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100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 300 400 500 200 Literary Periods Writers Imagery.

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Presentation on theme: "100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 300 400 500 200 Literary Periods Writers Imagery."— Presentation transcript:

1 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 200 300 400 500 100 300 400 500 200 Literary Periods Writers Imagery Literary Devices

2 Predestination Colonialism 100

3 200 Heredity or Environment is powerful Naturalism

4 300 Optimistic about man and potential Transcendentalism

5 400 Focus on distinctive speech patterns and dialects Realism

6 500 A focus on the common good. Revolutionary

7 100 Not a Romantic writer: Poe, London, Irving, Hawthorne Jack London

8 200 Name the Transcendentalists who wrote “American Scholar” and “Civil Disobedience” Emerson and Thoreau

9 300 Wrote “Speech to the Second Virginia Convention” Patrick Henry

10 400 Wrote “The Fall of the House of Usher” Edgar Allan Poe

11 500 “Of Plymouth Plantation” William Bradford

12 100 Nathaniel Hawthorn

13 200 “Sinners in the Hands of an Angry God” John Edwards

14 300 “The Open Boat” Stephen Crane

15 400 Romantic writer who used folklore and superstition in his famous short story “Rip Van Winkle” Washington Irving

16 500 Anne Bradstreet

17 100 For the life of him, he couldn't figure why these East Enders called themselves black. He kept looking and looking, and the colors he found were gingersnap and light fudge and dark fudge and acorn and butter rum and cinnamon and burnt orange. But never licorice, which, to him, was real black. (excerpt from Maniac Magee) Visual

18 200 "The cold water touched her skin and she felt a shudder run down her spine." Tactile

19 300 "She smelled as sweet as roses." "I was awakened by the strong smell of a freshly brewed coffee." Olfactory

20 400 "With a wild rattle and clatter, and an inhuman abandonment of consideration not easy to be understood in these days, the carriage dashed through streets and swept round corners, with women screaming before it, and men clutching each other and clutching children out of its way. At last, swooping at a street corner by a fountain, one of its wheels came to a sickening little jolt, and there was a loud city from a number of voices, and the horses reared and plunged." (excerpt from 'A tale of two cities' by Charles Dickens) Kinesthetic

21 500 Tumbling through the ocean water after being overtaken by the monstrous wave, Mark unintentionally took a gulp of the briny, bitter mass, causing him to cough and gag." Gustatory

22 100 Simile

23 200 Allusion

24 300 Onomatopoeia

25 400 “Dr. Livingstone, I presume?” Understatement

26 500 "Blue Moon, you saw me standing alone Without a dream in my heart Without a love of my own. (Lorenz Hart, "Blue Moon") Apostrophe

27 100 Metaphor

28 200 "It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place." (Holden Caulfield in J.D. Salinger's The Catcher in the Rye, 1951) Anaphora

29 300 Parody

30 400 “Damned Human Race” Satire

31 500 Personification


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