1. Modern Review

2. Crystal Palace Joseph Paxton Great Exhibition of 1851 Industrial Revolution –Cast iron skeleton –Glass walls –Prefabrication

3. Eiffel Tower Gustave Eiffel 1889 Paris Exhibition

4. Michel-Eugene Chevreul

5. A Sunday on La Grande Jatte Seurat Pointillism or Divisionism Optical Mixing Middle Class people/life

6. Gaugin Flat planes of color Colors can represent ideas/emotion s (ex. Red as struggle…) Left his kids & wife and moved around (including to TAHITI)

7. Where do we come from? What are we? Where are we going?

8. Van Gogh Color= emotion (ex. Yellow = friendship & hope) Swirling brushstrokes 10 year career

9. Cezanne Underlying structure Multiple viewpoints Still lifes Mount Saint Victoire Color patches

10. Symbolism Don’t imitate nature – create free INTERPRETATIONS of it Inner Vision Fantasy world Technique individual to each artist

11. Redon The Cyclops

12. Rousseau The Sleeping Gypsy “naïve painter” –Lacked training

13. Gustave Moreau Jupiter and Semele

14. Munch Norway Forerunner of the Expressionists

15. Carpeaux (1827-1875) Count Ugolino and His Children More polished (like Neo- Classical) Vivid reality

16. Rodin (1840-1917) Walking Man “unfinished” style (like impressionists!) - roughly textured surface Inner feeling expressed through the body The Thinker, The Kiss, The Burghers of Calais, Balzac

17. Louis Sullivan “Father of the Prairie School Movement” Form follows function Birth of Modern Architecture

18. H.H. Richardson (Sullivan’s Predecessor) Trinity Church, Boston

19. Richard Morris Hunt Served the aristocracy Renaissance & Baroque influences The Breakers – for Cornelius Vanderbilt II (railroad king) –Looks like a 16 th century palazzo

20. Frank Lloyd Wright Falling Water Bear Run, PA 1934-37 Blend in with the natural site Contrast in textures CANTILEVER construction

21. Art Nouveau 1890-1914 Natural Forms Organic Forms

22. The Peacock Skirt Aubrey Beardsley

23. Victor Horta Staircase in the Van Eetvelde House

24. Tassel House Brussels

25. Antonio Gaudi – Casa Mila - 1905

26. Gustave Klimt The Kiss

28. Matisse Fauvism Non- representational color Based on artist’s feeling

29. Andre Derain The Dance

30. Picasso Blue Period (1901- 1904)

31. Picasso Rose Period (1905- 1906)

32. Gertrude Stein Influence of Iberian Sculpture

33. Picasso’s Les Demoiselles d’Avignon (1906) Landmark painting that would lead to Cubism

34. Picasso’s Guernica (1937) Event from Spanish Civil War in which Fascists bombed innocent civilians Outraged Picasso painted it for Spanish section of Paris International Exposition of 1937

35. Georges Braque The Portuguese 1911 Analytic Cubism

36. Synthetic Cubism * Picasso * Still-Life with Chair- Caning * 1912

37. Cubist Sculpture

38. Picasso – Guitar 1912

39. Archipenko – Woman Combing her Hair 1915

40. Julio Gonzalez Woman Combing her Hair 1930-33

41. Futurism 1909-1916 Motion & speed Lines of force

42. Giacomo Balla – Dynamics of a Dog on a Leash

43. Dynamism of a Soccer Player - Boccioni

45. Russian Constructivism 1913-32 Soviet Art Tatlin Monument to the Third International

46. Precisionism 1915-1930 Simplified Forms Border between representation & abstraction Charles Sheeler River Rouge Plant

47. Charles Demuth My Egypt

48. Georgia O’Keeffe

49. YOU’RE INVITED! WHAT: The Armory Show WHO: Impressionists, Post- Impressionists, Fauves, Cubists WHEN: Feb. 1913 WHERE: National Guard Armory, Lexington Street, New York City

51. Duchamp Nude Descending a Staircase

52. Expressionism The Bridge – Die Brucke (1905- 1913) Large & simple forms Clear (often jarring) colors Brutal angularity Ernst Ludwig KIRCHNER Street, Dresden

53. Emil Nolde Saint Mary of Egypt

54. The Blue Rider – Der Blaue Reiter 1911-1914 Colors are less jarring than The Bridge Spirituality Reaction against society Franz Marc Fate of the Animals

55. Improvisation No. 28

56. Dadaism Protested the madness of WWI “Everything that comes into being is art.” Jean Arp Collage Arranged According to the Laws of Chance 1916-17

57. DUCHAMP – Ready - made

59. The Bride Stripped Bare by her Bachelors

60. Postwar German Expressionism Max Beckmann (1884-1950) Disillusioned by war - Wanted his paintings to “reproach God for his errors” Night

61. Surrealism Blurs real world with fantasy Biomorphic = largley abstract (Miro) Naturalistic = recognizable scenes that metamorph. Into a dream or nightmare image (Dali, Magritte)

