2. Critiquing Art Photomontages By David Hockney

3. Step One: Description To be able to critique a work of art, and to write a critique, one must first describe what you are talking about. Many times people will never actually SEE the work in person, so as the reviewer (and as someone about to form an opinion) the critter should be able to describe what he or she is looking at.

4. Context Know the context in which the work was made Information such as: Artist’s name Where are/were they when they made it? Year it was made Title, if it has one Use, if it has one Other pertinent information about the artist

5. The CONTEXT of the Artwork is part of the DESCRIPTION Some of the context will come from Observation Some will come from Research Portrait by Chuck Close

6. Step 2: Analysis Ask yourself: Does this artwork reflect the context that you have discovered? Is the meaning clear? Does the description fit the meaning? Analysis is not SUBJECTIVE it is based on what you have FOUND OUT about the Artist, artwork and time period that the artwork was made (the context.)

7. Example: Joseph Cornell

8. Joseph Cornell Untitled (The Hotel Eden) 1945 Assemblage with Music Box 15x15 5/8 x 4 ¾ National Gallery of Canada, Ottawa

11. Joseph Cornell American Artist showed in New York with the surrealists although he did not feel that he shared the subconscious and dream theories of the surrealists. Although Cornell did tell, “mesmerizing complex stories with found objects and images in the self contained and magical worlds of his boxes.” Fineberg, Johnathan. Art Since 1940:Strategies if Being. New Jersey: Prentice Hall) 1995. 30.

12. Joseph Cornell was inspired by: The art of Max Ernst Cornell saw Ernsts’ work at the Julien Levy Gallery in 1931 - this is the same gallery that Cornell himself exhibited his work. Zoomorphic Couple (Couple zoomorphe), 1933. Oil on canvas, 91.9 x 73.3 cm. Peggy Guggenheim Collection. 76.2553 PG 75. Max Ernst © 2003 Artists Rights Society (ARS), New York/ADAGP, Paris.

13. souvenirs and postcards found in Times Square shops Cornell was also influenced by:

14. Observation: What is in the box? What do you see? Card – “Hotel Eden” Bird Ball (as in a bird cage?) What else? These things can be seen as symbols or signifiers that stand for something else…

15. Research: Research tells us that: Cornell was influenced by: the Surrealists Max Ernst Souvenirs and postcards in Times Square 1940’s Collected Memories Constructed many assemblage boxes He attempted to collect from the world immediately around him

16. What do you think Cornell was trying to communicate to people who saw his work? Then ask yourself:

17. Step 3: Judgment Not “I hate it, I like it” (this is valid on a personal level) But rather “is it a successful piece of art?” Does it communicate the artist’s intentions? Ask questions? Make a statement? Achieve the artist’s goal?

18. Although, there are no right or wrong answers… art cannot be reduced to a formula This is not cut and dry Interpretation is always open ended Bruce Nauman The True Artist Helps The World By Revealing Mystic Truths Neon tubes