2.  Sit next to a partner and come up to the first sets of desks.  Get an iPad and (several pieces of paper/) sketchbook for brainstorming.  We are going to discuss concentrations- questions on next slide.  What ideas do you have from what you are doing now? Where could it take you? AP CONCENTRATION!

3. A LUNCH B LUNCH C LUNCH Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Period 2 10:25- 11:15 Period 2 10:25- 11:15 Period 2 10:25- 11:15 A LUNCH 11:15- 11:45 Period 3 11:20- 11:55 Period 3 11:20- 12:35 Period 3 11:50-1:05 B LUNCH 11:55- 12:25 C LUNCH 12:35-1:05 Period 3 12:30- 1:05 Period 4 1:10-2:00Period 4 1:10-2:00Period 41:10-2:00 2 HOUR LATE BELL SCHEDULE

4.  Kayla Morgan- LHS alumni- talking about portfolios- showing her college portfolio. Former Art Club president  Molly McNulty- (my friend)- oil painter, mixed media artist. Showing her procedures and art, talking about showing and selling your work. We will use oil paint on wood. She will show oil techniques. Visitors the next 2 weeks

5. Objective: You will analyze series of artworks in order to brainstorm ideas for your concentration. Today’s questions: 1.How did Piet Mondrian’s work evolve from the beginning to the end? 2.Choose 3 ideas for your concentration that are a possibility from the lists. Brainstorm more ideas. 2.You and a partner will analyze a student’s concentration and tell the class about it. 3.(Later) BRAINSTORM~ Describe and draw how you would explore one of the ideas for the concentration in 12 artworks.

6. What is a 2D Design portfolio?  The term "2-D Design" is used very broadly; a wide range of work can fit into this portfolio. The unifying idea for the portfolio is that the student focuses on making decisions about how to use the principles and elements of art to create works of art that convey meaning. In some cases, the "meaning" of the work may involve messages on a literal level (for example, graphic design, product design). However, "meaning" is just as likely to take the form of abstract or purely visual coherence. What's critical is that sense of deliberate manipulation of the visual tools represented by the elements and principles. The work may be highly technological, or it may be created with the most simple means. Any two-dimensional medium may be used for this portfolio.

7. What does your breadth consist of?  Variety of materials  Techniques  Subject matter  Exploration  Observation  Your voice  Skills  Practice  Creativity  12 pieces  Use of the principles of design

8.  Your concentration needs to have a beginning, middle and end. The AP readers will have only one chance to glance over the works and get the plot of the story. This means that you need to be very clear and logical about the progression of your idea and have a distinct theme or storyline. The concentration artwork should evolve or revolve around the central idea so that each image further enhances the story or idea you're trying to communicate. AP Concentration Commentary: Clearly and simply state the central idea of your concentration. (500 characters maximum) Explain how the work in your concentration demonstrates your intent and the sustained investigation of your idea. You may refer to specific images as examples. Keep your idea simple. Concentration- What to write:

9.  A body of related work  Images growing from images  Commonalities of ideas  Exploration of materials  Approaching concepts in numerous ways.  Expanding on discoveries.  Discovering your strengths and what you need to work on.  Symbolic representation What is a concentration?

10. Piet Mondrian was a famous abstract painter, born in the Netherlands in 1872. His most recognized works are abstract paintings of colored squares, rectangles, and thick black lines, some of which you’ll see farther down. PIET MONDRIAN- example of artist evolution

11. But as Mondrian explored nature his own way, he gradually began to simplify and abstract the colors and shapes that he saw. This process of simplification and reduction would continue until he wasn’t even painting from nature at all.

12. The rise of Cubism also gave Mondrian a means to segment and reduce objects to their most basic forms.Cubism Notice the brush strokes in this next painting—it’s about as expressive that way as he’d ever be.

13. And at this early stage of his artistic development there’s even an inkling of his future geometric abstracts in the dark black lines and almost completely non- representational images.

