1. Chapter Fourteen Sectional Forms

2. Basic Elements of Music
Rhythm
Melody (pitch)
Harmony
Timbre (sound)
Form (shape)

3. Form
Form—Organizational plan of a piece of music--how many motives, phrases, verses, etc.

4. Basic Principles of Musical Organization
Form is created through three techniques—
Repetition Contrast Variation

5. Repetition a a (repeated note for note) Silent Night, Holy Night
Individual lines of a song can repeat -
a a (repeated note for note)
Silent Night, Holy Night
b b’ (slight variation)
All is calm, all is bright. c
Round yon Virgin, Mother and Child.
Holy Infant so tender and mild.
d e
Sleep in heavenly peace Sleep in heavenly peace

6. Repetition Or entire sections of a song may repeat--
Each verse of “Silent Night” has the exact same melody just as “This Land is Your Land” does.
Repetition provides a sense of familiarity, unity, and a feeling of continuity.
But, too much repetition makes music easy to ignore; e.g., “Row, Row, Row Your Boat”

7. Contrast
Contrast is created by changing the character of the music through creating a separate section.
Intro to “Last Dance” vs. rest of song or “Oy, Abram.”
Contrast provides a sense of variety.

8. Sectional Form Pieces divided into logical units that
have definite beginnings and endings.
The flow of music is mildly interrupted by the end and beginning of sections.
Cadences are the primary device for indicating these units or sections.
Contrast can also be used to create divisions.
Sectional Form
Pieces divided into logical units that have definite beginnings and endings

9. Types of Sectional Forms
Strophic
The same or similar music for each stanza or section. Much of folk and children’s music is strophic. There is no contrasting melody.
E. g., “Silent Night” or “This Land is Your Land”
Variation
Combines
Repetition with contrast
Development
Applied to
Musical Materials

10. Types of Sectional Forms
Verse/Chorus
Variation of strophic form where chorus is inserted between verses. Chorus is marked by repeated lyrics and may or may not have same melody as verse.
E.g., “This Land is Your Land”
Variation
Combines
Repetition with contrast
Development
Applied to
Musical Materials

11. Expanded Sectional Forms
Sectional forms also include music that has two or more sections without repetition of melodic material.
“Help Me Make It Through the Night”
Verse Chorus Bridge
“Crazy Train” Verse, Chorus, Bridge
“Huachos” A B C

12. South America
Andes Mountains—5500 miles long along western edge of SA—longest mountain range in the world.
Indigenous peoples inhabited SA for 20,000 years.
Incas were the predominant culture in the Andes from around 1450, until the European invasion of settlers around 1550.
South America is a mix of mestizo, mulatto, and indigenous traditions and people.

13. Music of the Andes
Andean music is oldest music in Latin America and is made up of an intermingling of indigenous and European elements and instruments.
It is played in a variety of settings—clubs, villages, homes, festivals, etc.Almost every municipality has its own band.
It is also played around the world by groups ranging from itinerant street musicians to highly trained professionals.

14. Andean Music Instruments
Strings
Guitar, Charango
Drums
Bombo, Wankara, Shakers
Wind Instruments
Panpipes- Phukuna, Siku, Zampoñas
Flutes- Quenas, (Kenas), Quenachos
Andean Musical Instruments
Strings
Guitar
Charango
Drums
Bombo
Wankara
Shakers
Wind Instruments
(Panpipes)
Phukuna
Siku
Zampoñas
(Flutes)
Quenas (Kenas)
Quenachos

15. Quenas

16. Charangos

17. Zampona