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Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity.

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Presentation on theme: "Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity."— Presentation transcript:

1 Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity

2 Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity 1. Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997 Photo: Rebecca Benjamin, © Davis Art Images

3 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 2. Jean (Hans) Arp, Arrangement According to the Laws of Chance (Collage of Squares), 1916-1917, torn and pasted papers on paper, 49 x 35 cm (19 3/8 x 13 7/8") ©The Museum of Modern Art, New York, Purchase

4 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 3. Claude Monet, Rouen Cathedral, Façade, 1894, oil on canvas, 100.6 x 66 cm (39 5/8 x 26") ©Museum of Fine Arts, Boston

5 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity 4. Iran, Unknown Artist, Textile panel, c1600-1650, silk; cut, voided satin velvet; brocaded, 115.4 x 68 cm (45 3/8 x 26 3/4") ©Worcester Art Museum, Worcester, Mass.

6 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (material) 5. Benvenuto Cellini, Bindo Altoviti, c1550, bronze, height: 105.4 cm (41 1/2") ©Isabella Stewart Gardner Museum, Boston

7 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (color) 6. Willem de Kooning, A Tree in Naples, 1960, oil on canvas, 204 x 178 cm (80 3/8 x 70 1/8") ©The Museum of Modern Art, New York

8 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (color) 7. Ad Reinhardt, Abstract Painting, Red, 1952, oil on canvas, 274 x 102 cm (107 7/8 x 40 1/4") ©The Museum of Modern Art, New York

9 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Dominance (visual elements) 8. Katsuta Chikuô Teikan, Bamboo in Moonlight, 17th century, hanging scroll, ink on silk, image: 124.5 x 45.6 cm (49 x 17 15/16") ©Museum of Fine Arts, Boston

10 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Repetition of Visual Units 9. Eileen Gray, Block Screen, 1922, lacquered wood and metal rods, 189 x 136 cm (74 1/2 x 53 5/8") ©The Museum of Modern Art, New York

11 Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Repetition of Visual Units 10. Miguel Ocampo, Number 172, 1957, oil on canvas, 54 x 81 cm (21 1/4 x 31 7/8") ©The Museum of Modern Art, New York, Inter-American Fund

12 Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Repetition of Visual Units 11. Stanley Tigerman, 315 to 329 West Dickens, Chicago, late 1960s Photo © Davis Art Images

13 Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Use of Color 12. Laurence Gartel, Nuvo Japonica #25, 1989, cibachrome print from a digital image, 50.8 x 61 cm (20 x 24") Joan Whitney Payson Museum, ©Laurence Gartel

14 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 13. Moorcroft Factory, Vase: blue trees, 1920s, earthenware, 36.85cm x 16.85cm (14 1/4 x 6 3/4") ©Cleveland Museum of Art

15 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 14. Frederick Carl Frieseke (American, 1874-1939), The Basket of Flowers, c.1913/1917, oil on canvas, 81.4 x 81.5 cm (32 x 32 1/16") ©National Gallery of Art, Washington, Chester Dale Collection 1963.10.1

16 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Use of Color 15. Alexander Calder, Flamingo, 1974, painted steel, height:15 meters (49') Dirksen Federal Center Plaza, Chicago, Photo: Anette Macintire, © Davis Art Images

17 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 16. Jackson Pollock, Full Fathom Five, 1947, oil on canvas with mixed-media, 129 x 77 cm (50 7/8 x 30 3/8") ©The Museum of Modern Art, New York

18 Exploring Visual Design Part 2 The Principles of Design, Chapter 8 Unity Surface Quality 17. Paul Cézanne, Mont Sainte-Victoire, 1902-1904, oil on canvas, 73 x 92 cm (28 3/4 x 36 1/4") ©Philadelphia Museum of Art

19 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 18. Uzebekistan, Wall Hanging, from the Bokhara district, 1860, silk and cotton ikat woven in warp-faced plain weave, 221.6 x 168.9 cm (87 1/4 x 66 1/2") ©Museum of Fine Arts, Boston

20 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 19. Chavín Culture, Ancient Peru, Plaque with Unknown Fanged Deity, c500-200 BCE, hammered and cut gold, 21.8 x 10.8 cm (8 1/2 x 4 1/4") ©Cleveland Museum of Art

21 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Surface Quality 20. Isamu Noguchi (American, 1904- 1988), Great Rock of Inner Seeking, 1974, basalt, 324.8 x 158.4 x 88.9 cm (127 3/4 x 62 1/4 x 35") ©National Gallery of Art, Washington, Gift of Arthur M. Sackler, M.D., and Mortimer D. Sackler, M.D., 1976.58.1

22 Exploring Visual Design Part 2 The Principles of Design Chapter 8 Unity Studio Experience - Putting it Together 21. Paul Klee, Old City Architecture, 1924, watercolor, ink and white ground on paper, mounted on board, 39.7 x 31.7 cm (15 5/8 x 12 1/2") ©The Museum of Modern Art, New York