62. Giorgio De Chirico (1888 – 1978) Melancholy and Mystery of a Street

63. Max Ernst Two Children Are Threatened by a Nightengale

65. Renee Magritte The Treachery of Images 1928-29

66. Frida Kahlo Two Fridas 1939

67. Joan Miro Painting 1933 Biomorphic Surrealism

68. Maret Oppenheim - Luncheon in Fur

69. I and the Village

70. Mondrian Composition in Red, Blue, and Yellow De Stijl –created works that did not show recognizable images or infer depth –Achieve “honesty” in artwork

71. International Style –Transcended national boundaries –Absence of exterior decoration Rietveld – the Schroeder House 1923-24 De Stijl

72. Walter Gropius – Beginning of International Style The Shop Block Bauhaus Dessau - Bauhaus School of Design –Founded 1919 –Architecture should avoid all romantic embellishments

73. Mies van der Rohe Model for a glass skyscraper 1922 “Less is more.”

74. Villa Savoy Designed by Le Corbusier International Style “The house is a machine for living.” – Le Corbusier

75. Notre Dame du Haut (1950-1955) Le Corbusier This is a church. Abandoned International Style Replaced a French pilgrimage church destroyed in WWII More organic – resembles folded hands or a dove

76. Brancusi (1876-1957) Romanian Artist “essence of things” Bird in Space (1928)

77. Organic Sculpture Henry Moore Reclining Figure 1939 Use of negative space – holes going through solids – also known as “voids”

78. Barbara Hepworth Hole or void as the abstract element Organic vitality Oval Sculpture No. 2 1943

79. Abstract Expressionism Late 1940s, Early 1950s New York City now center of avant- garde art “Action Painting” No reference to visual reality Image result of the creative process Gestural Abstraction (Pollock) Chromatic Abstraction (Rothko)

80. Arshile Gorky Water of the Flowery Mill Armenian Biomorphic shapes (Miro) Glowing colors (Kandinsky) Impassioned act of painting

81. Jackson Pollock Lavender Mist, 1950 (Number 1, 1950) Gestural Abstraction No foreground, no background, no depth

82. Williem de Kooning Woman I Gestural Abstraction Furious energy

83. Chromatic Abstraction Color Field Interest in the relation between one color and another Mark Rothko No. 14, 1960

84. Barnett Newman Vir Heroicus Sublimus (1950-51) Evocative power of color

85. Helen Frankenthaler Bay Side 1967 Color Stain

86. Morris Louis Saraband Morris Louis, Saraband, 1959. Magna on canvas, 101 1/8 x 149 inches. Solomon R. Guggenheim Museum. 64.1685.

87. Hard Edge –Do NOT convey feeling of passion –Precise and cool Josef Albers Homage to the Square “Ascending”

88. Frank Stella Mas o Menos (1964) pinstripes

89. Ellsworth Kelly - Red Blue Green

90. Pop Art Early 1960s United States (leaders) Images drawn from popular culture Average person can understand it

91. Richard Hamilton “Father of British Pop Art” Just What is it That Makes Today’s Homes so Different, so Appealing? Collage 1956

92. Jasper Johns Flag Familiar Objects encaustic

93. Roy Lichtenstein Hopeless Comic strips Benday Dots

94. Andy Warhol – Marilyn Diptych

95. Robert Rauschenberg Canyon (1959) combines

96. Alexander Calder - Mobiles

97. David Smith – the Cubis Becca Cubi XVIII 1964

98. Minimalism United States - 1960s & 70s Get rid of things people USED to think were ESSENTIAL to art Extreme simplicity, typically large, geometric shapes

99. Donald Judd untitled 1969

100. Tony Smith Die 1962

101. Maya Lin Vietnam Veterans Memorial - Minimalism

102. Claes Oldenburg Pop Sculpture

104. Superrealism Duane Hanson Supermarket Shopper 1970

105. Duane Hanson, Tourists II Super realist sculpture Commentary on American life

106. Chuck Close Big Self-portrait 1967-68 Self-portrait 1997

107. Audrey Flack Marilyn (vanitas) 1977

108. Robert Smithson, Spiral Jetty Earth Art or Environmental Art (1960s-1970s) Site-specific – its design reflects the surroundings, it has its meaning in its location Art does not have to be in a museum

109. Nancy Holt’s Sun Tunnels (large concrete pipes with holes) 1970s environmentalism Site-specific Has a dialogue with the surrounding Like a modern Stonehenge

110. Richard Serra’s Tilted Arc

111. Christo and Jeanne-Claude Site-specific art Wrapping projects Last project – The Gates in Central Park (2004)

112. Postmodern Architecture Varied Interesting Complex Eclectic The AT&T Building Philip Johnson (1984)

113. Michael Graves – The Portland Public Services Building (1980-82)

114. The Pompidou Center Piano & Rodgers

115. Frank Gehry, Guggenheim Museum in Bilbao, Spain