1. The Philosophy of Art What the philosophers had to say

2. Mimetic theory of art Art is fundamentally a mimesis (representation) of nature Oldest theory of art

3. The Mimetic Theory of Art: Problems: –How does this handle music?, abstract art? –What is “mimesis” exactly? (Imitation, mirroring, perceptual equivalence, counterfeiting, idealization, representation?) –If I say that the point of a picture is to capture the world exactly “as it really is,” what am I assuming?

4. Teacher vs Student (Plato and Aristotle) Plato viewed the arts as at best useless at worst "dangerous" According to Plato, artists deviated from providing a true picture of reality Artistic representations from the visual to the literal are merely copies of copies of perfect "Forms" from which all things arise Moreover, Plato believed that arts inspire vice - arts excited appetites or inspired worthless fantasies

5. Plato and art Art is psychologically destabilizing Art leads to immorality Art can be politically dangerous (and therefore needs to be controlled by the governing class)

6. Plato's view on art Everything that deceives may be said to enchant.

7. Aristotle's view on art As in all great student/teacher relationships, Aristotle takes the exact opposite view Aristotle agreed that art was essentially mimesis however rejected Plato's idea of Forms Saw art, poetry and drama as having a valid place in our reality Aristotle saw the arts as meaningful in that they represented human life Moreover, the arts had the effect of catharsis or "release" by allowing us to experience our most disturbed emotions in a safe place (i.e. crying at a good movie)

8. Aristotle and Art Art is natural; imitation is natural Encourages imagination Encourages truth (artists have to accurately portray nature) “Organic Unity” – all parts must work together to form whole Good art leads to morality and truth Good art leads to morality and truth

9. Thomas Aquinas Defined the beautiful as that which, being seen, pleases: id quod visum placet.

10. Consider the following paintings. Do you think they are beautiful?

11. THISONE?THISONE? (A)

12. Or, THIS ONE? (B)

13. If you picked A, you picked a master. If you picked B, you picked an amateur who likes the master.

15. What about taste? David Hume believed that art appreciation is wholly subjective (each person judges for him/herself the value of the artwork) However, this leads to problems in terms of judging the value of art to society as a whole Therefore, Hume suggests that works of art should be judged by experts in the field; great masterpieces of art, music and literature are valid because they have been generally agreed upon through time

17. What about taste? Immanuel Kant rejected the idea that taste was an individual enterprise Kant argued that there were inherent structures in the human mind that allows us to examine art intellectually rather than emotionally This state is known as "disinterest" and it allows all people to experience art from an aesthetic perspective free from personal experiences and preconceptions

19. Nietzsche and Art Friedrich Nietzsche argues that aesthetic values should replace moral values. Values of beauty and ugliness should be guidelines for action rather than formalized moral codes of conduct based on the God and religion We ought to do what is beautiful, not what is "obligatory"

20. Nietzsche and Art Two different sources of art - Apollonian and Dionysian Apollonian art centers on the orderly, beautiful, individual, rational and harmonious Dionysian art transcends the individual and absorbs that person in a frenzy (ie. music); it is largely amoral and not centred on traditional ethics Great art should have both Apollonian and Dionysian qualities

21. Art and Life? Salvador Dali The Persistence of Memory

23. Marx and Art Marx felt the true function of art was social criticism Marxists view art as a revolutionary instrument; it helps people see what is wrong with their existing society and motivates them to make a change Bad art upholds the values of an existing society and aims at deceiving people into accepting those values.

25. Viva brevis, Ars longa

38. What about music? 4 “33

40. Viva brevis, Ars longa

42. Representational? Edouard Manet, Olympia Morimura Yasumasa, Portrait

43. Is this art? Rene Magritte, The Rape

44. What would the philosophers say? Donald Judd Untitled

45. The following is Ai Wei Wei’s “Forever Bicycles” seen at Toronto’s Nuit Blanche. Compare the ideas of two different philosophers to discuss the value/benefits (or lack thereof) this piece of artwork.