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Using music as a production of interethnic consensus/differentiation SCARDUA, Anderson SOUZA FILHO, Edson Universidade Federal do Rio de Janeiro – Brazil.

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Presentation on theme: "Using music as a production of interethnic consensus/differentiation SCARDUA, Anderson SOUZA FILHO, Edson Universidade Federal do Rio de Janeiro – Brazil."— Presentation transcript:

1 Using music as a production of interethnic consensus/differentiation SCARDUA, Anderson SOUZA FILHO, Edson Universidade Federal do Rio de Janeiro – Brazil Programa de Pós-graduação em psicologia

2 Objectives To investigate how music is represented, according to ethnic groups; To investigate the relations between these representations and musical likes and dislikes; To investigate the possibility of the utilization of music as a way to demarcate/reflect socio- cultural differences among the groups.

3 PARTICIPANTS: 243 - SELF-DEFINED AS: 141 White 73 Mixed 29 Black

4 QUESTIONS WHAT IS MUSIC TO YOU? WRITE WHATEVER YOU WANT. WHICH MUSICAL STYLES ARE YOU USED TO LISTEN TO? WHICH MUSICAL STYLES DO YOU LIKE LESS?

5 Categories Way of expression – feelings (is an expression; reflects what I am feeling); Stimulate/provoke emotions/sensations (makes me feel fine; provokes a good sensation); Entertainment/distraction (helps time pass; entertainment); Therapeutic function (relieve the stress; relax; meliorate melancholy); Work instrument (it’s my job; it’s my profession); Technical music descriptions (is melody; harmonic sonority); Escape from reality (dream; trip);

6 Musical likes/dislikes (I like heavy metal; I just don’t like pagode); Comparison with other arts and generic descriptions of music as an art (it’s poetry; it’s culture; it’s a kind of art; it’s useful to dance); State of mind and psychological adjectives (happiness; tranquility; state of mind; inspiration); Stimulate reflection/thinking (make us reflect about our lives; expression of thoughts, ideas); Background for life (accompany me in every moments; is a background for daily life); Diversity/relativism (we could not say if it is good or bad, there are ears and ears, hearts and hearts; doesn’t matter the style; it is everything around people); Necessity/like music (I wouldn’t know how to live without it; it’s life; I adore).

7 Table 1: Percentages of themes used to represent music, according to ethnic groups _______________________________________________________________________ Categories/groups Whites Mixed Blacks ______________________________________________ F. % F. % F. % _______________________________________________________________________ Way of expression – Feelings 40 13,60 24 16,00 6 9,37 Provoke emotions/Sensations 38 12,92 17 11,33 4 6,25 Entertainment/ distraction 35 11,90 18 12,00 14 21,87 Therapeutic function 33 11,22 11 7,33 4 6,25 Work instrument 4 1,36 3 2,00 0 0 Technical descriptions 32 10,88 13 8,66 6 9,37 Escape from reality 10 3,40 6 4,00 2 3,12 Musical likes/dislikes 10 3,40 0 0 1 1,56 Comparison with other arts 38 12,92 12 8,00 9 14,06 State of mind 9 3,06 19 12,66 8 12,5 Stimulate reflection/Thinking 15 5,10 9 6,00 10 15,62 Background for life 5 1,70 2 1,33 0 0 Diversity/relativism 12 4,08 7 4,66 0 0 Necessity/like music 13 4,42 9 6,00 0 0 ___________________________________________________________________________________________________________________________________________ χ2= 52,377; gl= 26; p<0,0016 (comparison among all groups); χ2= 25,54; gl=13; p<0,0196 (comparison between Whites and Mixed); χ2= 34,155; gl=13; p<0,0011 (comparison between Whites and Blacks) χ2= 23,369; gl=13; p<0,0375 (comparison between Blacks and Mixed)

8 White%Mixed%Black% Rock16,5Rock14MPB14,1 MPB14,9MPB14Hip-hop10,1 Pop8,1Pagode8,7Rock9,1 Hip-hop5,7Pop7,3Pagode7,1 Electronic5,2Electronic6,3Brazilian Pop 7,1 Classical5,2Hip-hop5,8Pop7,1 Chart 1: Musical Likes

9 Chart 2: Musical Dislikes White%Mixed%Black% Brazilian Funk 28,7Brazilian Funk 21,3Brazilian Funk 26,7 Pagode21,1Pagode17,7Pagode21,7 Sertanejo8,4Forró8,5Sertanejo10 Axé8Sertanejo8,5Samba6,7

10 Contact: andersonscardua@gmail.com


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