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BLAST! 1914 and 1915, Wyndham Lewis, ed.. Percival Wyndham Lewis  1882-1957  the men of 1914  unpopular  politics – questionable at best  artist,

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Presentation on theme: "BLAST! 1914 and 1915, Wyndham Lewis, ed.. Percival Wyndham Lewis  1882-1957  the men of 1914  unpopular  politics – questionable at best  artist,"— Presentation transcript:

1 BLAST! 1914 and 1915, Wyndham Lewis, ed.

2 Percival Wyndham Lewis  1882-1957  the men of 1914  unpopular  politics – questionable at best  artist, writer, thinker  The Enemy – and its pitfalls  Vorticism

3 Vorticism  derives from Futurism and Cubism  F. T. Marinetti – Thursday’s reading  dynamism  form  purity  line, plane, colour  content does not matter – non representative

4 p. 86, BLAST 2

5 Vorticism  So: What has Vorticism got to do with the War?

6 Vorticism “The Creditors” 1912

7 Vorticism “The Machine Age” 1916

8 Vorticism “The Menin Road” 1918

9 Vorticism “Battery Shelled” 1919

10 Vorticism “Mr. Wyndham Lewis as a Tyro” 1921

11 BLAST 1914  shocking, offensive, challenging, effrontery  young men, brash, arrogant, defiant  blasting away at what they disapprove  blessing what they approve  often in the same page  new poetry, new visual arts, new typography, new distribution, new aesthetics  To Hell with the Old (cf. Eliot, Pound, Aldington, …)

12 BLAST

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17 Lewis on BLAST 1:  p. 85-6 in BLAST 2  get a load of his review of the 1 st number’s reception

18 BLAST 1915  the war number  after a year of war, things are slightly more restrained  people are gone, to the front – some dead  most notably Henri Gaudier-Brzeska whose sculptures were eminently vorticist

19 Gaudier- Brzeska “Head of Ezra Pound” 1914

20 Gaudier- Brzeska “Red Stone Dancer” 1913

21 Gaudier- Brzeska “Seated Woman” 1914

22 Let’s read a bit… What do you want to talk about?  nationality p.6, 15,  war and art p. 25, 72  Gaudier-Brzeska and Marinetti p. 26, 33  Aestheticism (decadence) p. 71  the war p. 73, 75,  BLAST and BLESS p. 92-3  design, typography, illustrations  “The Crowd Master” p. 94-102

23 Futurism  F. T. Marinetti (1876-1944)  Leader of Italian futurism  Aggressive, brash  Promoted machine, noise, violence, dynamics, war, speed, movement, youth  Toured England 1913, met Lewis and influenced a lot

24 Futurism Fortunato Depero, Skyscrapers and Tunnels (Gratticieli e tunnel), 1930

25 Futurism Goncharova, Cyclist

26 Futurism Goncharova, Cyclist Promotional Poster for Fritz Lang’s film Metropolis (1927)

27 Manifesto for a NEW Art  Get into groups of four  Write me a manifesto for a new art in the style of Marinetti and/or Lewis  You can Blast and Bless things if you like  Whip up your sense of aggression, anger, outrage  Tell me how it is – and how it should be


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