1. Copyright Law Boston College Law School January 7, 2003 Introduction

2. Topics 1. What is copyright law about? 2. Why do we have copyright? 3. What will we cover in this class? 4. What are the requirements for this class?

3. What is copyright? Subject matter: creative and artistic works –E.g. books, magazines, music, movies, plays, sculpture, painting, drawings, architectural works, software –Industries include: publishing, broadcast t.v. and radio, recording industry, movie industry, software industry Does not include: facts, ideas, inventions

4. Compared to Other I.P.

5. Example: Harry Potter

6. What is copyright? Scope of rights –Exclusive right to: Reproduce Adapt Publicly distribute, perform, display –Term: life of author + 70 years

7. Why do we have copyright? 1. Economic theories 2. Labor desert theories 3. Personality theories 4. Social planning theories 5. Interest group theories

8. How is copyright different? How is copyright different from physical property? –“Nonexcludable” Difficult to keep others from possessing property E.g. easy to copy an MP3 –“Nonrival” Many people can possess the property at the same time E.g. I can give you a copy of the MP3 w/out losing mine

9. Economic theories Basic idea: –Copyright is necessary to provide authors with incentives to engage in creative activity Responds to “public goods” nature of information Without protection, others could copy and sell Limitations: –Protection may reduce broad access to works Raises costs of copyrighted works to consumers Raises costs of creating derivative works –No data re: how much is “enough” or “optimal”

10. Labor-Desert Theories Basic idea: –Copyright law serves to reward authors for their creative labor Based in part on writings of John Locke; natural law Consistent with instincts re: rewarding effort Limitations –Hard to know what limiting factors –How much of work’s success is due solely to author’s labor?

11. Personality Theories Basic idea: –Copyright law protects an artist or creator’s personal connection to a creative work Some works are not merely commodities Instead, may be bound up with creator’s identity Limitations –Hard to know what limiting factors –Not applicable to primarily commercial works

12. Social Planning Theories Basic idea: –Copyright law should be constructed so as to provide the conditions for the creation of a robust and diverse culture Focus less on authors, more on output Want less concentration, more diversity Limitations –Significant disagreement over what constitutes a robust and diverse culture

13. Interest Group Theories Basic Idea: –Copyright law largely reflects and protects the interests of the copyright industries Industries are wealthy, focused, and organized Consumers are diffuse, passive, disorganized Limitation –Primarily a descriptive theory - provides little normative guidance

14. Major Themes Multiple conflicting theories –No single theory can explain all doctrines –Often theories are in tension Changing technology –Constant response to changing technology –Typically without adequate information –Can copyright law adapt to digital technology?

15. Requirements Grading –Primarily based on exam (take-home) –Quality participation will be counted Participation –Panel system –Sign up for two classes, in different months Class web site –http://www2.bc.edu/~liujr/courses/copy03s/index.html

16. Contact Information Office Hours –Location: East Wing, 313 –Hours: Thu., 3:30-5 p.m., or by appointment E-Mail –liujr@bc.edu Phone –617-552-6377

17. Assignment for Next Class Finish I. - Introduction Read II.A. - Fixation