2. EL ENCAJADO

4. Two-dimensional Encajado We understand by encajar to the preliminary phase of the process of representation of the copying drawing, where the main lines are drawn for the correct placement of various figures, shapes and images that will appear in the work within the space delimited by format: such forms will be drawn starting from the basic structure of the bodies, by squares, rectangles,... to which we call boxes. Light blue= global box Reddish blue = each piece boxes Light blue= global box Reddish blue = each piece boxes

5. Global Box Find out the most salient points of the contour of all model elements. Differentiate the long of the width of the whole. Predicting the paper orientation relative to : -- The width direction. -- Spaces, shadows and composition. Determine proportion between width and length. Realization of the global box.

7. Vertical Width Horizontal length

8. Paper oriented according the long direction of the model and /or compositional intentionality.

9. Length We moved along the length of the model to one side of the paper We moved along the length of the model to one side of the paper

10. Largo Ancho We moved along the width of the model to one side of the paper We moved along the width of the model to one side of the paper

11. Length Width If we compare these segments, we find out the difference "D" between the width and length If we compare these segments, we find out the difference "D" between the width and length

12. How many times does the width fit in the length? In this case the width fits in length once more "D" And.... “D” fits in almost three times the width

13. If you want to specify the rest In this case, the width fits in the length, again a fragment D which fits in the width twice and 9/10 of D In this case, the width fits in the length, again a fragment D which fits in the width twice and 9/10 of D

14. From a vertical width suitable to our compositional intentionality and format or framework, we deduce the length to the resulting global box, keeps the same relationship width - length, that of an imaginary window whose sides touched tangents at salient points of the proposed model. Global Box Summary

15. It is noted, in the illustration, that the width fits three times in the long plus the difference D, between the width and length of the last rectangle in which, compared to the width, fits into it twice and 8/3 of D

16. We trace vertical and horizontal half of the whole, in our Global box. We localize horizontal and vertical half of the set. We realize the model elements that are aligned with them, to later represent them.

17. The comparison of partial dimensions with the width or length of the Global box allow us to establish the proportion between the parts and the whole model and its equivalence to the drawing. ADJUSTMENT OF PROPORTIONS OF THE GLOBAL BOX COMPARING A LOWER MODULUS WITH WIDE AND LONG. The comparison of partial dimensions with the width or length of the Global box allow us to establish the proportion between the parts and the whole model and its equivalence to the drawing. ADJUSTMENT OF PROPORTIONS OF THE GLOBAL BOX COMPARING A LOWER MODULUS WITH WIDE AND LONG. The alignments of significant points of the model are repeated in the drawing The alignments of significant points of the model are repeated in the drawing.

19. Graphical solution a. Define the inclination or foreshortening of each piece. b. Locate ellipses and / or parts of each object. a. Define the inclination or foreshortening of each piece. b. Locate ellipses and / or parts of each object.