1. MIM 482 E 2005-2006 SPRING TERM Prof. Dr. Orhan Hacıhasanoğlu Prof. Dr. Işıl Hacıhasanoğlu 10

2. MIM 482 E 2005-2006 SPRING TERM Documentary movies Documentary (adjective) 1.of, related to, or based on documentsdocuments 2.that serves to document something 3.(of a film, book etc) presented objectively without the insertion of fictional matterobjectivelyfictional documentary (noun) 1.a film, TV program, book etc that presents a social, political, scientific or historical subject in a factual or informative mannerTVsocial politicalscientifichistoricalfactual informative

3. MIM 482 E 2005-2006 SPRING TERM The French used the term documentary to refer to any non-fiction film medium. The earliest "moving pictures" were, by definition, documentary. They were single shots, moments captured on film; whether of a train entering a station, a boat docking, or a factory of people getting off work. Early film (pre-1900) was dominated by the novelty of showing an event. These short films were called actuality films. Documentary movies

4. MIM 482 E 2005-2006 SPRING TERM Very little storytelling took place before the turn of the century, due mostly to technological limitations: cameras could hold only very small amounts of film; many of the first films are a minute or less in length. Documentary movies

5. MIM 482 E 2005-2006 SPRING TERM With Robert J. Flaherty's Nanook of the North in 1922, documentary film embraced romanticism.Robert J. Flaherty Nanook of the North 1922romanticism Some of Flaherty's staging, such as building a roofless igloo for interior shots, was done to accommodate the filming technology of the time. igloo Documentary movies

6. MIM 482 E 2005-2006 SPRING TERM The newsreel tradition is an important tradition in documentary film; newsreels were also sometimes staged but were usually reenactments (replaying) of events that had already happened, not attempts to steer events as they were in the process of happening.newsreel Dziga VertovDziga Vertov was involved with the Russian Kino- Pravda newsreel series ("Kino-Pravda" means literally, "film-truth," a term that was later translated literally into the French cinéma vérité).Kino- Pravdacinéma vérité Frank CapraFrank Capra's Why We Fight series was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war.Why We FightUnited States Documentary movies

7. MIM 482 E 2005-2006 SPRING TERM The continental, or realist, tradition focused on man within man-made environments, and included the so-called "city symphony" films such as Berlin, Symphony of a City, Rien que les Heures, and Man with the Movie Camera.Berlin, Symphony of a CityRien que les HeuresMan with the Movie Camera These films tended to feature people as products of their environment. Documentary movies

8. MIM 482 E 2005-2006 SPRING TERM Propagandist tradition The propagandist tradition consisted of films made with the explicit purpose of persuading an audience of a point. One of the most known propaganda films is Leni Riefenstahl's film Triumph of the Will.propaganda filmsLeni Riefenstahl Triumph of the Will Documentary movies

9. MIM 482 E 2005-2006 SPRING TERM In his essays, Vertov argued for presenting "life as it is" (that is, life filmed surreptitiously) and "life caught unawares" (life provoked or surprised by the camera). Cinema verite borrows from both Italian neorealism's character of shooting non-actors on location, and the French New Wave's use of largely unscripted action and improvised dialogue; the filmmakers took advantage of advances in technology allowing smaller, hand cameras and synchronized sound to film events on location as real cases.Italian neorealismFrench New Wave Documentary movies

10. MIM 482 E 2005-2006 SPRING TERM The fundamental character of the cinema verite include following a person during a crisis with a moving camera (not a tripod) to capture more personal reactions. Documentary movies documenting the efforts of 180 coal-miners on strike in Harlan County, Kentucky in 1974.Harlan County, Kentucky1974

11. MIM 482 E 2005-2006 SPRING TERM Documentary movies There are no sit-down interviews, and the shooting ratio (the amount of film shot to the finished product) is very high, often reaching 80:1. From there, editors find and sculpt the work into a film.

12. MIM 482 E 2005-2006 SPRING TERM Documentary movies In the 1960s and 1970s documentary film was often conceived as a political weapon against neocolonialism and capitalism in general1960s1970s neocolonialism capitalism

13. MIM 482 E 2005-2006 SPRING TERM Documentary movies The nature of documentary films has changed in the past 20 years from the cinema verité tradition. Landmark films such as The Thin Blue Line by Errol Morris, which incorporated stylized re- enactments,The Thin Blue Line Errol Morris

14. MIM 482 E 2005-2006 SPRING TERM Documentary movies The commercial success of the documentaries mentioned above may owe something to this narrative shift in the documentary form, leading some critics to question whether such films can truly be called documentaries; critics usually refer to these works as "mondo films“ (a pseudo- documentary, usually depicting sensational topics and scenes).mondo filmspseudo- documentary.

15. MIM 482 E 2005-2006 SPRING TERM Documentary movies Visual inspection is the keyword for documentary films. Documentray is a form is not a content. Documentary is a form of the reality (content).

16. MIM 482 E 2005-2006 SPRING TERM Documentary movies The missions of documentary films: 1.Showing the public problems 2.Introducing the groups of the community each other, or introducing the community to other communities 3.Proposing new and more affective solutions to problems by using a large variety of inputs 4.Searching for the weaknesses 5.Introducing the events 6.Dramatizing the experiments

17. MIM 482 E 2005-2006 SPRING TERM Documentary movies Characteristics of the documentay: Director dramatizes the event and show with a creative presentation Time is generally 30 minutes Shooted in the real environment There isn’t any stage, costume Mostly shooted while an event, problem are realizing The aim is solving a specific problem

18. MIM 482 E 2005-2006 SPRING TERM Documentary movies Music is the main part of the whole movie and composed for the specific movie. Voices generally are recorded in the site not in the studio.

19. MIM 482 E 2005-2006 SPRING TERM Documentary movies Types of documentaries News documentaries: Objective presentaions of everyday news. Travel documentaries: Presentation of the travels to well known or not known places. Social documentaries: The problems on the life and future of the community or gorups presented in this type of documentraies. Research documentary: Presentation of the researching subject in a very pure way.

20. MIM 482 E 2005-2006 SPRING TERM Documentary movies Types of documentaries 5.Scientific documentaries: Generally presenting the findings and results of a scientific research by using examples to make understandable. 6.History documentaries: The aim of history documentary is presenting the historical event as real as possible to make knowledge about the past. 7.Propogandist documentories: The propagandist films made to the explicit purpose of persuading an audience of a point.

21. MIM 482 E 2005-2006 SPRING TERM Documentary movies Types of documentaries 8.Edited documentaries: An edited documentary film presented the past events with composition made out of the other documents and especially old movies 9.Biographical documentaries: Presenting a special individual.

22. MIM 482 E 2005-2006 SPRING TERM Documentary movies UNTIL ETERNITY... (1988) Directed by: SUHA ARIN 30 minutes 6 parts Realized in Architect Sinan year (1988), to dedicate to big master.

23. MIM 482 E 2005-2006 SPRING TERM QUIZ- 04.04.2006 Question; 1. Which type of documentary film is Until Eternity?