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Photography Concepts What do all the doohickeys do? Perry Kivolowitz.

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Presentation on theme: "Photography Concepts What do all the doohickeys do? Perry Kivolowitz."— Presentation transcript:

1 Photography Concepts What do all the doohickeys do? Perry Kivolowitz

2 Outline I.Types of (digital) cameras II.Controlling exposure III.Camera shooting modes IV.Picture modes

3 Types of (digital) cameras: point-and-shoot Small – maximize portability and convenience Simple – maximize automation, ease-of- use Good for: Beginners All-around keep in purse or pocket camera Travel Photo: Canon web site

4 Types of (digital) cameras: bridge Midway between point- and-shoot and DSLR Most features of DSLR without interchangeable lenses Good for: – Intermediate users – Advanced users looking for lighter travelling camera Photo: dpreview.com

5 Types of (digital) cameras: DSLR Maximum flexibility / creative potential Interchangeable lenses “Raw” shooting mode Good for: – Advanced users Newest features: – Live preview / EVF – HD movie recording Photo: dpreview.com

6 Types of (digital) cameras: SLR – Single Lens Reflex Mirror down – compose shot through actual lens Mirror up – take shot Drawing: techlore.com

7 Outline I.Types of (digital) cameras II.Controlling exposure III.Camera shooting modes IV.Picture modes

8 Controlling exposure Exposure: How much light falls on sensor Too muchToo little Good exposure is a compromise: Giving up something to get something else

9 Controlling exposure: What are your tools? I.Shutter speed How long is sensor exposed to light II.Aperture How much light can pass thru in any instant of time III.Sensitivity How much light needed to cause response in sensor IV.Lighting We won’t discuss this

10 Controlling exposure: Shutter speed Shutter is a device controlling light’s access to the sensor – could be mechanical or electronic Faster shutter (e.g. 1/500 th sec) = less light Slower shutter (e.g. 1/30 th sec) = more light Typical DSLR range: “B” to 1/4000 th sec

11 Controlling exposure: Shutter speed Fast shutter = freeze actionSlow shutter = blur action Photos: David Hofmann - http://www.pbase.com/david_hofmann/swans_in_motion

12 Controlling exposure: Aperture Defined as an opening, we’re more concerned with the size of the opening Big opening = more light Small opening = less light Quantifying the opening? – f-number Photo: http://en.wikipedia.org/wiki/File:Aperures.jpg

13 Controlling exposure: Aperture – f-number Lenses come in all sizes f-number is a ratio of focal length to aperture diameter Photo: http://en.wikipedia.org/wiki/File:Aperures.jpg Drawing: http://upload.wikimedia.org/wikipedia/commons/8/8b/Focal-length.svg

14 Controlling exposure: Aperture – f-number Bigger number = smaller opening = less light Smaller number = bigger opening = more light Values available are lens dependent Smallest f-number available on a lens indicates its relative “speed” – Cheaper lens = larger smallest f-number = slower – Pricier lens = smaller smallest f-number = faster – eBay: a 2.8 28mm = $160, a 1.4 28mm = $3995

15 Controlling exposure: Aperture: Depth of Field Aperture controls “depth of field” If you focus at D feet, DOF is a range in front and behind that is also acceptably focused Bigger f-number = greater DOF Photo: http://en.wikipedia.org/wiki/Depth_of_field f/32f/5.6

16 Controlling exposure: Aperture: Depth of Field For example: Focus Distance ApertureNearFarApertureNearFar 1’f/1.411.9”1’ 0.1”f/1610.9”1’ 13” 10’f/1.49’ 1.6”11’ 1”f/164’ 9.9”∞ 50’f/1.433’ 10”96’f/167’ 9.6”∞ Image: http://www.tutorial9.net/photography/depth-of-field-in-photography/

17 Controlling exposure: Aperture: Depth of Field Simplified explanation of depth of field: Drawing: http://rick_oleson.tripod.com/index-109.html

18 Controlling exposure: Many ways to get “correct” exposure Chart: http://en.wikipedia.org/wiki/Exposure_value

19 Outline I.Types of (digital) cameras II.Controlling exposure III.Camera shooting modes IV.Picture modes

20 Camera shooting modes Many ways to achieve “correct” exposure Basic shooting modes favor one creative aspect over another

21 Camera shooting modes: Shutter priority (S) You pick the shutter speed Camera picks the aperture You choose between freezing action or blurring it

22 Camera shooting modes: Aperture priority (A) You choose aperture Camera chooses shutter speed You choose between isolating foreground or including background

23 Camera shooting modes: Program mode (P) Camera chooses both aperture and shutter speed as a basis But lets you favor shutter speed or aperture as a temporary override

24 Camera shooting modes: Automatic Camera chooses everything

25 Camera shooting modes: Some fancier modes Portrait mode – Chooses small aperture and adjusts shutter speed Sports mode – Chooses fast shutter speed and adjusts aperture Sunset mode – Chooses both then under-exposes Night mode – Fires flash then exposes for background

26 Outline I.Types of (digital) cameras II.Controlling exposure III.Camera shooting modes IV.Picture modes

27 Picture modes: JPEG A lossy compression method More loss = smaller file Shoot on fine – storage is cheap

28 Picture modes: Raw A digital “negative” Larger files MUCH greater flexibility

29 Picture modes: Raw I always shoot in Raw The increase in flexibility is compelling But – It’s a pain when all I want is emailed snapshots – Raw processing sometimes requires extra costs


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