1. CLOSE READING INSTRUCTION Dr. Barbara Bishop bbishop@garesa.org Prepared by: Dr. Barbara Bishop, Director of School Improvement & Professional Learning, West Georgia RESA Dr. Robin Smith, Professional Learning Coordinator, Middle Georgia RESA

2.  To gain knowledge for teaching students how to read closely and critical thinking skills  Synthesize a working definition of close reading  Understand the importance of close reading routines  Develop close reading lessons OBJECTIVES Why is close reading important? What does close reading look like? How do I teach close reading? What am I currently doing to support close reading? What do I need to practice or change?

3. Dr. Douglas Fisher

4. KEY ADVANCES OF THE COMMON CORE ANCHORED IN COLLEGE AND CAREER READINESS 6-12

6.  INTENTIONALLY  DESIGNED  EXPERIENCE  ANNOLIGHTING BIG IDEA

7.  INTENTIONALLY (strategically chosen)  DESIGNED (purpose question(s) set by teacher  EXPERIENCE w/ (students share and argue)  ANNOLIGHTING (students are marking the text, working with the text) BIG IDEA

8. A matter of purpose CLOSE READING – choosing how to engage, consider, interpret, evaluate (focus on HOW CONTENT IS ACHIEVED) OTHER READING – often to seek information (focus on CONTENT) HOW IS IT DIFFERENT

9.  Close reading is an intensive analysis of a text in order to come to terms with what it says, how it says it, and what it means. (Shanahan, 2012)  A close reading is a careful and purposeful reading. Well actually, it’s rereading. It’s a careful and purposeful rereading of a text. It’s an encounter with the text where students really focus on what the author had to say, what the author’s purpose was, what the words mean, and what the structure of the text tells us. (Fisher, 2012) WHAT IS CLOSE READING?

10.  Close reading means analyzing a text “very carefully, crystallizing main ideas, and then drawing conclusions or making decisions based on your analysis.” (University of Washington; Dartmouth University)  To read closely, students must learn “that to read well is to engage in a self-constructed dialog with the author of a text." (Linda Elder and Richard Paul, Ph.D., The Foundation for Critical Thinking, 2011) WHAT IS CLOSE READING?

11. According to Conley (2007) in Toward a More Comprehensive Conception of College Readiness, students must:  Open and inquisitive  Analyze data, quality of content, validity, credibility and relevance  Reason, argue, and prove  Interpret, problem solve  Precision and accuracy http://www.metrolibraries.net/pro/pdfs/CollegeReadi nessPaper.pdf WHAT DO STUDENTS NEED IN ORDER BE SUCCESSFUL IN COLLEGE?

12.  CCR.1: Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text. EXAMINING THE STANDARD

13.  Rich and rigorous evidence-based conversations about text amongst students and with teachers  Discussions that stay deeply connected to the text so that students make evidentiary arguments  Students revisiting text for evidence to support their argument in a thoughtful, careful, and precise way  Students slowing down to explore and learn from the evidence WHAT ARE WE LOOKING FOR?

14. A MUSICAL ANALOGY

15.  Provide basic background information.  Provide a structure and source of study questions.  Often have copies of primary source documents.  Teachers often design lessons that do not require higher order thinking skills. “READ and ANSWER the questions.”  Students need to actively read a textbook, but not closely read it. SO WHAT ABOUT TEXTBOOKS?

16. CLOSE READING= REPEATED READING Teacher prepares prior to lesson 1. Choose a robust, short text. 2. Lessons and text- dependent questions that require repeated reading. First reading 1. Students do this with a pencil, pen, or sticky notes. 2. Students read and circle powerful words/phrases and underline confusing words/phrases. 3. Students note the text that they find confusing. Second reading 1. Teacher reads aloud to model prosody. Prosody is the music of reading (rhythm, stress, intonation). 2. Student discuss first impressions, sharing annotations. Third reading 1. Teacher reads by thinking aloud and modeling annotation. 2. Teacher asks text- focused questions that cause students to reread.

17.  Talking about grouping  Clock Buddies: MANAGEMENT IS THE KEY!

18. GUIDED PRACTICE

19.  The ART of CLOSE READING  Readers must think about reading to learn how to engage in the process of close reading.  Readers not only need to learn how to determine what’s important, but to take ownership for finding important ideas (if they exist).  Readers read in different ways for different situations.  SO THE PURPOSE FOR READING IS TO FIGURE OUT WHAT AN AUTHOR HAS TO SAY ABOUT A SUBJECT.  IN OTHERWORDS, TO FIGURE OUT WHAT THE AUTHOR MEANS. CONSIDERING AUTHOR’S PURPOSE

20.  The author’s purpose can be to persuade, inform, instruct, and/or entertain.  Author’s make plans and intentionally chooses text features, vocabulary, and literally devices to achieve the objective.  A writer’s purpose is often revealed through his or her written actions…often in verbs, such as, argue, assert, explain, compare, illustrate, question, summarize, challenge, contrast, suggest, narrate, amuse, explain, etc.  A important point to note: Readers filter words in a text through their own life experience. AUTHOR’S PURPOSE

21. Annotation is a key component of close reading.  Make brief comments in the margins.  Use any white space available  Make brief comments between or within lines of the text. Do not be afraid to mark within the text itself.  Create your own code:  Circle or put boxes, triangles, or clouds around words or phrases.  Use abbreviations or symbols - brackets, stars, exclamation points, question marks, numbers, etc.  Connect words, phrases, ideas, circles, boxes, etc. with lines or arrows.  Underline – CAUTION: Use this method sparingly. Underline only a few words. Always combine with another method such as comment. Never underline an entire passage. Doing so takes too much time and loses effectiveness.  If you wish to mark an entire paragraph or passage, draw a line down the margin or use brackets.  Use post-it notes only if you have exhausted all available space. ANNOTATING A TEXT:

22.  Close reading:  First reading: Using your pencil, read and circle powerful words/phrases and underline confusing words/phrases. Note in the margin any where the text is find confusing and why.  Second Reading: I read to model. We will discuss your first impressions and annotations.  Third Reading: I read and model annotations using a document camera, if possible. If not, improvise. APPLICATION

23.  S: Speaker  O: Occasion  A: Audience  P: Purpose  S: Subject BUILDING YOUR TOOL BOX

24.  What are some potential problems using primary and secondary documents?  Think about the language of some old texts…  Strategies for entering challenging text:  Pre-teach the vocabulary  Scaffold the archaic structure (look for the main clause)  Chuck the text PRIMARY AND SECONDARY DOCUMENTS FOCUS