1. Oscar Villanueva Martínez enjoys an artistic career of more than thirty years, characterized by the fusion of contemporary and afroperuvian dance and percussions. Coming from a family of great Afro-Peruvian artists, he made his debut as a child in the world of entertainment. He was first part of the internationally recognized Peru Negro Company, led by its founder, his uncle Ronaldo Campos. He also learned from his uncles and aunts, the Peruvian composer and percussionist Caitro Soto and singer Susana Baca (Latin American Grammy 2002 and 2011). Oscar has learned contemporary dance and theater through experience and formal courses and then lived five years in Belgium where he taught and learned in contact with artists from all over the world. His artistic work is the result of these cultural fusions.

2. Music and Theatre

3. Dance

4. Peru Negro Company: Dancer and percussionnist Since childhood with the children’s component of the company and beginning as a teenager in the professional company until 1991.

5. Matalache (TV series): Ulysses character, head of the rebel slaves 1988

6. Millenium Theatre Company : Co-founder and former choreographic director. Invited performer after Since 1995

7. Asu Mare Comic Show: Percussionnist and tap dancer with famous Peruvian comic Carlos Alcantara Since 2009

8. Olodum Afroperu: Founder, author and artistic director of dance-theatre show « Bajo la Luna » (Under the Moon) Since 2011 (presentation in Yuyachkani Theatre, Lima and in festivals; acclaimed by the public.

9. Artistic Training: Folk Dances, tap, percussion, afroperuvian culture and history, through Peru Negro Company (1979-1991) Theatrical expression and arts: intensive workshops with Peruvian teachers (actors Reynaldo Arenas, Jackson Valdivia Germán Vega Garay, 1987) Contemporary Dance: Lima Dance School Pata de Cabra (1995-2000) Critics arts workshops, Cultural Centre of Spain (2010) Mentions: “Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific”, Heidi Carolyn Feldman, éditions Weislan, 328 pages (2007) “The Aestheticization of Tradition: Professional Afroperuvian Musicians, Cultural Reclamation, and Artistic Interpretation”, Javier Francisco León Quirós, PhD Thesis Dissertation, The University of Texas at Austin (2003) (http://www.lib.utexas.edu/etd/d/2003/leonquirosjf032/leonquirosjf032.pdf) L’or noir du Pérou, Daniel Ritière (www.danielritiere.com/fr/?p=18) (2005) El cajón, El Dorado magazine, Government of Peru’s promotion institution Promperu (1999) Percussions: Cajón, cajita (little box), quijada (donkey’s jaw), congas, bongo, djembé, minor percussions Dances: Traditional Coast of Peru (Afro-Peruvian descent) and afrocontemporary

10. Teaching: University Pontificia Universidad Católica del Perú, Music and Afroperuvian dances (1997-2012). Primary and secondary school teacher in private schools as an teacher in afroperuvian dances and percussions, tap and body expression, “integral arts ” teacher (incl. Arts and crafts, instruments made out of recycled material) (1999- 2012) National Superior Folklore School José Maria Arguedas, afroperuvian dance teacher for the professional programme (1991-1998); choreographic advisor at Festival Cervantes of Mexico (1993). Specialized training and workshops: Millenium Theatre Company (1995-2000); Yuyachkani Theatre (since 2006); Llampallec Folkloric Group (2011); University Pontificia Universidad Católica del Perú (2012); University Científica del Sur (2013). Catholic University of Louvain (Belgium) and cultural centres in Louvain, dance and percussions teacher (2000-2005). Contacts: Producer/Manager: Pascale Thivierge (819) 639-0136 cajonfusion@gmail.com www.cajonfusion.ca www.olodumafroperu.com/oscar-villanueva Languages: Spanish (mother tongue) and French (fluent)