1. Critical Response This presentation is the property of The Andy Warhol Museum and may not be reproduced. All images in this presentation are subject to copyright laws and may not be removed from this presentation for any purpose.

2. If you want to know all about Andy Warhol just look at the surface of my paintings and films and me, and there I am. There's nothing behind it. --Andy Warhol Andy Warhol, Self Portrait, 1986 Acrylic and silkscreen ink on canvas 108 x 108 x 1 ½ in. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

3. Where have you seen a critic’s opinion in a newspaper or on a TV show?

4. What is a Critic? A critic is someone who forms and expresses judgments of the merits, faults, value or truth of a matter. A critic gives opinions on things like: Movies Books Music Food Art

5. When critics gives their opinion, they not only state likes and dislikes, but also explain why, by including facts and descriptions that support their opinion.

6. When are you a critic? We make critical choices everyday about: music, art, fashion and movies.

7. Informed vs. Uninformed Opinion Opinion n. 1. A belief or conclusion held with confidence but not substantiated by positive knowledge or proof: “The world is not run by thought, nor by imagination, but by opinion.” (Elizabeth Drew) 2. A judgment based on special knowledge and given by an expert: a medical opinion.

8. Informed Opinion: Possessing, displaying, or based on reliable information: informed sources; an informed opinion. Uninformed Opinion: Not having, showing, or making use of information; not informed: uninformed voters; an uninformed decision.

9. As a critic it is important to differentiate between tastes and biases: Taste: A personal preference or liking Bias: a preference or an inclination, especially one that inhibits partial judgment.

10. Identifying music tastes and biases: Music Group

12. Identifying art tastes and biases:

14. When people view works of art for the first time, they create a first response that is intuitive, personal and often purely emotional; based on: Personal Experiences Feelings Associations Values Likes/Dislikes

15. How do you respond intuitively to artwork? After looking at the following two paintings, answer the questions on your handout: Intuitive Response Prompts Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

16. Another way of responding to artwork is through Critical Response, which helps you to organize your thoughts and to make intelligent and educated statements about a work of art. This process is a combination of: Description Analysis Interpretation Judgment

17. Description list the adjectives that come to mind make observations about what you see try to be objective avoid statements such as: "I like it" or “This is a really bad work of art.” Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

18. Analysis express your thoughts about what the message, mood or point of view the artwork expresses. explain your thoughts using the: -Elements of Art: line, shape, color, form, texture, space and value - Principles of Design: unity, emphasis, balance, variety, proportion, harmony, movement and rhythm Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

19. In order to have an informed opinion you must also have rich knowledge about the artwork. Use the handouts to: comprehend and analyze the historical and cultural context in which the artworks were made the artists’ methods and use of formal principals and conceptual ideas the critics who have already published opinions about the work.

20. Interpretation ask yourself "What does this work say to me?“ make guesses and inferences based on your experiences, values and knowledge and understanding of art Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

21. Judgment what is your critical judgment (positive or negative) about the work? Support your judgment with informed reasoning. is the work of art successful or not? Does the work have artistic merit? Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

22. Now you be the critic: Combining your ideas from your intuitive response, research and analysis write your own critique or “point of view” about what you think the paintings mean. Willem de Kooning, Woman VI, 1953 oil on canvas, 68½ x 58½ in. Carnegie Museum of Art, Pittsburgh, Gift of G. David Thompson ©2002 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York Andy Warhol, Liz, 1965, polymer paint and silkscreen on canvas, 40 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, contribution Dia Center for the Arts

23. Formulating responses to artwork is an important part of enjoying it and the key to developing critical analysis.