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Published byEmerald Watkins Modified over 9 years ago
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Mapping Angels
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The conversion of kingdoms and territories by the Jesuits (Regnorum & provinciarum per Societatem conversio)
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Moretus, Imago primi saeculi Societatis Jesu (Antwerp, 1640)
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Paolo Uccello, Chalice in Perspective
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Leon Battista Alberti, Della Pittura (On Painting) 1435 (Latin) / 1436 (Italian) -perspective as a tool to construct a proper ISTORIA -links perspectival painting to rhetoric and geometry -elevate the status of artists and the visual arts -both an intellectual and scientific basis for painting -perspective as a form of inquiry—evidence of the human ability to command knowledge of the world
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Illustration of Brunelleschi’s experiment. 1420s.
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Florence Cathedral. 1296-1436.
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Illustration of Brunelleschi’s experiment. 1420s.
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Hans Holbein. The Ambassadors. 1533.
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Jean François Niceron, A chair in regular perspective, La Perspective Curieuse. Paris, 1651 Q=vanishing point R=distance point
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Jean François Niceron, A chair in anamorphic perspective, La Perspective Curieuse. Paris, 1651.
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Raphael, School of Athens (1509-11)
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La Disputa
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Separation of Light from Darkness Sistine Ceiling, 1508-12
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Creation of Sun and Moon and Planets
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Raphael, Sistine Madonna, 1513
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Andrea Pozzo, Allegory of the Jesuits' Missionary Work, 1691-94 Fresco. Sant'Ignazio, Rome
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The conversion of kingdoms and territories by the Jesuits (Regnorum & provinciarum per Societatem conversio)
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Jan Porcellis, Shipping in Stormy Seas, c. 1630
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