1. In One Class Period!

2.   Revival of interest in Classical art  Perspective, three-dimensional sculpture  Reflects rise of humanism and importance of patrons Renaissance (1300-1600)

3.  Rafael – “School Of Athens”

4.  Michelangelo – “Creation Of Adam” (Sistine Chapel)

5.   Either the end of the Renaissance or the beginning of Baroque  Should artists follow the “manner” of what came before or try new things?  Exaggerates or fantasizes the human form Mannerism (1520-1600)

6. Parmigianino – “Madonna with the Long Neck” (1534) Note the elongated proportions, stylized poses and lack of clear perspective.

7.   Art characterized by ornamentation and curves, not straight lines  Drama, rich color, bright light, dark shadows  Art serves the Counter-Reformation and Absolutism  Art centralized to serve the state as center of art moves from Rome to Paris Baroque (1600-1750)

8. Bernini – “Ecstasy of Saint Theresa” (1647)

9.  Rembrandt – “The Night Watch” (1642)

10.  Versailles (1682)

11.   Art is lighter and less formal reaction against Baroque  Often portrays a fantasy world Rococo (Baroque Gone Wild!) (1720-1789)

12. Fragonard – “The Swing” (1767)

13.  Sanssouci (1745) (Frederick The Great’s Summer Palace)

14.   Looks to Greece and Rome for inspiration  Strips away Rococo frivolity and Baroque ornament (but what goes in its place?) Neoclassicism (1770-1820)

15.  David – Oath of the Horatii (1784)

16.  David – Coronation Of Napoleon (1808)

17.   Glorification of nature, patriotism and the Medieval past  Emphasize feeling not reason  Often linked with nationalism Romanticism (1800-1850)

18.  Delacroix – Liberty Leading The People (1830)

19. Friedrich – “Wanderer Above the Sea of Fog” (1818)

20.   Grittier and with more attention to social problems and context  Portrays real peasants, workers and events  Based on fact not emotion, goes with Realpolitik Realism (1850-1880)

21.  Millet – “The Gleaners” (1857)

22.  Courbet – “The Stonebreakers” (1849)

23.   Focus on accurate depiction of light and inclusion of movement or change over time  Ordinary subject matter including life of the middle class  Partly an attempt to capture impressions that photography could not Impressionism (1870-1905)

24.  Monet – “The Cliff at Etretat” (1885)

25.  Caillebotte – “Paris Street, Rainy Day” (1877)

26.   Art influenced by Freud, Einstein and Age of Anxiety  Too fractured to make general statements Modern (20 th Century)

27.  Picasso – “Guernica” (1937)