1. II. Mise en Scene / Intro to Cinematography Me-zaun-sen

2. A. Cinematography: The making of lighting and camera choices when recording photographic images for the cinema. Closely related to the art of still photography.

3. B. Mise en Scene How visual elements are staged, framed and photographed. French for “placing on a stage.” Involves: size, color, light, Placement (objects’ relationship to one another)

4. 1.The Dominant Where is our eye attracted first? Why? The dominant can be created by: * the size of an object, * a juxtaposition of lights and darks (esp. in black and white films), * using a color that stands out from the others, * placing one object in sharper focus than the rest of the shot.

5. The dominant in this shot is the character of Enid (Thora Birch). This is created by color, lighting and focus.

6. 2. Positioning of Characters & Objects within a frame Positioning within a frame can draw our attention to an important character/object A film-maker can use positioning to indicate relationships between people.

8. 3. Color Carries certain connotations which may add meaning (i.e. Red = Danger/Passion) Can give a scene a particular look, feel or mood Can be used for dramatic effect

9. Cool tones (left) are associated with sadness and strife. Warm tones (right) are romantic and happier.

10. How is color affecting the mise en scene of this shot?

12. 4. Lighting Lighting can be used to achieve a variety of effects: Highlight important characters or objects within the frame Make characters look mysterious by shading sections of the face & body To reflect a character’s mental state/hidden emotions (i.e. bright = happy, dark = disturbed, strobe effect = confused

13. 1. Low Key Lighting Produces an overall darker picture. Emphasizes diffused shadows and atmospheric pools of light. Often used in mysteries and thrillers. Tends to heighten the sense of alienation felt by the viewer, hence is commonly used in film noir, horror, mysteries and thrillers.

14. Low-Key Film Still: The Shining

15. Low-Key Film Still: Sin City

16. Watch: Raging Bull (Scorsese) Barton Fink (Coens)

17. 2. Film Noir Term used to describe stylish, Hollywood crime dramas, popularized in the 1940-50s. French for “black film.” Lighting is low key, very high contrast, and tends to be black and white. Settings tend to be urban; swirling cigarette smoke adds an air of mystery. Tone is fantastic and paranoid. Focuses on the dark side of humanity (violence, lust, greed, etc)

18. Film Noir Still: High Contrast

19. Watch: Double Indemnity (Wilder) Batman (Burton)

20. 3. High Key Lighting Bright, even illumination, with few conspicuous shadows. Generally used in upbeat scenes, hence used mostly in comedies, musicals and light entertainment films.

21. Watch: Some Like It Hot (Wilder) Austin Powers (Roach)

22. What types of lighting are used in the following images: A FD C E B

23. A FD C E B High Key – which items are highlighted…? High Contrast – Film Noir Low Key – mental state: dark and disturbed Low Key – Obvious Focus High Key – Moderate Lighting High Key – Oversaturated Coloring