23 Exploring Visual DesignSet 116C Part 2The Principles of Design, 8 -- Unity 1.Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997 Photo: Rebecca Benjamin, © Davis Art Images 29746 2.Jean (Hans) Arp, Arrangement According to the Laws of Chance (Collage of Squares), 1916-1917, torn and pasted papers on paper, 49 x 35 cm (19 3/8 x 13 7/8") ©The Museum of Modern Art, New York, Purchase MOMA-P2501 3.Claude Monet, Rouen Cathedral, Façade, 1894, oil on canvas, 100.6 x 66 cm (39 5/8 x 26") ©Museum of Fine Arts, Boston MFAB-108 4.Iran, Unknown Artist, Textile panel, c1600-1650, silk; cut, voided satin velvet; brocaded, 115.4 x 68 cm (45 3/8 x 26 3/4") ©Worcester Art Museum, Worcester, Mass. WAM-258 Dominance (material) 5.Benvenuto Cellini,Bindo Altoviti, c1550, bronze, height: 105.4 cm (41 1/2") ©Isabella Stewart Gardner Museum, Boston GM-18 Dominance (color) 6.Willem de Kooning,A Tree in Naples, 1960, oil on canvas, 204 x 178 cm (80 3/8 x 70 1/8") ©The Museum of Modern Art, New York MOMA-P2123 Dominance (color) 7.Ad Reinhardt, Abstract Painting, Red, 1952, oil on canvas, 274 x 102 cm (107 7/8 x 40 1/4") ©The Museum of Modern Art, New York MOMA-P1501 Exploring Visual Design, Part 2 The Principles of Design, Chapter 8 Unity

24 Dominance (visual element) 8.Katsuta Chikuô Teikan, Bamboo in Moonlight, 17th century, hanging scroll, ink on silk, image: 124.5 x 45.6 cm (49 x 17 15/16") ©Museum of FIne Arts, Boston MFAB-859 Repetition of Visual Units 9.Eileen Gray, Block Screen, 1922, lacquered wood and metal rods, 189 x 136 cm (74 1/2 x 53 5/8") ©The Museum of Modern Art, New York MOMA-D0053 Repetition of Visual Units 10.Miguel Ocampo, Number 172, 1957, oil on canvas, 54 x 81 cm (21 1/4 x 31 7/8") ©The Museum of Modern Art, New York, Inter-American Fund MOMA-P2425 Repetition of Visual Units 11.Stanley Tigerman, 315 to 329 West Dickens, Chicago, late 1960s Photo © Davis Art Images 13994 Use of Color 12.Laurence Gartel, Nuvo Japonica #25, 1989, cibachrome print from a digital image, 50.8 x 61 cm (20 x 24") Joan Whitney Payson Museum, ©Laurence Gartel GAR-102 Use of Color 13.Moorcroft Factory, Vase: blue trees, 1920s, earthenware, 36.85cm x 16.85cm(14 1/4 x 6 3/4") ©Cleveland Museum of Art CL-458 Use of Color 14.Frederick Carl Frieseke (American, 1874-1939), The Basket of Flowers, c.1913/1917, oil on canvas, 81.4 x 81.5 cm (32 x 32 1/16") ©National Gallery of Art, Washington, Chester Dale Collection 1963.10.1 NGA-P0971 Exploring Visual Design, Part 2 The Principles of Design, Chapter 7 Balance

25 Use of Color 15.Alexander Calder, Flamingo, 1974, painted steel, height:15 meters (49') Dirksen Federal Center Plaza, Chicago, Photo: Anette Macintire, © Davis Art Images 29780 Surface Quality 16.Jackson Pollock, Full Fathom Five, 1947, oil on canvas with mixed-media, 129 x 77 cm (50 7/8 x 30 3/8") ©The Museum of Modern Art, New York MOMA-P0347 Surface Quality 17.Paul Cézanne, Mont Sainte-Victoire, 1902-1904, oil on canvas, 73 x 92 cm (28 3/4 x 36 1/4") ©Philadelphia Museum of Art PMA-47 Surface Quality 18.Uzebekistan, Wall Hanging, from the Bokhara district, 1860, silk and cotton ikat woven in warp-faced plain weave, 221.6 x 168.9 cm (87 1/4 x 66 1/2") ©Museum of Fine Arts, Boston MFAB-585 Surface Quality 19.Chavín Culture, Ancient Peru, Plaque with Unknown Fanged Deity, c500-200 BCE, hammered and cut gold, 21.8 x 10.8 cm (8 1/2 x 4 1/4") ©Cleveland Museum of Art CM-435 Surface Quality 20.Isamu Noguchi (American, 1904-1988), Great Rock of Inner Seeking, 1974, basalt, 324.8 x 158.4 x 88.9 cm (127 3/4 x 62 1/4 x 35") ©National Gallery of Art, Washington, Gift of Arthur M. Sackler, M.D., and Mortimer D. Sackler, M.D., 1976.58.1 NGA-S0033 Studio Experience -- Putting it Together 21.Paul Klee, Old City Architecture, 1924, watercolor, ink and white ground on paper, mounted on board, 39.7 x 31.7 cm (15 5/8 x 12 1/2") ©The Museum of Modern Art, New York MOMA-P2675 Exploring Visual Design, Part 2 The Principles of Design, Chapter 7 Balance


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