1. Sound and Light Chapter 4: Light Section 1: Light and Color 3: 35.71 / 52 = 68.67% 5: 42.68 / 52 = 82.08% 6: 42.44/52 = 81.62%

2. Vocabulary Transparent material Translucent material Opaque material Primary colors Secondary color Complementary colors Pigment

3. When Light Strikes an Object To understand why objects have different colors, we need to look at HOW light interacts with an object. When light strikes an object, the light can be reflected, transmitted or absorbed. Think of sunglasses If we hold them in our hand, we can see light that reflects off of the lenses. If we put them on, we can see light transmitted by the lenses. But, things look darker, because some light is absorbed by the lenses.

4. Sunglass lenses, like most objects, are made of more than one material. Most materials can be classified as transparent, translucent or opaque, based on what happens when light strikes the material.

5. Transparent Materials A transparent material transmits most of the light that strikes it. This means the light passes right through without being scattered. This lets us clearly see what is on the other side. Clear glass, water and air are all transparent materials.

6. Translucent Materials A translucent material scatters light as it passes through. We can usually see something but behind a translucent object, but the details are blurred. Wax paper and frosted glass are translucent materials.

7. Opaque Materials An opaque material reflects or absorbs all of the light that strikes it. We can’t see through it, because light cannot pass through them.

8. The Color of Objects The color of any object depends on the material the object is made of and the color of light striking the object. Color of Opaque Objects The color of an opaque object depends on the wavelengths (colors) of light that the object reflects. Every opaque object absorbs some wavelengths of light and reflects others. The color of an opaque object is the color of light it reflects.

10. Color of Transparent and Translucent Objects Materials that are transparent or translucent allow only certain colors of light to pass through them. They will reflect or absorb the other colors. The color of a transparent or translucent object is the color of the light it transmits. Often we make color filters out of these.

12. Combining Colors Color is used in painting, photography, theater lightning, and printing. People who work with color must learn how to create a wide range of colors from just a few basic ones. Three colors which can be used to make any other color are called primary colors. Two primary colors combine in equal amounts to produce a secondary color. There are two ways to mix color, with light and with pigment.

13. Mixing Colors of Light The primary colors of light are red, green and blue. When combined in equal amounts, these three colors produce white light. If combined in other amounts, we can produce other colors. Red and green forms yellow. So yellow would be a secondary light color. If you combine a primary and secondary color, you get white light. Any two colors that combine to form white light are called complementary colors. Your TV set works off of these colors.

15. Mixing Pigments Inks, paints and dyes contain pigments, or colored substances that are used to color other materials. Pigments absorb some colors and reflect others. The color you see is the result of the colors that particular pigment reflects. Mixing colors of pigment is different from mixing light. As pigments are added together, fewer colors of light are reflected, and more are absorbed. So the darker the pigment will look. Cyan, yellow and magenta are the primary colors of pigments. Their secondary colors are red, green and blue

17. Interesting Note Notice the primary colors and the secondary colors of light Primary: Green, red blue Secondary: Magenta, cyan, yellow Notice the primary colors and the secondary colors of pigment Primary: Magenta, cyan, yellow Secondary: Green, red, blue What do we notice?

18. Sound and Light Chapter 4: Light Section 2: Reflection and Mirrors

19. Vocabulary Ray Regular reflection Diffuse reflection Plane mirror Image Virtual image Optical axis Focal point Real image Convex mirror Concave mirror

20. Reflection and Light Rays The reflection we see in mirrors depends on how the surface reflects light To represent how light reflects, we can represent light waves a straight lines called rays. And remember that light rays obey the law of reflection Depending on the surface that is being used to reflect light, we can have two types of reflection Regular reflection Diffuse reflection

21. Regular and Diffuse Reflection Regular Reflection When parallel rays of light hit a smooth surface, regular reflection occurs. All of the light rays are reflected at the same angle (because of the smooth surface) Image created is a sharp reflection Diffuse Reflection When parallel rays of light hit a bumpy or uneven surface, diffuse reflection occurs. Each light ray obeys the law of reflection, but hits the surface at different angles because the surface itself is uneven. Since each ray reflects at a different angle, the image produced is not clear.

23. Plane Mirrors A plane mirror is a flat sheet of glass that has a smooth, silver-colored coating on one side. Coating is often on the back of the mirror to protect it from damage. When light strikes the coating, the coating reflects the light. Because the coating is smooth, a regular reflection forms and a clear image forms. An image is a copy of an object formed by reflected or refracted rays of light.

