In One Class Period!

  Revival of interest in Classical art  Perspective, three-dimensional sculpture  Reflects rise of humanism and importance of patrons Renaissance ( )

 Rafael – “School Of Athens”

 Michelangelo – “Creation Of Adam” (Sistine Chapel)

  Either the end of the Renaissance or the beginning of Baroque  Should artists follow the “manner” of what came before or try new things?  Exaggerates or fantasizes the human form Mannerism ( )

Parmigianino – “Madonna with the Long Neck” (1534) Note the elongated proportions, stylized poses and lack of clear perspective.

  Art characterized by ornamentation and curves, not straight lines  Drama, rich color, bright light, dark shadows  Art serves the Counter-Reformation and Absolutism  Art centralized to serve the state as center of art moves from Rome to Paris Baroque ( )

Bernini – “Ecstasy of Saint Theresa” (1647)

 Rembrandt – “The Night Watch” (1642)

 Versailles (1682)

  Art is lighter and less formal reaction against Baroque  Often portrays a fantasy world Rococo (Baroque Gone Wild!) ( )

Fragonard – “The Swing” (1767)

 Sanssouci (1745) (Frederick The Great’s Summer Palace)

  Looks to Greece and Rome for inspiration  Strips away Rococo frivolity and Baroque ornament (but what goes in its place?) Neoclassicism ( )

 David – Oath of the Horatii (1784)

 David – Coronation Of Napoleon (1808)

  Glorification of nature, patriotism and the Medieval past  Emphasize feeling not reason  Often linked with nationalism Romanticism ( )

 Delacroix – Liberty Leading The People (1830)

Friedrich – “Wanderer Above the Sea of Fog” (1818)

  Grittier and with more attention to social problems and context  Portrays real peasants, workers and events  Based on fact not emotion, goes with Realpolitik Realism ( )

 Millet – “The Gleaners” (1857)

 Courbet – “The Stonebreakers” (1849)

  Focus on accurate depiction of light and inclusion of movement or change over time  Ordinary subject matter including life of the middle class  Partly an attempt to capture impressions that photography could not Impressionism ( )

 Monet – “The Cliff at Etretat” (1885)

 Caillebotte – “Paris Street, Rainy Day” (1877)

  Art influenced by Freud, Einstein and Age of Anxiety  Too fractured to make general statements Modern (20 th Century)

 Picasso – “Guernica” (1937)