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ART 3 HONORS EXPRESSIVE USE OF CHARCOAL AND RELATED MEDIA
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OBJECTIVES: Produce chiaroscuro images using charcoal, erasures, white chalk Articulate specific characteristics of the work of historical and contemporary artists who typically use chiaroscuro as a means to convey mood, emotions Identify at least 3 above artists and describe their work in terms of subject matter, style, media, verbally and/or in writing Explore the expressive potential and constraints of charcoal and related media by creating several studies using a variety of techniques
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Juan Sanchez Cotan. Quince, Cabbage, Melon and Cucumber. 1600 Spanish Baroque.
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Francisco de Zurburan, 17th century Spanish painter. Note dramatic use of chiaroscuro.
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Caravaggio,Italian Baroque, Supper at Emmaus, 1606 Rembrandt, Dutch Baroque, Supper at Emmaus, 1628
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ASSIGNMENTS: All to be done in charcoal, chalk, erasers, optional pastel 1. STILL LIFE: Root vegetables, skulls, squash…(alternate-interior of room) Studies from direct observation of still life objects lit with single light source in which strong light dark contrast creates the illusion of 3-D form and creates a mood. A-symmetrical compositions with center of interest in golden section SWBAT:18 x 24 toned paper, charcoal and white chalk 18 x 24 white paper, subtractive drawing Charcoal on bold color papers with optional addition of contrasting color chalk (4 - 9 x 12 page details)
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Kathe Kollwitz, 1867-1945, German Expressionist. Charcoal, “After the Battle”
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JIM DINE The single monumental object Mixed Media on Photograph
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JIM DINE
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Fennel, 2008, Graphite on Mylar
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Robert Longo, American, contemporary. Charcoal on paper from his Disaster series
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Robert Longo, charcoal and ink on vellum, study for wave series
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William Kentridge, South African, contemporary Weighing and Wanting, 1997, charcoal, poster paint, and pastel on paper, 47.25” x 63”
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William Kentridge. Charcoal drawing. Note erasures
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Kentridge, Note use of charcoal and pastel
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2. SELF PORTRAIT: from photo – must not look photographic Self portrait expressing your personality and/or a mood or emotion (alternate-phobia) Strong contrast Illusion of 3-D form achieved as in studies above Gestural application of media, exaggerated or distorted image that conveys your intended effect Must be made on more than one support Extra credit: Place yourself in an environment that underscores the mood, emotion or personality you aim to convey
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Jim Dine. Self Portrait on 2 supports
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