14. With additional experimentation, a sense of structure began to assert itself through his paintings. More horizontal and vertical lines appeared, with the occasional curves and diagonals. Later on, of course, Mondrian wouldn’t have anything to do with lines that weren’t straight.

15. By this time, Mondrian’s work was fully non- representational, and any abstracting he’d done from nature was in the past. He began to create all of his paintings using a grid- like format, painting squares and rectangles of mostly solid colors.

16. At the same time he began to shift away from neutral and intermediate colors to primary hues, especially avoiding green.

17. Mondrian’s most famous works are his paintings made up of pure red, yellow, and blue, as well as black and white, but for a while he used shades of gray as well, and even his lines were dark gray instead of pure black.

18. Over time, though, his artwork became cleaner and more simple. Strong fields of color dominated his paintings, separated by thick black lines and sections of pure white

19. Then white itself became the focus, along with a judicious use of accent colors (still primaries, however) and the same black lines to break up the space.

20. Mondrian then began experimenting with double and triple lines, criss- crossing his canvases with more black than ever before. That experimentation eventually led to a major adjustment on his part— do you see anything different in the next painting?

21. It’s fairly subtle in that piece, actually. Mondrian painted smaller squares of color in between a few of his double lines, without any black bounding their edges. And although it might not jump off the screen to us, unbounded color was a serious departure for Mondrian, indicating a big change of direction for him.

22. This final piece, entitled Broadway Boogie Woogie, reflected not only the bustling sights and sounds of New York City, but also one last leap forward in his evolution as an artist. As you can see, Mondrian completely emptied his canvas of any black lines, using instead squares of pure color to separate and delineate the larger blocks of white in the painting.

24. CONCENTRATION WITH THEME

25. Colin Williams

29.  Midnight at McDonalds  Mirrors and Reflections  Different kinds of shoes from different points of views  Night scenes  Downtown  Old barns  Old houses  Rust  Cars  Merry-go-round  Ice skates  Looking through a window  The city park  New buildings  Juxtaposition of unusual objects  Junkyard  Tennis Shoes  Boots  Circus Life  Reflections  Things that come in pairs  Your Attic  Musical Instruments  Dance Images  Car Interiors  Toys/Games  Objects emerging from bags  Motion  Roller coasters and their structure  Vegetables  Looking in mirrors Ideas and Starting Points for Concentrations

30.  My art shows things that words cannot say  Improv song as my art- make it up as you go.  Contrast opposites  Special places  People, places, things.  Metaphysical  Art vs science  Spiritual  Layers of me  Time takes its Toll  My life in symbols  Things that make me go hmmmm  Relationships between…  How awkward  My favorite things in life  MY daily personalities  My greivances  Focal point of my life Ideas and Starting Points for Concentrations

31.  Be daring  My daily selfie  My daily art  The world where I do not live  Leisure time  Take a risk  My secrets revealed  Revealing their secrets  Weather  Before and after Ideas and Starting Points for Concentrations  Transformation  Real to abstract progression  All about the elements baby- all about design and composition  Play and experimentation  Age vs beauty  Ugly traits  I doubt that  I am connected

32.  How people see me vs how I see myself  Movement  Wearing a mask  Mathematical forms and fractals.  Sacred geometry  False personality  Superstition  The cosmos  Your ecological footprint Ideas and Starting Points for Concentrations  The power of intention  Think outside the box  Collaboration  Who I used to be  Growth and decay of nature  Pollution  My health  Disease  Public issues

33.  Parts of a whole  Marvel in the beauty and joy of the world

34.  BALANCE – ASYMMETRY  FOCAL POINT  REPETITION  VARIETY  EMPHASIS  MOVEMENT  CONTRAST PRINCIPLES OF DESIGN  RULE OF THIRDS  CIRCULAR  CRUCIFORM  NOT A BULL’S EYE- OUT OF CENTER  ZOOM IN  COLOR SCHEME COMPOSITIONAL STRATEGIES

35.  http://apcentral.collegeb oard.com/apc/public/co urses/index.html http://apcentral.collegeb oard.com/apc/public/co urses/index.html AP COLLEGE BOARD WEBSITE:

36.  MAKE IT BETTER PRACTICE VERSIONS LIKE MUSIC

37.  Gemini  Fickle change  Shy, not shy  Yes, then no  Control vs letting go  Geometric vs organic  Organized, yet messy  Perfection vs crazy Duality of me Ms. Gauger’s idea:

38.  Paint  Layers  Collage  Pen n ink  Oil pastel/ chalk  Mixed media  pencil Materials/ Creativity  People  Architecture  Nature/ Landscape  Animals  Abstract  Interiors  Combination What images Brainstorm ideas- draw sketches Styles  Mark-making  Embrace the oops  Smooth  Limited color palette  Sketchy  Surreal  Your style

39. Where could you take this? What would you do next? What could this say?

40. What could you be saying with the art you have been making?

41. What do you really want to create?

42.  Brainstorm ways to represent this visually.  Try to do 12 sketches for an idea.  How can it evolve or show the idea better with each artwork? Draw sketches  Brainstorm. Write, write, write. The more you think, the easier the ideas will flow.  Expand on the idea. What could you say about it. How could you show it with art?  Try it with another idea. Write about your ideas: Today’s goals: Objective: You will analyze series of artworks in order to brainstorm ideas for your concentration.

43. fzu2sp

44.  Images- life, pictures, non- objective  Composition.  Art Elements- lines, shapes, color scheme  Style of art  Material(s)  Surface  Meaning- what does it say? Think about first piece of concentration:  Please grab your sketchbook and sit in front tables.  Title a page- ‘Kayla Morgan’  Take notes for what you like and learn?  Think about questions for Kayla? Write them down.  Give your best respect and complete attention. Directions: Presentation~ Kayla Morgan

45.  Images- life, pictures, non-objective  Composition.  Art Elements- lines, shapes, color scheme  Style of art  Material(s)  Surface  Meaning  How it ties to the rest of your concentration. Think about your 1 st concentration piece: Objective: You will brainstorm and plan in order to create a series of work. DRILL: You have the entire period to work. Take out your supplies for 1 st concentration piece. 1. Look at your concentration theme and your plans? 2. How can you create one piece a week by MAY 8 th ? 3. What lessons do you want to learn with Ms. Gauger? 1 st Concentration Piece

46.  Abstract art  Composition  Painting eyes  Painting hair  hands One day lessons  Figures- gestures, detail  Sketchbook ideas for breadth  Materials- which? Oil pastel

47.  Images- life, pictures, non-objective  Composition- Asymmetry, movement, repetition, focal point, emphasis, contrast- principles of design  Art Elements- lines, shapes, color scheme, value, texture  Style of art- mark-making, inspired by an artist, surreal.  Material(s)- mixed media, 2 materials to show contrast, etc….  Surface- paper, canvas, charcoal paper,  Meaning- What are you saying? IS there a story or symbolism?  Creativity- How does it show your voice? Are you having fun? What makes it your style?  How does it tie into your concentration? Think about first piece of concentration: CONCENTRATION~ Piece 1 ~ one a week!!!

48. A LUNCH B LUNCH C LUNCH Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Period 2 10:25- 11:15 Period 2 10:25- 11:15 Period 2 10:25- 11:15 A LUNCH 11:15- 11:45 Period 3 11:20- 11:55 Period 3 11:20- 12:35 Period 3 11:50-1:05 B LUNCH 11:55- 12:25 C LUNCH 12:35-1:05 Period 3 12:30- 1:05 Period 4 1:10-2:00Period 4 1:10-2:00Period 41:10-2:00 2 HOUR LATE BELL SCHEDULE

49.  Parts of the whole  Marvel at the wonders and joys of life New concentration ideas

50.  Sketchbook size  Portfolio quality for breadth  Must be your eye from photo or mirror.  Materials of your choice  Be creative- Have fun. Experiment. “My Eye” or “In my Eyes” Due Tuesday Concentration Piece #1 DUE – Tuesday- one a week Concentration and Homework-  Images- life, pictures, non-objective abstract, people, objects  Background – Environment  Composition  Color scheme  Style of art  Material(s) and Surface  Meaning- what does it say?\  How does it tie in to your concentration? TODAY’S LESSON: Painting eyes Acrylic Watercolor Pen & Ink

