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HUMANITIES PAINTINGS AND PAINTERS REVIEW. MEDIEVAL 800-1400 A.D. ART APPEALED TO THE EMOTIONS AND STRESSED THE IMPORTANCE OF RELIGION.

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Presentation on theme: "HUMANITIES PAINTINGS AND PAINTERS REVIEW. MEDIEVAL 800-1400 A.D. ART APPEALED TO THE EMOTIONS AND STRESSED THE IMPORTANCE OF RELIGION."— Presentation transcript:

1 HUMANITIES PAINTINGS AND PAINTERS REVIEW

2 MEDIEVAL 800-1400 A.D. ART APPEALED TO THE EMOTIONS AND STRESSED THE IMPORTANCE OF RELIGION

3 THE CENTRAL PANEL OF DUCCIO'S HUGE MAESTÀ ALTARPIECE FOR SIENA CATHEDRALDUCCIO MAESTÀALTARPIECESIENA CATHEDRAL

4 ROSE WINDOW—NOTRE DAME CATHEDRAL

5 ROMANESQUEGOTHIC

6 RENAISSANCE 1400-1600 Tried to reconcile Christian faith and the new discoveries of science and philosophy Rebirth of the Classical ideals of Ancient Greece and Rome New freedom of thought based on reason instead of faith alone

7 MICHELANGELO BUONARROTI DAVID SISTINE CHAPEL PIETA

8 LEONARDO DA VINCI THE LAST SUPPERMONA LISA

9 BAROQUE 1580-1700 Rejected the limits of the previous styles Used to restore the power of the monarchy and the church Excess, Ornamentation, Contrast, Tension and Energy

10 MICHELANGELO MERISI CARAVAGGIO THE CALLING OF SAINT MATTHEW

11 REMBRANDT VAN RIJN THE NIGHT WATCH

12 NEOCLASSICISM/CLASSICAL 1720-1827 Reacted to the excesses of the monarchy and ornamentation of the Baroque Return to order, reason, and structural clarity in artwork

13 JACQUES-LOUIS DAVID THE DEATH OF MARATTHE OATH OF THE HORATII

14 THOMAS JEFFERSON

15 ROMANTICISM 1760-1870 Artists revolted against Neoclassical order and reason. They returned to the beauty of nature, Freedom, emotion, sentimentality, and spontaneity were prized over logic and reason. Their imagination to create works about exotic, patriotic, primitive, and supernatural subjects.

16 JOHN CONSTABLE THE HAYWAINTHE CORNFIELD

17 FRANCISCO GOYA THE THIRD OF MAYTHE SLEEP OF REASON PRODUCES MONSTERS

18 REALISM 1820-1920 Realism seeks the truth. Artists found beauty in the commonplace. They focused on the Industrial Revolution and the conditions of the working class.

19 EDOUARD MANET PORTRAIT OF EMILIE AMBRE AS CARMEN THE BAR AT FOLIES=BERGERE

20 GUSTAVE COURBET THE STONE BREAKERS BURIAL AT ORNANS

21 IMPRESSIONISM AND POST- IMPRESSIONISM (1850–1920) Impressionism primarily a visual art movement begun by a group of artists in France who started exhibiting their work in the 1860s. The Impressionist style shows the effects of light and atmospheric conditions in artworks that spontaneously capture a moment of time. Post-Impressionism exclusive to visual art. Post-Impressionists used the art elements to express reality in different ways, expanding the ideas of Impressionism while rejecting the limitations.

22 CLAUDE MONET IMPRESSION, SUNRISE THE BRIDGE OVER THE WATER-LILY POND

23 MARY CASSATT THE BATH THE BOATING PARTY

24 AUGUSTE RODIN THE THINKER THE BURGHERS OF CALAIS

25 VINCENT VAN GOGH SELF PORTRAIT WITH BANDAGED EAR THE STARRY NIGHT

26 MODERN AND CONTEMPORARY Modern and Contemporary art forms break with or redefine the conventions of the past. Artists use experimental techniques. Artworks show the diversity of society and the blending of cultures as technological advances bring us closer together.

27 PABLO PICASSO LES DESMOISELLES D’AVIGNON THE THREE MUSICIANS

28 SALVADOR DALI--SURREALISM THE PERSISTENCE OF MEMORYUNTITLED

29 FRANK LLOYD WRIGHT FALLING WATERGUGGENHEIM MUSEUM

30 GEORGIA O’KEEFE COW’S SKULL WITH CALICO ROSES ORIENTAL POPPIES

31 DORTHEA LANGE MIGRANT MOTHER

32 ANDY WARHOL SELF PORTRAITMARILYN MONROE TABLEAU

33 JACOB LAWRENCE FORWARD BROWNSTONES


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