1. Expressionism Monsters???

2. Hieronymus Bosch
Hieronymus, or Jerome, Bosch, b. c.1450, d. August 1516, spent his entire artistic career in the small Dutch town of Hertogenbosch, from which he derived his name.
The Extraction of the Stone of Madness (The Cure of Folly) c (200 Kb); Oil on board, 48 x 35 cm (18 7/8 x 13 3/4"); Museo del Prado, Madrid Removing "stones" from the head was a fairly common medieval operation; however, for some reason Bosch has painted a flower as the object being removed

3. c.1485 (50 Kb); Prado, Madrid
The Seven Deadly Sins is a painted rectangle with a central image of the eye of God, with Christ watching the world. The Seven Deadly Sins, depicted through scenes of worldly transgression, are arranged around the circular shape. The circular layout with god in the centre represents gods all seeing eye No sin goes unnoticed. In the corners of the image appear the "Four Last Things" mentioned in late medieval spiritual handbooks: Deathbed, the Last Judgment, Heaven, and Hell, all of which are favorite themes of separate Bosch panels.

4. Paradise Left wing (180 Kb); 147 x 66 cm
Hell Right wing (180 Kb); 147 x 66 cm
Haywain Central panel (210 Kb); 140 x 100 cm

5. Creation of the World Outer wings (shutters), depicting the third day of creation (140 Kb)

7. Garden of Earthly Delights (Ecclesia's paradise) Central panel (280 Kb)
The Earthly Paradise (Garden of Eden) Left wing (180 Kb)
Hell Right wing (180 Kb)
Bird-Headed Monster Detail from right wing (320 Kb)

8. Outer Wings Grisaille on panel (180 Kb), 131 x 53 cm Left: Arrest of Christ in the Garden of Gethsemane Right: Christ Carrying the Cross

9. Central panel Temptation of St Anthony (210 Kb), 131
Central panel Temptation of St Anthony (210 Kb), x 119 cm (52 x 47 in)
Left Wing Flight and Failure of St Anthony (190 Kb), x 53 cm
Right Wing St Anthony in Meditation (190 Kb), x 53 cm

10. Francisco de Goya
Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker regarded both as the last of the Old Masters and as the first of the moderns
Saturn

11. Saturn Devouring His Son, 1819
Saturn Devouring His Son, The title, like all those given to the Black Paintings, was assigned by others after Goya's death.

12. Old man

13. Of the series «Caprichos»

14. Aquelarre- late XIX century

15. Odilon Redon
Redon, Odilon ( ). French painter and graphic artist, one of the outstanding figures of Symbolism.
In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Redon too became associated with the movement of Expressionism.

16. Guardian Spirit of the Waters 1878 (210 Kb); Charcoal, 46. 6 x 37
Guardian Spirit of the Waters (210 Kb); Charcoal, 46.6 x 37.6 cm; The Art Institute of Chicago

17. Spirit of the Forest (Specter from a Giant Tree) (210 Kb); Charcoal and black chalk heightened wiith white chalk, 45.7 x 28.5 cm; The Woodner Family Collection, New York

18. The Crying Spider 1881 (230 Kb); Charcoal, 49. 5 x 37
The Crying Spider (230 Kb); Charcoal, 49.5 x 37.5 cm; Private collection, The Netherlands

19. Cactus Man 1881 (260 Kb); Charcoal, 49 x 32
Cactus Man (260 Kb); Charcoal, 49 x 32.5 cm; The Woodner Family Collection, New York

20. Mystery undated (160 Kb); Oil on canvas, 73 x 53
Mystery undated (160 Kb); Oil on canvas, 73 x 53.9 cm (28 3/4 x 21 1/4 in); The Phillips Collection, Washington, D.C.

21. Parsifal c. 1912 (160 Kb); Pastel on beige paper, 66 x 52 cm (26 x 20 1/2 in); Musee d'Orsay, Paris

22. The Cyclops c (240 Kb); Oil on canvas, 64 x 51 cm; Museum Kroller-Mueller, Otterlo, The Netherlands

23. Francis Bacon
Bacon, Francis , English painter; b. Ireland. Self-taught, he expressed the satirical, horrifying, and hallucinatory in such works as Three Studies for Figures at the Base of a Crucifixion (1944; Tate Gall., London).
Oil and sand on canvas; Three panels, each x cm (78 x 57 in); Solomon R. Guggenheim Museum, New York

24. Oil on canvas; Three panels, each 198. 1 x 147
Oil on canvas; Three panels, each x cm (78 x 58 in); Collection of the artist (?)
Second Version of Triptych 1944

25. Head VI 1949 (290 Kb); Oil on canvas, 93. 2 x 76
Head VI (290 Kb); Oil on canvas, 93.2 x 76.5 cm (36 5/8 x 30 1/8 in); Arts Council of Great Britain, London

26. Study for Crouching Nude 1952 (230 Kb); Oil and sand on canvas, 198
Study for Crouching Nude (230 Kb); Oil and sand on canvas, x cm (78 x 54 in); The Detroit Institute of Arts

27. Study After Velazquez's Portrait of Pope Innocent X (200 Kb); Oil on canvas, 153 x cm (60 1/4 x 46 1/2 in); Des Moines Art Center, Iowa

28. Man with Dog 1953 (150 Kb); Oil on canvas, 152. 1 x 116
Man with Dog (150 Kb); Oil on canvas, x cm (59 7/8 x 46 in); Albright-Knox Art Gallery, Buffalo

29. Self-Portrait 1971 (200 Kb); Oil on canvas, 35. 5 x 30
Self-Portrait (200 Kb); Oil on canvas, 35.5 x 30.5 cm (14 x 12 in); Musee National d'Art Moderne, Centre Georges Pompidou, Paris

30. Edvard Munch Munch Angst
1896
Litografías
NY, MoMA
12 December 1863 – 23 January 1944)[1] was a Norwegian Symbolist painter, printmaker and an important forerunner of expressionistic art.

31. The scream 1893

33. The Dance of Life (1899-1900), Oil on Canvas, Nasjonalgalleriet, Oslo, Norway

34. Salvador Dalì
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis of Dalí de Púbol (May 11, 1904 – January 23, 1989), commonly known as Salvador Dal
Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media
Dali
The persistance of the memory
1931

36. Hannah Höch
Hannah Höch (November 1, 1889 – May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage.
The Sweet One