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Mannerism & other Late Renaissance 1520s-1600 Intellectual Art The ideal world vs. the real world
Correggio Assumption of the Virgin Fresco, 1526-30, Diameter of dome – 36’, Parma Cathedral, Italy
Pontormo, Entombment, Oil and tempera on wood panel, 1525-28, 10’3” x 6’4”, altarpiece, Church of Santa Felicita, Florence
Parmigianino Madonna with the Long Neck Oil on wood panel 7'1" X 4'4" 1534–40, Uffizi, Florence
Bronzino Portrait of a Young Man Oil on wood panel 37 ½ X 29½" c 1540 The Metropolitan Museum of Art, New York.
Bronzino Allegory with Venus and Cupid Oil on panel 57 ½ X 46" 1540s National Gallery, London
Tintoretto, The Last Supper, oil on canvas, 12’ x 18’8”, 1592, Church of San Giorgio Maggiore, Venice
Veronese, Feast in the House of Levi (originally titled “The Last Supper”), oil on canvas, 18’3” x 42’, 1573, from refectory of the Dominican Monastery of Santi Giovanni e Paolo
Sofonisba Anguissola Self-Portrait Oil on parchment on cardboard 2 ½ X 3¼" c. 1552 Museum of Fine Arts, Boston
Benvenuto Cellini, Saltcellar of King Francis I of France, 10” x 13”, 1540
Giovanni da Bologna Left: Abduction of the Sabine Women Marble, 1583, Florence Right: Venus Urania Gilt bonze, 15”, 1573
Romano, Palazzo del Te, Mantua, c. 1530
Giacomo della Porta Façade of the Church of Il Gesu, Rome, 1c. 1575
Palladio Church of San Giorgio Maggiore, Venice, c. 1580s
Palladio, Villa Rotunda, Vicenza, c. 1570
Plan of the Villa Rotunda
MANNERISM Rebels without a (united) cause. 2 Figure JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel, Santa Felicità, Florence, Italy, 1525–1528.
Mannerism and the late 16 th Century. Jacopo da Pontormo Descent from the Cross Capponi Chapel, Santa Felicità, Florence, Italy oil on wood.
Giulio Romano. Courtyard of the Palazzo del Te, Mantua. ca. 1527–34.
Venetian Art. Venice vs Florence Venice is bathed in mist/Florence is dry Venice focused on light and sensuality (colorito)/Florence focused on line and.
Abduction of the Sabine Women Artist: Giovanni da Bologna Date: 1583 Medium: Marble.
Mannerism – Late Renaissance. Mannerist Style Characteristics Elongated bodies or body parts Paintings appear to be stretched out Focus on spiritual aspect.
The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning.
Chapter 22 Beauty, Science, and Spirit in Italian Art: The High Renaissance and Mannerism Part 3 Gardner’s Art Through the Ages, 12e.
Cinquecento Italian Art William V. Ganis, PhD. Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in.
ARCHITECTURE. SPECIFIC GOALS: GIVE EXAMPLES OF MAJOR ARCHITECTURAL PROJECTS UNDERTAKEN IN ITALY (MOSTLY ROME AND VENICE). NOTE THE SCULPTURAL ASPECTS.
CHAPTER 20 16TH CENTURY ART IN ITALY. TITIAN Titian had a creative career during which he produced splendid religious, mythological, and portrait paintings,
High Renaissance Italy, Chapter 22. DaVinci, Madonna of the Rocks, 1483.
ITALY, to High and late renaissance.
Mannerist Style Characteristics Elongated bodies or body parts Paintings appear to be stretched out Focus on spiritual aspect of art Meant mainly for the.
Renaissance Early 16 th c. Venetian Art Chapter 18 pg , part II.
Maniera: intellectually intricate subjects highly skilled techniques art concerned with beauty for its own sake extraordinary virtuosity (the artist is.
1 Chapter 22 Italy, 1500 to 1600 AP Art History. 2 Rome with Renaissance and Baroque Monuments.
Unit 7 Review Sesh Early Renaissance High Renaissance Mannerism.
The High Renaissance in Italy Italy during the Renaissance.
1 Chapter 22 Italy, 1500 to 1600 Gardners Art Through the Ages, 13e.
THE RENAISSANCE. THE BAPTISTRY DOORS n LORENZO GHIBERTI n 1435 n EACH PANEL – 21 X 17 n NATIONAL MUSEUM, FLORENCE.
Mannerism and Other Trends of Late Sixteenth Century Italy Mannerism comes from the Italian word maniera meaning “mannered” or “Style”
Quattrocento Italian Art William V. Ganis, PhD.
Discobolos c. 450 BC Roman marble copy after the bronze original by Myron height 155 cm (61 in) Museo Nazionale Romano, Rome.
The Renaissance. Filippo Brunelleschi, Santa Maria del Fiore, Florence, Italy.
Renessansi maalikunst Itaalias CORREGGIO, GIORGIONE,TIZIAN, TINTORETTO, VERONESE.
Raphael, Self-Portrait, 1506 Oil on wood, Uffizi Galleria. RAPHAEL Raffaello Sanzio, Raffaello Sanzi, and Raffaello Santi Place of Birth - Urbino, Italy.
Historical Timeline Sack of Rome in unpaid army of the Holy Roman Empire defeats the French Troops in Rome - loot and pillage to seek.
Titian (TEESH-un) c Italian Renaissance Painter.
Clark Hilliard Alex Townsend. Antonio Canova Rome, Italy Marble The Metropolitan Museum.
Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in. Four artists who were most closely associated with the High Renaissance:
The Long Shadow of Italy: Painting in Seventeenth Century Europe.
The Late Renaissance and Mannerism in 16 th Century Italy Events: Reorientation of trade routes from the east (Italy in prime location) to the west (discovery.
Parmigianino, Madonna with the Long Neck, MANNERISM Period from High Renaissance (1520) to Baroque (1590) Comes from the Italian maniera, or "style,"
Important Images: High Renaissance and Mannerism in Europe.
Birth of Venus by Botticelli, oil on canvas, Uffizi Art Gallery, circa
Chapter 19 From Gothic to Renaissance: 14th Century Italian Art.
FLORENCE Florence is the capital of the Italian Tuscany. It considered the birthplace of the Renaissance and is universally recognized as one of the cradles.
Northern Renaissance to Baroque Rebekah Scoggins Art Appreciation February 14, 2013 (Happy Valentine’s Day!) Chapter 16 continued.
Ch 21 painting part 2 Mid-late 1400s in Italy. 2 Figure DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence,
History: Pre - Renaissance Western –Civilization Greco-Roman Empire Fall of Rome Dark – Ages How religion played a part What was happening in the rest.
Unidentified artist, Spanish, 12 th century, The Last Supper Frieze (the church of San Baudelio near Berlanga), Fresco secco transferred to canvas, Museum.
CHAPTERS REVIEW. CHAPTER 22 ITALY HIGH AND LATE RENAISSANCE & MANNERISM 1. Last Supper Da Vinci 2. Philosophy (School of Athens) Raphael.
Early Renaissance Painting Fig. 2.4, Massacio, The Holy Trinity with the Virgin, St. John, Two Donors, 1425, Fresco, S. Maria Novella, Florence A Rebirth.
Renaissance Art The influence of humanism during its first two hundred years transformed much of Europe’s intellectual and creative activity. New inspirations.
Painting the Mona Lisa.. Visual gag (the real Mona Lisa behind the scenes).
Michelangelo ( “ m i c k e l - A N - j e l - o h ” ) Italian Painter & Sculptor.
Italian. Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry.
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