1. A unit plan curriculum for 7 th grade that is scaffolded for understanding. Dr. Kathy Unrath

2. Rationale At the 7 th grade level students are developmentally ready to learn to draw accurately 7 th graders are entering the development stage of the “Crisis of Realism” 7 th grade students must be supported with a scaffolded and structured approach to learning to draw as they are judging their work against professional artists. Students need to be able to grow in their ability to draw at their own rate and with strong reinforcement and self-assessment Students are encouraged to make choices and take risks as artists

3. Enduring Understanding Big Idea The human figure in art represents our humanity We can SEE ourselves in the figure, We can SEE others across time and cultures through the figure We can SEE and envision their lives, struggles, celebrations, culture and world through the representation of the figure.

4. Essential Questions: How do artists learn to draw? Learning to SEE is learning to draw How do artists see their world? How do I empower my vision? How do I train my eyes to see to draw? Artists have the POWER to make choices: How does my choice influence my artwork? How do my choices change the meaning? What makes a good drawing? What qualities does it have?

5. Key Concepts (KNOW) Artists make choices of media and mark making tools Media decisions influence the line and meaning Artists choose point of view Artists choose placement on picture plane Artists choose paper size and color Artists see carefully both holistically and in detail Artists practice, take risks, and make mistakes Artists concentrate on subjects with all of their energy Artists give themselves to their work and persevere Artists rely on their right brain perception and ignore the left brain critic

6. Objectives (DO) The students will create a baseline drawing to gauge growth Students will draw gesture drawings of models in increasingly shorter timeframes and in different positions Students will assess their gesture drawings daily and make qualitative judgments about the process Students will draw objects and figures using a contour line. Students will analyze and interpret figure drawings of artists like Michelangelo, Leonardo, Wyeth, and Matisse for line quality and subtlety. Students will assess their progress by comparing base line drawing and make aesthetic judgments about their growth.

7. Lesson Sequence 1.Pre-test - Assessment of prior knowledge and expertise 1 2.Analysis of drawing PROCESS and Positions and Proportions 1 3-4.Experiencing the Whole -Gesture Drawing 2 5-9. Seeing Detail- Contour Line 5-6 Hands, Shoes, figure, face, figures with face Drawing 5 models for best 3 of 5 Figure exemplars Michelangelo, Picasso, Matisse 10. Portfolio Review and assessment 1

8. Assessing prior knowledge Everyone begins at a different place. Pre-test: Students draw the “best person” they can draw on the first day. It is used as evidence of growth and learning.

9. Post test

10. Pre-test

11. Post test from a very different beginning point

13. Our Motto!

14. Gesture Drawings Capturing the position with speed and accuracy

15. Drawing for Positions and Proportion … Fast!

16. *** Self -Assessment for Accuracy

17. Contour Drawing beginning with our hands

18. Slowing down to see just the edge

19. Everyone’s line is different

20. Looking at the line of master artists Like Matisse

21. Andrew Wyeth Drawings

22. Leonardo Drawings

23. Michelangelo Drawings

24. Drawing Models Using a Contour Line

26. Artist make choices Media Point of View Size of Work

27. Bonus Points for looking very carefully

28. Evidence of Careful observation

29. Display student responses with the work

33. Challenge to draw from a more difficult point of view and permanent mark making tool. (Sharpie Pen) Begin drawing with bonus points! We value risk takers in art!

34. Challenging media: Conte Crayon

35. Challenging media and point of view!

36. Grease pencilGrease pencil

37. White charcoal pencil on black construction paper

39. Ball point pen

42. Personal and Peer Assessment of Portfolio Prioritize Portfolio Compare Pre-test To Post Test List areas of Improvement Peer perspective Can you see more clearly now?

43. Culminating Thoughts Can students answer the essential investigative questions? Can students discern the qualities of line quality and good drawings? How were the students assessed along the way? Why is it so important for student artists to be able to make choices? Did students learn to SEE and perceive their world differently? How was this unit plan of a series of lessons scaffolded to build on each other with different experiences and complexity?