1. Onomatopoeia
Group 3: 倪咏梅 陈星焱 陈好 何芊蔚

2. Onomatopoeia Motivation Definition Classification Features Application
Conclusion

3. the Motivation of the Study
Know the basic knowledge of onomatopoeia
Through the study of onomatopoeia, we can better understand and appreciate some advertisements, songs, films, poems, etc.
We can put onomatopoeia in use efficiently in study and work

4. Definition of Onomatopoeia
a common dictionary
Literary Dictionary
Poetry Glossary
Cambridge Encyclopedia

5. In a common dictionary
the formation or use of words such as buzz or murmur that imitate the sounds associated with the objects or actions they refer to

6. In Literary Dictionary
the use of words that seem to imitate the sounds they refer to (whack, fizz, crackle, hiss); or any combination of words in which the sound gives the impression of echoing the sense;

7. In Poetry Glossary
strictly speaking, it means the formation or use of words which imitate sounds, like whispering, clang and sizzle, but the term is generally expanded to refer to any word whose sound is suggestive of its meaning

8. In Cambridge Encyclopedia
the imitation of a natural (or mechanical) sound in language. This may be found in single words (screech, babble, tick-tock) or in longer units

9. The Classification of Onomatopoeia
the object can give sound all by itself without the external force
On People
On Animals
On Nature
wail, grin, stammer
The direct onomatopoeia
twitter, meow, cheep
swish, purl, gurgle
Onomatopoeia
The indirect onomatopoeia
whack, click, bang
the word can imitate the sound of the object, but the sound is given by external forces instead of given by the object itself

10. The Features of Onomatopoeia
A close relationship between the sound & the meaning
Onomatopoeia in different language differs a lot in the pronunciation

11. /s/ often relates to the sound of snake (hiss), wind (rustle/hiss), water (splash)
/m/ often represents the low and deep sounds, for example, the murmur and moan of people
/b/ and /p/ often express the sound of water, such as boil, bubble, drip, drop, lap, plop, and ripple
/r/ sounds quite rough and harsh, so it often indicates noise and unpleasant sound, such as the rumble of drums, the distant roll of thunder and the roar of tiger
words start with “gr-” often refers to the stifling, low and unpleasant sounds, such as growl and grunt;
words end with “-ump” always have the meaning of thickness and weight, such as clump, thump and stump.

12. meow, miaow caw-caw oink-oink cock-a-doodle-doo
As for describing a same sound, the onomatopoeic words used in different language differ a lot. You can refer to the following graph:
Animal
English
Japanese
Chinese
Cat
meow, miaow
ニャー
nyaa 喵喵
Crow
caw-caw
カーカー
Kaa-kaa 呱呱
Pig
oink-oink
ブーブー
buu-buu 哼哼
Cock
cock-a-doodle-doo
コヶーコッコー koke-kokko
喔喔喔

13. Onomatopoeic Words in Application
In advertising
In Songs
In Movies
In Poetry

14. Onomatopoeic Words
in Advertising

15. Example One
Deck（装饰） the halls With plop plop plop, fizz, plop Fallalalalalala…Ahhh!
(Alka Seltzer消食片)

16. Example Two
Just pour it in, brush, let it stand ten minutes, then flush
（detergent advertisement 洗涤剂广告）

17. Summary
The use of onomatopoeia in advertisement can serve the purpose of memorability.
The onomatopoeic words are short but vivid, lively and impressive.
It will deepen consumers’ impression of the advertised commodity, arouse their interest in the goods and make the advertisement more persuasive and convincing.

18. Onomatopoeic Words
in Songs

19. Old MacDonald’s Farm Lyrics : “Old MacDonald had a farm, Ee i ee i oh!
And on his farm he had some chicks,
Ee i ee i oh!
With a cluck-cluck here, And a cluck-cluck there Here a cluck, there a cluck, Everywhere a cluck-cluck”

20. Some other onomatopoeia
moo ---cow quack---duck oink---pig woof ---dog
make the song interesting and easy to sing and remember
effects
distinguish different animals
help people remember different animals’ features

21. the Trolley Song Lyrics:
Clang, clang, clang went the trolley, Ding, ding, ding went the bell, Zing, zing, zing went my heart strings, From the moment I saw him I fell. Chug, chug, chug went the motor, Bump, bump, bump went the brake, Thump, thump, thump went my heart strings

22. “zing, zing, zing”
“thump, thump, thump”
heart strings
reflect
the waitress’s nervousness and happiness when she finds someone she loves
The onomatopoeia is not only the imitation of sounds, but also can reflect a person’s mood

23. Onomatopoeic Words
in Movies

24. Up show the characters of the people express their feelings
Mr. Fredricksen: [panting]
I think that did the trick Dog: Hi, Master!
Mr. Fredricksen: Afternoon
Kevin: [squawks]
hard to afford the journey
[pitter-patter and thunder]
Mr. Fredricksen: [muttering]
Well, thanks for keeping us dry anyway, Ellie.
Russell: Which one is the front? [cling-clang]
Mr. Fredricksen: Oh, boy.
Russell: Is this step three or step five?
Mr. Fredricksen: [scoffs]
Russell: There, [grunting] [tent pole snaps]
All done, that’s for you~
[(the tent fly away) whiz~]
Russell: Oh…tents are hard…
Indicates the weather
shows the deep love to his beloved wife
clumsy-handedness and muddle-headedness
shows his disdain
show the characters of the people
express their feelings

25. Summary There are many onomatopoeic words in songs and movies.
1)onomatopoeia can make songs and movies more lively, interesting and easy to understand.
2)onomatopoeia can polish the atmospheres, express people’s feelings and reflect their prominent characteristics.

26. Onomatopoeic Words
in Poetry

27. Crack an Egg
Crack an egg Stir the butter Break the yolk Make it flutter Stoke the heat. Hear it sizzle. Shake the salt, just a drizzle. Flip it over, just like that. Press it down. Squeeze it flat. Pop the toast. Spread jam thin. Say the word. Breakfast's in.

28. The Bells I
Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that over sprinkle All the heavens, seem to twinkle With a crystalline delight;
Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells From the jingling and the tinkling of the bells.

29. II
Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! How it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells To the rhyming and the chiming of the bells!

30. III
Hear the loud alarum bells Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now - now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging,
How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells Of the bells Of the bells, bells, bells, bells, Bells, bells, bells In the clamor and the clangor of the bells!

32. IV
Hear the tolling of the bells Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone
They are neither man nor woman They are neither brute nor human They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells Of the bells, bells, bells To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells Bells, bells, bells To the moaning and the groaning of the bells.

33. Indication Silver Bells → Golden Bells Brazen Bells Iron Bells
childhood, a merry mood
Golden Bells →
youth, church wedding.
Brazen Bells →
turbulence and danger of middle age
old age, funeral knell
Iron Bells →

34. Conclusion
Better understanding of advertising, songs, films and literature
Better use in the future

35. Thank you for attention