1. Shakespearean Concepts SHAMPOOTypes of LoveCharacters/ Comprehension Additional Concepts 100 200 300 400 500

2. Shakespearean Concepts--100 “For never was a story of more woe Than this of Juliet and her Romeo.” COUPLET

3. Shakespearean Concepts--200 Now old desire doth in his death-bed lie,A And young affection gapes to be his heir;B That fair for which love groan'd for and would die,A With tender Juliet match'd, is now not fair.B Now Romeo is beloved and loves again,C Alike betwitched by the charm of looks,D But to his foe supposed he must complain,C And she steal love's sweet bait from fearful hooks:D Being held a foe, he may not have accessE To breathe such vows as lovers use to swear;F And she as much in love, her means much lessE To meet her new-beloved any where:F But passion lends them power, time means, to meetG Tempering extremities with extreme sweet.G RHYME SCHEME

4. Shakespearean Concepts--300 “O my love, my wife, Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty. Thou are not conquered. Beauty’s ensign yet Is crimson in thy lips and in thy cheeks, And death’s pale flag is not advanced there…. Why art thou yet so fair? Shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that I still will stay with thee And never from this [palace] of dim night Depart again. Here, here will I remain With worms that are thy chambermaids…..” SOLILOQUY

5. Shakespearean Concepts--400 “Romeo that spoke him fair, bade him bethink How nice the quarrel was, and urged withal Your high displeasure: all this uttered With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen Of Tybalt deaf to peace, but that he tilts With piercing steel at bold Mercutio's breast, Who all as hot, turns deadly point to point, And, with a martial scorn, with one hand beats Cold death aside, and with the other sends It back to Tybalt, whose dexterity, Retorts it: Romeo he cries aloud, 'Hold, friends! friends, part!' and, swifter than his tongue, His agile arm beats down their fatal points, And 'twixt them rushes; underneath whose arm An envious thrust from Tybalt hit the life Of stout Mercutio, and then Tybalt fled; But by and by comes back to Romeo, Who had but newly entertain'd revenge, And to 't they go like lightning, for, ere I Could draw to part them, was stout Tybalt slain. And, as he fell, did Romeo turn and fly. This is the truth, or let Benvolio die.” MONOLOGUE

6. Shakespearean Concepts--500 IAMBIC PENTAMETER

7. SHAMPOO--100 “O brawling love, O loving hate” OXYMORON

8. SHAMPOO--200 “With love’s light wings did I o’erperch these walls” ALLITERATION

9. SHAMPOO--300 “The gray-eyed morn smiles on the frowning night” PERSONIFICATION

10. SHAMPOO--400 “These violent delights have violent ends And in their triumph die, like fire and powder, Which, as they kiss, consume” SIMILE; PERSONIFICATION

11. SHAMPOO--500 “Life and these lips have long between separated. Death lies on her like an untimely frost Upon the sweetest flower of all the field.” SIMILE; PERSONIFICATION; ALLITERATION

12. Types of Love--100 In Act II, Scene II, Romeo and Juliet profess their undying love for one another. ROMANTIC LOVE

13. Types of Love--200 In Act I, Scene V, Tybalt perceives Romeo’s attendance at the Capulet party as an act of disrespect against his family—he vows revenge. FAMILY HONOR

14. Types of Love--300 In Act II, Scene III, the Friar expresses to Romeo his concern that Romeo is moving too quickly in regards to his relationship with Juliet. In Act II, Scene VI, the Friar offers one final piece of advice prior to marrying Romeo and Juliet. PARENTAL LOVE

15. Types of Love--400 In Act I, Scene I, Romeo is infatuated with Rosaline, but she does not return his love. UNREQUITED LOVE

16. Types of Love--500 In Act IV, Scene V, the Friar attempts to comfort Juliet’s family by speaking of her ascent to heaven. RELIGIOUS DEVOTION

17. Characters/Comprehension--100 Who is the only character who is able to communicate to the other characters the story of Romeo and Juliet? FRIAR LAWRENCE

18. Characters/Comprehension--200 Why does Lord Capulet change his mind in regards to marrying Juliet to Paris?

19. Characters/Comprehension--300 Who all dies in Act V of Romeo and Juliet? PARIS; LADY MONTAGUE; ROMEO; JULIET (MERCUTIO AND TYBALT DIE IN ACT III)

20. Characters/Comprehension--400 Identify two fears communicated by Juliet before she takes the Friar’s potion. WHAT IF THE POTION DOESN’T WORK? WHAT IF THE POTION IS A POISON? WHAT IF I WAKE BEFORE ROMEO ARRIVES? SHE MAY SUFFOCATE WHILE SHE WAITS SHE MAY GO CRAZY WHILE WAITING.

21. Characters/Comprehension--500 Identify two things Juliet says she would rather do than marry Paris. 1) LEAP OFF A TOWER, 2) BE CHAINED WITH BEARS, 3) LURK WITH SERPENTS, 4) WALK IN THIEVISH WAYS, 5) SPEND EVERY NIGHT IN A MORGUE SURROUNDED BY DEAD BODIES, 6) LAY WITH A FRESH CORPSE.

22. Additional Concepts-100 “Immoderately she weeps for Tybalt’s death, And therefore have I little talk of love, For Venus smiles not in a house of tears.” ALLUSION

23. Additional Concepts-200 “Methinks I see thee, now thou art so low, as one dead in the bottom of a tomb.” FORESHADOWING

24. Additional Concepts-300 Romeo notices upon seeing Juliet’s “dead” body that she still has color in her cheeks and in her lips (the audience knows that she’s not really dead, and we can infer that she is waking up). DRAMATIC IRONY

25. Additional Concepts-400 Juliet says to Friar Lawrence when Paris insists that Juliet loves him, “I will confess to you that I love him.” VERBAL IRONY

26. Additional Concepts-500 Romeo instantly falls in love with the one girl who he should avoid (due to his family’s long-standing hatred of her family). SITUATIONAL IRONY