1. Two women have been nominated for academy awards In fact, only two have ever been nominated -- Lina Wertmuller for "Seven Beauties" in 1976 and Jane Campion for "The Piano" in 1993. No woman has ever won.

2. Guerilla Girls Billboard The U.S. Senate is more progressive than Hollywood. Female Senators: 9%, Female directors: 4%." That's according to a study undertaken at San Diego State University, and it suggests the extent to which the dreams that radiate off theater screens and into our culture are still almost exclusively the dreams of men.

3. in film and TV, women directed 7 percent of the top-grossing 100 films released in 2000 n 2001. The percentage [of the top 100 films] has gone way down. It looks like 4 percent, which means it's below 1992 levels.” 2005 back up to 7%

4. Women Film Directors in film and TV, women directed 7 percent of the top-grossing 100 films released in 2000 n 2001. The percentage [of the top 100 films] has gone way down. It looks like 4 percent, which means it's below 1992 levels.” 2005 back up to 7%

5. Is there a difference? Is it natural? What is the nature of their creative expression? Is there a distinctly female sensibility? New meanings? Do these films address audiences in different ways? What is the nature of their creative expression? Is there a distinctly female sensibility? New meanings? Do these films address audiences in different ways?

6. Maya Deren: Meshes in the Afternoon 1943 Inauguration of the American Experimental Film Poetic dreamlike quality of film Innovative technique to evoke conflicting emotions-like fear and desire Inauguration of the American Experimental Film Poetic dreamlike quality of film Innovative technique to evoke conflicting emotions-like fear and desire

7. Dorothy Arzner and Ida Lupino: Early Hollywood Directors The history of women directors during the golden age of Hollywood from the 30’s-60’s can be summed up by two somewhat short careers Women’s place in cinema has historically been in front of the camera as love interests, objects of desire, sexual threats, or negligible characters

8. Lack of Equality leads to Ghettoization Women filmmakers aren’t judged by their films necessarily They are immediately labeled as women directors The achievement of men sets the standards to which women aspire and against which women’s achievements are measured The problem is perceived as women’s need to catch up to men--not as a socioeconomic disparity or as an institutionalized power differential

9. Leslie Harris-- first movie, "Just Another Girl on the IRT," got positive reviews and made a profit, 10 years later she's still trying to put together funding for her follow-up, "Royalties, Rhythm and Blues," a behind-the-scenes look at a woman working in the hip-hop industry. She has been told that African American Women can’t carry a film

10. Directors of the 90’s have taken over 10 years to make a new film Alison Maclean Crush 1993-Jesus’ Son 2000 Rebecca Miller's first film "Angela" won the Filmmakers' Trophy and the cinematography award at the 1995 Sundance--it took her until last year to make her second movie

11. Mary Harron notes that while she's happy with her career, "'American Psycho' made a huge amount of money. It did very, very well in Europe and tremendously well on video, and I think if I was a guy I would have had a lot more offers having made that film

12. Hollywood according to writer Robin Wood There is no women’s movement Only individual women directors Not all women make “chick flicks”--or feminist films

13. Susan Seidelman Old formats new sensibility Interesting feminine perspective Doesn’t glamorize women at the expense of men Shares an affinity with desperate, aggressive women

14. Smithereens and Desperately Seeking Susan Examine Contemporary Themes Fame Self-fulfillment Personal identity Social relationships

15. “downtown sensibility” First to show the Lower East Side of Manhattan Shows the negatives and positives and the seedy vs. Bohemian

16. Smithereens 1982 80,000 About a hustler who wants to manage a rock band Wren, a village hipster who wants fame and lacks talent Tale of punks immersed in media and addicted to TV Products of a demoralized era

17. First American Indie to be shown at Cannes Film Festival Why did it have success in critical environments Radical Portrayal of Character

18. First American Indie to be shown at Cannes Film Festival Why did it have critical success? Radical Portrayal of Character Character similar to the Madonna in Desperately Seeking Susan, but limits identification Why did it have critical success? Radical Portrayal of Character Character similar to the Madonna in Desperately Seeking Susan, but limits identification

19. Didn’t make Desperately Seeking Susan until 1985 Only offered dopey teen flicks after Smithereens Comedy about identity Mixup between a wealthy housewife and and a hustler Made for 5 million Only offered dopey teen flicks after Smithereens Comedy about identity Mixup between a wealthy housewife and and a hustler Made for 5 million

20. Success Presence of a Pop Star-- Up and Coming Star Stars from other indies: John Lurie and Richard Edson from Stranger than Paradise Plot’s complication comes from an ancient device: “amnesia”

21. Studio wanted to cast a perfect blonde for the role of Susan Seidelman wanted someone more gritty who acts like a princess (or pop icon) Seidelman was able to get larger budgets after this film, but wasn’t able to achieve the same critical success of her first two films

22. Seidelman has directed many episodes of Sex and the City Along with other important female directors of the 80’s & 1990’s Along with directors like Alison Anders and Alison Maclean Along with other important female directors of the 80’s & 1990’s Along with directors like Alison Anders and Alison Maclean