Reserved Digital Voice Recorder Market Size Growth During Forecast Period.
Presentation transcript:

GLOBALIZATION AND SOCIAL ASPECTS OF SOCIETY The impact of television The impact of television Nationalized broadcasters Nationalized broadcasters

THE TELEVISION EXPERIENCE 90 per cent of Canadians still watch television in the traditional sense, more than 8 out of 10 people view “entertainment” on a second device – and that could be a laptop (60 per cent), smartphone (42 per cent) or tablet (23 per cent). The latest Rogers Innovation Report found that 61 per cent of Canadians use another device while watching TV, while over a third of Canadians looked up information online while watching. While Canadians have abandoned more traditional habits, they’re still watching plenty of television. And with the rise in on- demand streaming services, they’re watching more television in one sitting. On average, Canadians spend seven hours of their weekend parked in front of the TV, watching ‘marathons’ of back-to-back episodes, according to a recent survey.

THE TELEVISION EXPERIENCE Survey highlights: Weekday viewing marathons last five hours on average Weekend viewing marathons last seven hours on average Average viewing marathon for men is 7.2 hours Average viewing marathon for women is 6.3 hours 71 per cent of viewers aged watch comedy during their marathons, compared to a national average of 62 per cent

THE IMPACT OF TELEVISION The most obvious power is the ability to capture our attention The most obvious power is the ability to capture our attention According to some psychologists, television removes the viewer’s consciousness from the immediate social and physical environment, often for extended periods of time According to some psychologists, television removes the viewer’s consciousness from the immediate social and physical environment, often for extended periods of time In 1964 Canadian Marshall McLuhan coined the term “the global village” In 1964 Canadian Marshall McLuhan coined the term “the global village” He maintained that virtually everyone in the world would become connected through television He maintained that virtually everyone in the world would become connected through television

THE IMPACT OF TELEVISION

The monopoly is as old as the medium, ever since Arthur Nielsen translated the measurement system that he devised for radio in 1942 to television. The company has been largely impervious to challenge; one notable attempt went under in The monopoly is as old as the medium, ever since Arthur Nielsen translated the measurement system that he devised for radio in 1942 to television. The company has been largely impervious to challenge; one notable attempt went under in 1999.

NATIONALIZED AIRWAVES Many nations have national broadcasters in order to help maintain the culture of their country Many nations have national broadcasters in order to help maintain the culture of their country In many cases this is a direct effort to avoid an overload of American programming and values In many cases this is a direct effort to avoid an overload of American programming and values The data show that Canadian private conventional networks are stepping in to occupy the territory CBC is abandoning. The data show that Canadian private conventional networks are stepping in to occupy the territory CBC is abandoning. Total hours of Canadian content during prime time across all convention networks increased to 57.5 hours in 2010, up from 49 hours in Total hours of Canadian content during prime time across all convention networks increased to 57.5 hours in 2010, up from 49 hours in cancon-hurts-canadian-culture-part-3/ cancon-hurts-canadian-culture-part-3/ cancon-hurts-canadian-culture-part-3/ cancon-hurts-canadian-culture-part-3/

WHAT IS CANCON CanCon is short for Canadian Content. CanCon usually refers to the Canadian Radio-television & Telecommunications Commission (CRTC) regulations which require Canadian broadcasters to dedicate a certain percentage of their programming to Canadian material. As far as music is concerned, the CRTC describes its goals as follows: The primary objective — a cultural one — is to encourage increased exposure of Canadian musical performers, lyricists and composers to Canadian audiences. The secondary objective — an industrial one — is to strengthen the Canadian music industry, including both the creative and production components.

WHAT IS CANCON The “Canadian-ness” of a musical work is determined by the MAPL criteria: at least two of the following must be met: Music: the music is written by a Canadian Artist: the work is performed principally by a Canadian Production: the work was recorded wholly in Canada Lyrics: must be written entirely by a Canadian. HT/R1.HTM HT/R1.HTM HT/R1.HTM HT/R1.HTM

CANCON RULES Canadian law currently features both foreign ownership restrictions and content requirements. Canadian law currently features both foreign ownership restrictions and content requirements. The foreign ownership rules generally limit licensees to 20 per cent foreign ownership (up to 33 per cent for a holding company). This covers all types of broadcasters including television, radio, and broadcast distributors. The foreign ownership rules generally limit licensees to 20 per cent foreign ownership (up to 33 per cent for a holding company). This covers all types of broadcasters including television, radio, and broadcast distributors. The Canadian content requirements apply to television, radio, and specialty television stations. Television stations must carry a certain percentage of Canadian content, with additional requirements for “priority programming” that includes Canadian dramas, documentaries, music, and variety shows. The Canadian content requirements apply to television, radio, and specialty television stations. Television stations must carry a certain percentage of Canadian content, with additional requirements for “priority programming” that includes Canadian dramas, documentaries, music, and variety shows. At least 35 per cent of music played on radio stations must be Canadian in order to meet Cancon requirements. At least 35 per cent of music played on radio stations must be Canadian in order to meet Cancon requirements.

CANCON ON CBC-TV VANCOUVER EQUALS HISTORIC LOW