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1820-1950.  There were no restrictions on the length of a piece or instruments used  Operas sometimes last 6 hours like those of Richard Wagner  Beethoven’s.

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Presentation on theme: "1820-1950.  There were no restrictions on the length of a piece or instruments used  Operas sometimes last 6 hours like those of Richard Wagner  Beethoven’s."— Presentation transcript:

1 1820-1950

2  There were no restrictions on the length of a piece or instruments used  Operas sometimes last 6 hours like those of Richard Wagner  Beethoven’s 9 th Symphony had an oversized orchestra, choir and vocal soloist (all new the time period)

3  Most band instruments came in to being as they are today  Invention of valves on trumpets French horns, tubas, baritones changed the instrumental abilities  Composers were now more interested in composing for these instruments

4  3 main types of orchestral music were developed:  the Romantic symphony  the tone poem  the concert overture.

5  Many more instruments and a fleixble number of movements than the Classical Symphony  They were examples of program music  Program music is music that tells a story  An example if Hector Berlioz’s Fantastic Symphony

6  Tone poems are long, one movement works that tell a story.  An example would be Till Eulenspiegel’s Merry Pranks by Richard Strauss

7  Overtures typically began operas and set the mood for the audience  Romantic period composers began writing overtures and not attaching them to operas known as concert overtures

8  Until now, composers always borrowed musical styles from other countries  Romantic composers started a new trend called Nationalism: incorporate native folk songs and styles into their music  Russia was the leader in this new trend of music.


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