51.  Sketchbook size  Portfolio quality for breadth  Must be your eye from photo or mirror.  Materials of your choice  Be creative- Have fun. Experiment. “My Eye” or “In my Eyes” Due Tuesday

53.  Sketchbook size  Portfolio quality for breadth  Must be your eye from photo or mirror.  Materials of your choice  Be creative- Have fun. Experiment. “My Eye” or “In my Eyes” Due Tuesday Concentration Piece #1 DUE – Tuesday- one a week Concentration and Homework-  Images- life, pictures, non-objective abstract, people, objects  Background – Environment  Composition  Color scheme  Style of art  Material(s) and Surface  Meaning- what does it say?\  How does it tie in to your concentration?

54. Praise n Polish Critique  Objective: You will analyze your classmates and your own work in order to evaluate your work.  Turn in homework on Edmodo. (Eye homework)  We will have a praise and Polish critique at 12:45.  You will write for each classmate for their last 1-3 pieces.  Work on your current piece. Take out at least one piece to share. Bring unfinished work to critique.

55. Praise n Polish Critique  Objective: You will analyze your classmates and your own work in order to evaluate your work.  Set up the most recent artworks that you have made. Unfinished pieces, too. 1 st concentration piece and eye homework.  We will have a praise and Polish critique in 10 min. Each person will explain what they have been working on.  You will write what you like and a suggestion for each artist.

56.  Get started asap. Work with Ms. Gauger to plan your next pieces if you don’t know what to do.  1. Concentration piece #2  2. Concentration piece #3 (small?)  3. Next homework - Based on Architecture. Must have a building or part of a building in your artwork. Minimum- sketchbook size. Have these artworks ready for critique: Friday- Next Critique- 3 classes away Sunga Park

58.  Images- life, pictures, non-objective  Composition- Asymmetry, movement, repetition, focal point, emphasis, contrast- principles of design  Art Elements- lines, shapes, color scheme, value, texture  Style of art- mark-making, inspired by an artist, surreal.  Material(s)- mixed media, 2 materials to show contrast, etc….  Surface- paper, canvas, charcoal paper,  Meaning- What are you saying? IS there a story or symbolism?  Creativity- How does it show your voice? Are you having fun? What makes it your style?  How does it tie into your concentration? Think about first piece of concentration: CONCENTRATION~ Piece 1 ~ one a week!!!

59. Artist__________ Praise and Polish Critique  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish:

60. Artist__________ Praise and Polish Critique  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish:

61. Artist__________ Praise and Polish Critique  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish: Artist__________  Praise:  Polish:

62. A LUNCH B LUNCH C LUNCH Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Hr and Pd 1 9:30- 10:20 Period 2 10:25- 11:15 Period 2 10:25- 11:15 Period 2 10:25- 11:15 A LUNCH 11:15- 11:45 Period 3 11:20- 11:55 Period 3 11:20- 12:35 Period 3 11:50-1:05 B LUNCH 11:55- 12:25 C LUNCH 12:35-1:05 Period 3 12:30- 1:05 Period 4 1:10-2:00Period 4 1:10-2:00Period 41:10-2:00 2 HOUR LATE BELL SCHEDULE

63.  Create a homework assignment.  Make 2-3 goals for the homework.  Make a slide or more to list goals and show an example. Make an example of it.  Do yours first.  No repeats for ideas.  Be creative.  How can you promote portfolio building?  Do all 10 homeworks by the end of the year. Any order. What homework would you give?

