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第一次世界大戰之後的德國: 現代啟示錄 劉瑞琪.

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Presentation on theme: "第一次世界大戰之後的德國: 現代啟示錄 劉瑞琪."— Presentation transcript:

1 第一次世界大戰之後的德國: 現代啟示錄 劉瑞琪

2 The Weimar Republic (1919-29)
The New Objectivity(新客觀) Tendenzkunst (宣傳性的藝術)

3 George Grosz, Self-Portrait, Warning (1927)

4 George Grosz, Dedication to Oskar Panizza (1918) vs
George Grosz, Dedication to Oskar Panizza (1918) vs. George Grosz, Metropolis ( )

5 George Grosz, Germany, A Winter’s Tale (1917-19) vs
George Grosz, Germany, A Winter’s Tale ( ) vs. George Grosz, People in the Street ( )

6 George Grosz, After It Was Over, They Played vs
George Grosz, After It Was Over, They Played vs. George Grosz, Murder on Acker Street Cards (1917) (1916)

7 George Grosz, John the Woman Killer (1918) vs
George Grosz, John the Woman Killer (1918) vs. Heinrich Maria Dorringhausen, The Sex Murderer (1917)

8 Otto Dix, Sex Murderer: Self-Portrait (1920) vs
Otto Dix, Sex Murderer: Self-Portrait (1920) vs. Otto Dix, Sexual Murder (1922)

9 Otto Dix, Sexual Murder (1922) vs. Otto Dix and His Wife Martha (1925)

10 Otto Dix, Self Portrait as a Soldier (1914) vs
Otto Dix, Self Portrait as a Soldier (1914) vs. Hugo Erfurth, Otto Dix (1925)

11 Otto Dix, The Match Vendor Ⅰ (1920) vs
Otto Dix, The Match Vendor Ⅰ (1920) vs. Otto Dix, The Skat Players (1920)

12 Pablo Picasso, Three Women at the Spring (1921) vs
Pablo Picasso, Three Women at the Spring (1921) vs. Otto Dix, The Skat Players (1920)

13 俄國的前衛派與德國的包浩斯: 現代主義與社會烏托邦
劉瑞琪

14 俄國 蘇聯(1917,十月革命之後) Suprematism(絕對主義), 1915-
Russian Constructivism(蘇聯構成主義), 或稱 Russian Avant-Garde(蘇聯前衛派)

15 Kazimir Malevich, Suprematism: Painterly vs
Kazimir Malevich, Suprematism: Painterly vs. Kazimir Malevich, Suprematist Composition: Realism of a Player Football (1915) Flying Airplane (1915)

16 Kazimir Malevich, Black Square (1914-15) vs
Kazimir Malevich, Black Square ( ) vs. Kazimir Malevich, Suprematist Composition: White on White ( )

17 Photograph of Kazimir Malevich’s rave vs
Photograph of Kazimir Malevich’s rave vs. Photograph of Kazimir Malevich’s funeral procession at Moscow Station, Leningrad.

18 Aleksandr Rodchenko, Pure Red Color, Pure Yellow Color, Pure Blue Color (1921)

19 Aleksandr Rodchenko, Oval Hanging Construction vs
Aleksandr Rodchenko, Oval Hanging Construction vs. Mikhad Kaufman, Photograph (1920) of Rodchenko with Folded Constructions (1921)

20 Aleksandr Rodchenko, Oval Hanging Construction vs
Aleksandr Rodchenko, Oval Hanging Construction vs. Installation of the third (1920) OBMOKHO exhibition (1921)

21 VladimirTatlin, Monument to the Third International (1919-20)

22 Lyubov Popova, Spatial Force Construction (1920-21) vs
Lyubov Popova, Spatial Force Construction ( ) vs. Lyubov Popova, Constructivist Composition (1931)

23 Lyubov Popova, Spatial Force Construction (1920-21) vs
Lyubov Popova, Spatial Force Construction ( ) vs. “Curves” from The Encyclopeadia Slovar (1902)

