1. IB Music SL Classical Music Concerto and Sonata

2. The Classical Concerto The Movements of the Concerto Three movements: fast-slow-fast Three movements: fast-slow-fast Cadenza Cadenza

3. The Classical Concerto First movement Ritornello and sonata- allegro form Ritornello and sonata- allegro form First-movement concerto form First-movement concerto form Sonata-allegro with double exposition Sonata-allegro with double exposition Key change in the second exposition Key change in the second exposition

4. The Classical Concerto Second movement slow and lyrical slow and lyrical Andante, Adagio or Largo Andante, Adagio or Largo Third movement Allegro molto or Presto Allegro molto or Presto Rondo form or sonata-allegro Rondo form or sonata-allegro

5. Mozart: Piano Concerto in G major, K. 453 Barbara von Ployer Barbara von Ployer I: Allegro, concerto form Allegro Exposition Exposition –Orchestral exposition –Piano soloist exposition, with new theme –Orchestral tutti Development Development Recapitulation with cadenza Recapitulation with cadenza Coda Coda

6. Mozart: Piano Concerto in G major, K. 453 II: Lyrical Andante Lyrical AndanteLyrical Andante Also features a double exposition Also features a double exposition III: Allegretto in 2/2 Theme and variations form Theme and variations form Presto coda closes the work Presto coda closes the work

7. Haydn: Trumpet Concerto in E-flat major, III Considered one of his finest works for solo instrument and orchestra Considered one of his finest works for solo instrument and orchestra Written for an experimental trumpet with keys Written for an experimental trumpet with keys Keys allowed instrument to play all notes of the scale Keys allowed instrument to play all notes of the scale Work first performed in 1800, then lost until 1929 Work first performed in 1800, then lost until 1929 Now a standard piece in the trumpet repertory Now a standard piece in the trumpet repertory

8. Haydn: Trumpet Concerto in E-flat major, III Compact three-movement form Compact three-movement form –I: Allegro  Flaunts keyed trumpet's capabilities with melodic and virtuosic passages –II: A-B-A form  6/8 meter, pastoral in mood

9. Haydn: Trumpet Concerto in E-flat major, III –III: Sonata-rondo Sonata-rondo  Unexpected turns of harmony and dynamic contrasts  Combines elements of both sonata-allegro and rondo form  Brilliant display piece for the trumpet

10. Famous Women Virtuosos of the Eighteenth Century Noble and upper-middle- class women Noble and upper-middle- class women Music teachers and professional performers Music teachers and professional performers –Maria Anna Mozart “Nannerl” –Maria Theresa von Paradis –Barbara von Ployer

11. The Classical Sonata Solo instrument or duo Solo instrument or duo The Movements of the Sonata Three or four contrasting movements Three or four contrasting movements Fast-slow-moderate-fast Fast-slow-moderate-fast

12. Mozart: Piano Sonata in A major, K. 331, III Unusual form I: Theme and variations on a Czech folk song I: Theme and variations on a Czech folk song –A major II: Minuet and trio II: Minuet and trio –A major

13. Mozart: Piano Sonata in A major, K. 331, III III: Rondo “alla turca” (A-B-C-B-A-B-B) Rondo “alla turca” Rondo “alla turca” A minor/major A minor/major Evokes percussive sound of Turkish Janissary (military) band Evokes percussive sound of Turkish Janissary (military) band brassy quick-time march brassy quick-time march coda concludes the work coda concludes the work

14. Janissary music “Turkish” vogue Mozart’s Violin Concerto No. 5 Mozart’s Violin Concerto No. 5 The Abduction from the Seraglio The Abduction from the Seraglio

15. Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight) Title given after Beethoven's death Title given after Beethoven's death Composed in 1801 while he was enamored of his young student Composed in 1801 while he was enamored of his young student –The work is dedicated to her  Countess Giuletta Guicciardi –She was once thought to be Beethoven's "Immortal Beloved”  1994 film Immortal Beloved inspired by this story

16. Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight) Breaks with conventional formal molds Breaks with conventional formal molds Retains the three-movement format Retains the three-movement format I: Adagio sostenuto I: Adagio sostenutoAdagio sostenutoAdagio sostenuto –Modified song form: the piano melodies "sing” –"Dreamy" tone, in C-sharp minor II: Allegretto II: AllegrettoAllegretto –Scherzo-trio form, D-flat major –Frequent use of syncopation –A movement of respite

17. Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight) III: Presto agitato III: Presto agitatoPresto agitatoPresto agitato –Sonata-allegro form in C-sharp minor –Tension-filled with contrasting themes and restless motion Remains one of the most beloved works of the Classical repertory