1. Writing a Wonderful Book Review

2. Book Review vs. Book Report
Readers sometimes confuse book reviews with book reports, but the two are not identical. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, and/or main idea of the work. (Most often, book reports are a K-12 assignment and range from 250 to 500 words).
By contrast, book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. They typically range from words, but may be longer or shorter. A book review gives readers an idea of what a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.

3. As You Read
As you read, determine how you will structure the summary portion or background structure of your review. Be ready to take notes on the book’s key points, characters, and/or themes.
Preface/Introduction/Table of Contents
Book Jacket/Cover/Printing
Does the author provide any revealing information about the text in the preface/introduction? Does a “guest author” provide the introduction? What judgments or preconceptions do the author and/or “guest author” provide? How is the book arranged: sections, chapters?
: Book jackets are like mini-reviews. Does the book jacket provide any interesting details or spark your interest in some way? Are there pictures, maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the work?

4. Writing Your Review
Begin with a short summary or background of the work, but do not give too much away. Many reviews limit themselves only to the first couple of chapters or lead the reader up to the rising action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s argument without too much detail.

5. Writing Your Review
Establish a Background and Remember Your Audience Major characters and ideas – deal with the most important issues in the book Organize: The purpose of the review is to critically evaluate the text, not just inform the readers about it. Leave plenty room for your evaluation by ensuring that your summary is brief. Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you?
Remember that your audience has not read the work; with this in mind, be sure to introduce characters and principals carefully and deliberately. What kind of summary can you provide of the main points or main characters that will help your readers gauge their interest? Does the author’s text adequately reach the intended audience? Will some readers be lost or find the text too easy?
Organize: Determine what kind of balance to strike between your summary information and your evaluation. Often the ratio is half and half.
Your Evaluation: How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?

6. Making It Interesting!
Especially for popular publications and works of fiction, the writer of a book review has some incentive and reason to ENTERTAIN the reader as they review the book.
The “entertainment” aspect is often most prevalent in the beginning of the book review, which entices the reader to continue reading the full text
A personal anecdote or experience is all right if it enhances the review
Should keep a balance between being informative and entertaining.

7. A Personal Opinion Starting Out a Review:
“MALCOLM GLADWELL has written a book about the power of first impressions, and every review, including this one, is going to begin with the reviewer's first impression of the book.
Mine was: Very satisfying.”
-Blink by Malcolm Gladwell, reviewed by David Brooks

8. Contextualizing the work
“Assessing Dan Brown from a literary perspective seems almost beside the point. No matter what the critics might say about his overwriting, his overuse of clichés, his paper-thin characterizations, and his impenetrably murky plots, Brown sells tens of millions of copies of every historical thriller-mystery he writes. Brown isn’t just a novelist; he’s a crossover pop culture sensation.”
-Review of Inferno by Dan Brown, written by Chuck Leddy from The Boston Globe

9. “With enough determination, any bloody idiot can get up this hill,'' observed Rob Hall, the leader of a commercial expedition, on his eighth tour of Mount Everest. ''The trick is to get back down alive.''
The particular descent ahead of those on the ''hill'' on May 10, 1996, resulted in the greatest loss of life in the history of mountaineering on Everest. As news spread of the nine deaths (including that of Hall), a barrage of questions resounded: What went wrong? Why was the approaching storm ignored? And, most emphatically, why are ''tourists'' with more money than expertise being taken up Everest in the first place?
Jon Krakauer was one of the survivors, and in Into Thin Air he relives the storm and its aftermath, trying to answer those questions.