1. MODERNISM MICHAELA OČKOVÁ MONIKA KUZMOVÁ

2. MODERNISM This term can be applied to the STYLISTIC CHANGES which took place in literature Broadly: 1880-1940 More narrowly: 1910-1930 Modernism can be seen as a literary response to the disillusionment by the First World War, the loss of religious and political certainties in the late Victorian period Modernism means a stimultaneous existence of a wide range of structures, movements, tendencies and methods countary to the established literary tradition and convention

3. The position of men has changed and Modernist literature reflects this fact by many experiments in form and style Modernism was a REACTION AGAINST THE REALIST NOVEL – modern writers believed that literature shouldn’t reflect reality Reflects a shift in knowledge and understanding, in sensibility and expression, as the world approaches the twenty-first century "Real" life was a looser, less well-structured affair They believed that LITERATURE SHOULD BRING SOMETHING NEW New techniques in narration, experimental novel, innovative techniques in writing

4. Modernist authors are against rules in literature, they were trying to experiment as much as possible Writers tried to go deeper to the mind of characters They mixed reality and fiction together This period in literature was closely connected with towns, cities and middle class ICEBERG PRINCIPLE = the majority of main ideas is hidden in the discourse, we have to analyze and go deeper when we want to understand => there is not only 1 explanation of the novel, there can be many of them

5. Writers felt they had to build up a world of private values The attention is turned to individual’s conscious and unconscious inner life The modernist novel presented readers with “OPEN” ENDINGS Less sense of characters being judged and rewarded The novel captured MOMENTS /according to Virginia Woolf/ Novels became a succession of unexplained FRAGMENTS OF EXPERIENCE, moments of revelation The author withdrew as a voice in his/her writings

6. Writers did not interrupt the text with moralizing comments A modernist text is APOLITICAL “It does not exist to preach doctrines, sing songs, or celebrate the glories of the British Empire” (V. Woolf)‏

7. expressing characters’ private FEELINGS A move away from objectivity towards SUBJECTIVITY Shifting points of view The inner life of characters is emphasized Experiments with traditional categories of time, plot and narrator

8. New way of writing was developed as an attempt to convey experience as it filtered through the minds of characters: “INTERIOR MONOLOGUE” and “STREAM OF CONSCIOUSNESS” => writers tried to catch every single idea flowing in the mind, they tried to catch the process of thinking Difficulties and failures of communication are stressed Society no longer offers clear goals or models of behavior

9. STYLE Style is valued and almost above content The writing is polished, highly controlled Syntax is fragmented Conventional narrative signs are missing Novelists used the stylistics of poetry – SYMBOLISM and ALLUSIONS, repetition of imagery and motifs - to structure their text Deforming normal syntax and language codes => texts were artistic objects created from words

10. THEMES Solitude and isolation The difficulties of relationship and communication Disillusion, disappointment (because of war)‏ Human’s feelings Protest against conventions

11. INFLUENCES Psychological works of Sigmund FREUD and his research of dreams, fantasies and obsessions which becomes a significant aspect of modern characters Anthropological writings of Sir James Frazer Modernism is POST-DARWINIAN /it is a search to explain mankind’s place in the modern world/

12. BLOOMSBURY GROUP Bloomsbury was an informal group of British free-thinking intellectuals at the beginning of 20 th century. They were: writers, artists, scholars, literary critics, historians, etc. In the ideas of Bloomsbury group we can find a kind of revolt against Victorian literature and First World War

13. MOST FAMOUS MODERNIST WRITERS James Joyce Virginia Woolf David Herbert Lawrence

14. JAMES JOYCE “Dubliners” “A Portrait of the Artist as a Young Man” “Ulysses”

15. VIRGINIA WOOLF “To the Lighthouse” “Mrs. Dalloway” “Orlando” “The Waves”

16. DAVID HERBERT LAWRENCE “Sons and Lovers” “The Rainbow” “Lady Chatterley’s lover” “Woman in Love”

17. Thank you for your attention