24. Images The image you see in a mirror is a virtual image An upright image that forms where light SEEMS to come from. Virtual describes something that does not really exist So it looks like there is something behind the mirror, but you can’t really touch it. A plane mirror produces a virtual image that is upright and the same size as the object. Only difference is left and right is reversed.

25. How Images Form Some light rays from the object strike the mirror and reflect towards your eye. Even though the rays are reflected, your brain treats them as if they had come from behind the mirror.. The dashed line shows where the rays of light appear to come from. Because the light appears to come from behind the mirror, this is where the virtual image is located.

26. Concave Mirrors A mirror with a surface that curves inward like the inside of a bowl is called a concave mirror. Concave mirrors reflect parallel light so that they meet at a point. The rays of light are parallel to the optical axis. Optical axis is an imaginary line that divides a mirror in half The point at which rays parallel to the optical axis meet is called the focal point. The location of the focal point depends on the shape of the mirror. The more curved the mirror is, the closer the focal point is to the mirror.

28. Representing How Images Form Ray diagrams are used to show where a focused image forms in a concave mirror. A ray diagram shows rays of light coming from points on the object. Two rays coming from one point on the object meet or appear to meet at the corresponding point on the image.

29. - Reflection and Mirrors Ray diagrams show where an image forms and the size of the image. The steps below show how to draw a ray diagram.

30. Determining the Type of Image The type of image formed by a concave mirror depends on the location of the object. Concave mirrors can form either virtual images or real images A real image is where light rays actually meet As opposed to a virtual image, where they just appear to meet Real images also appear upside-down. If the object is farther away from the mirror than the focal point, the reflected rays form a real image.

31. Real or Virtual? If object is between mirror and focal point Reflected rays form a virtual image Appears to be behind the mirror and upright. With a concave mirror, always larger than the original object. If object is farther away from the mirror than the focal point Reflected rays form a real image Upside down May appear larger or smaller than the object If object is AT the focal point No image forms.

32. - Reflection and Mirrors Concave Mirrors

33. Convex Mirrors A mirror with a surface that curves outward is called a convex mirror With a convex mirror, the rays spread out, but appear to come from a focal point behind the mirror. The focal point of a convex mirror is the point from which the rays appear to come. Because the rays never meet, images formed by a convex mirror are always virtual and smaller than the object. Allows you to see a larger area than with other mirrors, but everything is smaller.

34. - Reflection and Mirrors Convex Mirrors

35. Sound and Light Chapter 4: Light Section 3: Refraction and Lenses

36. Vocabulary Index of refraction Mirage Lens Convex lens Concave lens

37. Refraction of Light Refraction can cause you to see something that may not actually be there As you look at a fish in a tank, the light coming from the fish to your eye bends as it passes through three different mediums Mediums would be water, glass, and air. As the light passes from one medium to the next, it refracts.

38. Refraction in Different Mediums Some mediums cause light to bend more than others. A material’s index of refraction is a measure of how much a ray of light bends when it enters that material. The higher the index of refraction of a medium, the more it bends the light. Denser objects will generally have a higher index of refraction

40. Mirages Imagine you’re traveling in a car on a hot day, and you notice the road ahead looks wet. But when you get there, the road is dry. You saw a mirage. A mirage is an image of a distant object caused by refraction of light. The puddle on the road was actually the light rays from the sky refracted to your eyes.

41. More on mirages Focus on shimmer below the car Air just above road is hotter than air higher up. Light travels faster through hot air. So light wave from the car that travel towards the road are bent upwards by the hot air. Our brain is tricked into thinking those light rays come from the road (from a straight line).

43. Every time the sun sets, we see a mirage. As light from the sun hits our atmosphere, it slows down, and bends towards the Earth. So when the sun is low in the sky, it appears to be higher up. So when it looks like the sun is just about to set, it already has! The light has actually bent around the globe!

45. Lenses A lens is a curved piece of glass or other transparent material that is used to refract light. A lens forms an image by refracting light rays that pass through it. Like mirrors, lenses can have different shapes. The type of image formed by a lens depends on the shape of the lens and the position of the object.

46. Convex Lenses A convex lens is thicker in the center than at the edges. As light rays parallel to the optical axis pass through the lens, they are bent towards the center of the lens. The rays meet at the focal point, and then continue onward. The more curved the lens, the more it refracts light. A convex lens acts somewhat like a concave mirror.

47. An object’s position relative to the focal point determines whether a convex lens forms a real image or a virtual image.

48. - Refraction and Lenses

49. Concave Lenses A concave lens is thinner in the center than at the edges. When light rays traveling parallel to the optical axis pass through a concave lens, they bend away from the optical axis, never meeting. A concave lens will ONLY form virtual images, since the rays passing through the lens never meet. The image will always be smaller than the object.