64.  Katelyn- bad habits  Bryan-  Anasseh-  Kira- hybrids  Kristina- Your homework idea:  Skyler- biggest fear  Stephanie-  Jesica-  Monica  Alayna-

65.  Come up with a way to lead and have a class critique.  Be creative.  How can everyone participate?  Partners??? Who do you want to work with?  Solo- or partners- Partners lead critiques:

66.  Get started asap. Work with Ms. Gauger to plan your next pieces if you don’t know what to do.  1. Concentration piece #2  2. Concentration piece #3 (small?)  3. Next homework - Based on Architecture. Must have a building or part of a building in your artwork. Minimum- sketchbook size. Have these artworks ready for critique: Friday- Next Critique- 3 classes away Sunga Park

67.  DUE FRIDAY- Feb 27  CRITIQUE FOR 2 PIECES ON FRIDAY- CONCENTRATION #2 AND #3.  ARCHITECHTURE HOMEWORK.  DUE NEXT THURS- March 5- POWER POINT SLIDE WITH 3 SENTENCES OR PHRASES TO GIVE DIRECTIONS ABOUT YOUR HOMEWORK.  DUE MONDAY- March 9 (2 WEEKS) – YOUR EXAMPLE OF YOUR HOMEWORK ASSIGNMENT- PRESENT HMWK  FRIDAY MARCH 19- NEXT CRITIQUE #4 THINGS DUE AND WHEN: AART ALL DAY WWORK ON CONCENTRATION PIECES in class. HOW MANY DO YOU HAVE? AARCHITECTURE HMWK TTHINK ABOUT YOUR HOMEWORK ASSIGNMENT TODAY: Where are we? What to work on?

68.  Plot yourself where you are right now.  Describe why you put yourself there.  Plot where you would like to be?  How can you move in that direction? Draw this ‘graph’ on a piece of paper: Conceptual Design Abstract Realistic

69. Conceptual Design Abstract Realistic

70. Conceptual Design Realistic Abstract

71. Conceptual Design Realistic Abstract

72. Conceptual Design Realistic Abstract

73. Conceptual Design Realistic Abstract

74.  DUE FRIDAY- Feb 27  CRITIQUE FOR 2 PIECES ON FRIDAY- CONCENTRATION #2 AND #3.  ARCHITECHTURE HOMEWORK.  DUE NEXT THURS- March 5- POWER POINT SLIDE WITH 3 SENTENCES OR PHRASES TO GIVE DIRECTIONS ABOUT YOUR HOMEWORK.  DUE MONDAY- March 9 (2 WEEKS) – YOUR EXAMPLE OF YOUR HOMEWORK ASSIGNMENT- PRESENT HMWK  FRIDAY MARCH 19- NEXT CRITIQUE #4 THINGS DUE AND WHEN: AART ALL DAY WWORK ON CONCENTRATION PIECES in class. HOW MANY DO YOU HAVE? AARCHITECTURE HMWK TTHINK ABOUT YOUR HOMEWORK ASSIGNMENT TODAY: Where are we? What to work on?

75.  How does the piece you are working on tie into your concentration idea?  What are you trying to say with your pieces?  How has your work evolved from your first piece? What is your concentration about? Concentration Pieces

76.  DUE AT 12:15~  ARCHITECTURE HOMEWORK  AP STUDENTS- CONCENTRATION #2 AND #3 (1 A WEEK- 2 every 2 weeks)  GT STUDENTS- CONCENTRATION #2 (1 PIECE every 2 WEEKS)  WORK TODAY, TURN IN WORK, CRITIQUE TUESDAY- FINISH PIECES.  Thursday- make slide and 3 sentences for your homework, send on Edmodo. Get 2-3 things graded today: Take them out. (Read the info below) Concentration Pieces AND Architecture homework

77.  Take out  ARCHITECTURE HOMEWORK  1-2 CONCENTRATION PIECES.  Student lead critique- try to have everyone participate.  Get a concentration planning sheet.  Meet with Ms Gauger next week with sheet.  Thursday- make slide and 3 sentences for your homework, send on Edmodo. CRITIQUE IN 10 MIN!

78.  Meaning  Concepts  Story  emotion  Composition- focal point, balance  Color scheme  Marks  Contrast  Repetition  Process- how? Vocab