24 Lyubov Popova, Spatial Force Construction (1920-21) vs
Lyubov Popova, Spatial Force Construction ( ) vs. “Geometric Solids” from The Encyclopeadia Slovar (1902)

25 Varvara Stepanova, Five Figures on a White Background (1920) vs
Varvara Stepanova, Five Figures on a White Background (1920) vs. Varvara Stepanova, Designs for Sports Clothing (1923)

26 Varvara Stepanova, Designs for Sports Clothing (1923) vs
Varvara Stepanova, Designs for Sports Clothing (1923) vs. Students of the Academy of Social Education (1923)

27 Lyubov Popova, The Magnanimous (1922)

28 Lyubov Popova, Dress design (1923-24)

29 Lyubov Popova, Dress design (1923-24) vs
Lyubov Popova, Dress design ( ) vs. Nadezhda Lamanova, Custome Based on Folk-design (1923)

30 Lyubov Popova, Textile designs (1923-24) vs
Lyubov Popova, Textile designs ( ) vs. Lyubov Popova, Textile designs: red triangles in circles, watercolour on paper.

31 Gustav Klutsis, Dynamic City (1919) vs
Gustav Klutsis, Dynamic City (1919) vs. Gustav Klutsis, Electrification of the Whole Country (1920)

32 Gustav Klutsis, Study for a poster “Workers, Everyone Must Vote in the Election of Soviets!” (1930)

33 El Lissitzky, The Constructor (Self-Portrait) (1924) vs
El Lissitzky, The Constructor (Self-Portrait) (1924) vs. Aleksandr Rodchenko, Photograph of Varvara Stepanova at Her Desk (1924)

34 Aleksandr Rodchenko, Photograph of Varvara vs
Aleksandr Rodchenko, Photograph of Varvara vs. Aleksandr Rodchenko, Photograph of working on a textile design (1924) Osip Brik (1924)

35 Aleksandr Rodchenko, Poster for Battleship Potemkin (1925) vs
Aleksandr Rodchenko, Poster for Battleship Potemkin (1925) vs. Aleksandr Rodchenko, Poster for The Cinema-Eye (1923)

36 Aleksandr Rodchenko, Chauffeur (1933)

37 Aleksandr Rodchenko, Pioneer with a Horn (1930) vs
Aleksandr Rodchenko, Pioneer with a Horn (1930) vs. Aleksandr Rodchenko, Moculea (1927)

38 Aleksandr Rodchenko, One page from the magazine USSR in Construction, 12, Dec. 1933.

39 Aleksander Gerasimov, Stalin at the Sixteenth Party Congress of the Russian Communist Party ( )

40 德國的 Bauhaus(包浩斯) 1919: Weimar 1925: Dessau 1932: Berlin 郊區
1933: Closed

41 Masters on the roof of the Bauhaus building (1925/26)

42 Walter Gropius, The Dessau Bauhaus building (1925/26)

43 Walter Gropius, The Dessau Bauhaus building (1925/26)

44 Walter Gropius, The Dessau Bauhaus building (1925/26)

45 Theodor Bogler, Teapots (1923)

46 Anonymous, Aluminium desk lamp vs
Anonymous, Aluminium desk lamp vs. Theodor Bogler, The table lamp with adjustable shade of metal and glass (1925)

47 Anni Albers, Design for wall-hanging (1926) vs
Anni Albers, Design for wall-hanging (1926) vs. Anni Albers, Design for wall-hanging (1927)

48 Gustav Hassenpflug, Folding table in three different positions (1928)
vs. Anonymous, Folding chair in three different positions (1929)

49 Laszlo Moholy-Nagy, From the Radio Tower, vs
Laszlo Moholy-Nagy, From the Radio Tower, vs. Laszlo Moholy-Nagy, View of the Radio Berlin (1928) Tower, Berlin (1925)

50 Iwao Yamawaki, The Attack on the Bauhaus (1932)


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